THE CURRENT OF CREAMY COFFEE

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I sink beneath your skin
like sea
sweeping over sand,
you, a thousand grains
glistening
while I wash over you
in warm waves,
your salty sweat

sweet

below my current.

I slip between your lips
like cream
coming into coffee,
our senses fired
like frothed fluid
as we pound passion
into fragile
flesh

once fresh,
now feverish,
once timid,

now tasted

once begun,
we can never go back

You are now the sea
and I the sand,
upon your back,

I am now the coffee
and you have taken

to the cream.

All Words and Photographs by Damien B. Donnelly

Audio version available on Soundcloud:

ACCEPTING UNCERTAINTY

 

If this is love
then ask no questions
I cannot answer

so disappointment
cannot distract us
from determination.

Accept the uncertainly
of this rocky road
set out before us

so doubt does not
divine disaster
before it dissolves us.

See today as the future
and tomorrow a bonus

least time tests us
with what has yet to be

and teases us with what
we wasted yesterday.

All Words and Photographs by Damien B. Donnelly

Audio version available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/accepting-uncertainly

 

FOR MARIE AND EDDIE; LOVE CAN

A week ago, my sister Marie got married to her soulmate Eddie and I was so proud to see her wearing the wedding dress I had made for her. It’s strange to say my sister got married because I grew up as an only child, but there you go. Life delivers surprises everyday.

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Soulmates

I grew up knowing I was adopted, it was a bedtime story from when I was a little boy; I was told that while my friends all came from their mummy’s tummies, I was different and had been picked in a baby shop, my parents had looked around and chose me. Therefore I was special and grew up thinking adoption was pretty much the coolest thing in the world. And feeling extra special of course. When I was 18, I told my parents I was gay. Actually, I verbally vomited this information up on a Saturday morning, having grown tired of holding it inside for the previous 10 years. After the tears and the hugs and unquestionable family devotion, my mother decided that, as I had shared my secret, she would share her’s with me. I grew up thinking she had never had children but, on that Saturday, amid empty boxes of kleenex, she told me that she had had a baby girl before she was married, in rural Dublin in the 1960’s. More tears ensured, of course. The father didn’t want to stick around and Mum decided that the best gift she could give her baby daughter was to give her up for adoption in the hope that another family would give her the life that she could not provide at the time. That was my mum’s sacrifice and she carried it with her everyday. She still does. Years later, she met and married my father and they tried to have kids but, it turned out, my father wasn’t able to father children and so the circle turned and the beginning met the end and they adopted me.

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Mother and Son

Just over 10 years ago, my sister came looking for her natural mother and another circle completed its turn. Unfortunately Marie lost her own mother just months before finding Mum. Life takes away and gives back to those who are fortunate. Mum and Marie are peas in a pod. Their not only share blood, but mannerisms, laughter, the same sense of style, the same hand movements which you think are learned from your everyday environment but it turns out not to be the case. Mum also has two gorgeous Grandchildren so I’ve been let off the hook for not providing her with any and I got two nieces into the bargain.

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Marie’s daughters/bridesmaids, Mum’s grandchildren and my nieces 

This picture below is Mum and her daughter last Saturday in Dublin on the morning of the wedding in Marie’s bedroom.  Mother and daughter united again and my Mum got to walk down the aisle with her daughter on her wedding day with Marie’s adopted Dad on the other side.

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If you look out the window, the building opposite is a nuns convent, Temple Hill. That’s where I started my life. I told you, Life always delivers surprises.

My sister asked me to speak at the wedding ceremony. These are the words I wrote for my sister Marie and her new Husband Eddie, with love…

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He gives her his hand
not to take hers
but to place his heart in her hold

She gives him her heart
not because she doesn’t need it
but to let him know she needs him more

He stands beside her
not to sink in her shadow
but to rise higher together

She kisses his lips
not to take his breath
but to share his soul

He gives her his hand
she gives him her heart
they share their souls.
These are their best offerings
they are not money
they are not material

because material
can never hold your hand
and money
can never warm your heart

the way Love can…

This is how unions are made…
This is how families grow…

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All Words and Pictures by Damien B. Donnelly

 

THE STARS, A SHORT LIFE/STORY

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She was a married woman, with stars in her eyes, by the age of ten. She’d seen him in the back yard at 9 ¾ and in seconds had painted their future together. Mrs. Mulligan’s daughter would be Mrs. Michael Menkas and at 12 she dropped her bike at his gate and, upon his stoop, told him so.

At 13 he kissed her upon the lips; clumsy, sloppy and unaware of what to do with his tongue. But she was unaware that it could have been any better. At 14 he held her to his heart and promised her the earth, the moon and the stars but at 16 he heard the call and got wrapped up in a flag with stripes and other stars.

His letters came home twice a week at 18, from the front lines, they said, tales of heroes covered the pages while between the lines she saw the smudges of fear but they always signed off with a kiss.

When he first came home, he held her in his 19 year old arms. He placed a ring upon her finger as she glowed from head to toe in a white dress his mother had made her. She was a woman now whose breasts filled her bodice and eyes still sparkling stars beneath her veil while he, in uniform, played his part but the stars in his eyes had blown out.

For 20 days they played house, like in their childhood dreams long gone. Nights of passioned love making that ran far into the dawn before dreams fell to sweaty nightmares and she held him to her heart afterwards as if someone could pull him away from her at any moment. The truth of his imminent departure seeped out of every thread on the uniform that hung on the side of the closet.

At 21 she answered the knock at the door with a hand upon a swollen belly. Two men, too young to be adults and too young to be delivering the burden handed her a letter that ripped her apart before she could rip the envelope.

At 22 she bore his child and a tiny girl roared into the world. When Mrs Michael Menkas looked at her daughter, a tiny ball of wrinkles and wonder, her heart broke all over again for the tales she would one day have to tell her daughter of a husband and father now lost in the stars.

All Words and Photographs by Damien B. Donnelly

LITTLE BLACK DRESS

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And every day
that the sun still rose,
and some days
were unexpected,
she took the dress
and put it on
as if it pulled
back the years,
as if her skin again
was taunt,
as if her hair again
was blonde,
as if her friends again
were there.
And in the dress
she walked the streets,
in her simple little dress
with flowers in hand
she walked to him,
with lipstick
licking lips
no longer there,
and when she found him
she took a seat
by the earth
under which he lay
and knew he smiled
at her on high
still a beauty
in the dress,
in that little black dress
he had bought her
on one fine day.

All Words and Drawings by Damien B. Donnelly

Audio version available on Soundcloud;

https://soundcloud.com/damien-donnelly-2/little-black-dress

DAWN II

Another dawn… They keep coming!

This is my second attempt at a ghazal for Jane Dougherty’s challenge:

https://janedougherty.wordpress.com/2016/08/17/poetry-challenge-44-ghazal/

 My first attempt fell toward folly rather than regarding the principles of form so I’m back again, same picture, same theme, leaning more on the rules this time- I think.

So a Ghazal is a love poem, made up of a collection of uneven couplets with a refrain at the end of each couplet, although the first and second lines rhyme too! The refrain should be no more than 1 to 3 words- I accept that I have a refrain of 4! I am a deviant! What can I say!  

Along with this, which I completely missed on my first attempt, there is another rhyme which immediately proceeds each refrain making an internal rhyme! Good lord!

Now, come on everyone, give it a try and, if you fall like me, keep trying like me too! Remember it’s all about the journey, not the destination.
My first attempt was penned in a Paris airport, this second attempt at home in Dublin, maybe my Irish ancestors will accelerate success…


       

Dawn. A Ghazal

I saw her lean into the light
saw Ushas try to still the night,

though she art Dawn, for two she slew,
a sorrowed sigh to still the night,

for fell thee fair, thou rarest gift
a kiss come by to still the night,

yet we no more than passing ships
must beg or buy to still the night,

but Time, born but to bitter brood,
would not comply to still the night,

so, rise dear Dawn, adieu sweet Love,
I make to die, too still the night.

      

All words by Damien B. Donnelly

DAWN ARRIVED

 

And so light leaned in as we had done
though not for fever, though not for fun,

although we had found and we had felt
that rarest gift which cannot be shun;

on one fair night a love alighted
when two from far took their breath as one,

yet Time, being so when love slips in,
seeks all connections to come undone,

when the dawn arrived, shrouded in shame,
born to tear apart what had begun,

she pleaded with the light unfolding
but hearts lost hold for the day had won.

All words by Damien B. Donnelly

A TRILUNE; THREE MOONS

 

This poem is in response to Jane Dougherty’s Trilune challenge from http://www.janedougherty.wordpress.com. So check out her beautiful blog and join in…

A trilune is a poem of three stanzas of three lines of 3×3 syllables each (that’s 9 in case you were wondering), circling a central theme.  The rhyme is on the third line of each stanza so you get a pattern of abc dec fgc.

Here’s my attempt:

One man promised to catch her the moon
to pull it down from the sky at night
but she feared that the stars would then die.

One man told her he’d buy her the moon
that money was never a problem
but she found out that this was a lie.

The last man never spoke of the moon
but held her as if she were the stars
so to him she never said goodbye.

All words by Damien B. Donnelly

Audio version available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/three-moons-a-trilune

IN THE GARDEN OF MOTHER EARTH

 

Mother,
the path
has been puzzling
and there are patterns
now, penetrating patterns
once thought impossible, entwined
around veins, like vines that vie for vittles
on walls already wavering, on buildings bare
as if each brick banished is a breath
broken,
Mother,
I carry more
now than before
but fragments have flown,
not yet cremated but I’ve scattered
ashes over mischievous maestros who tussled
tarnished tunes along my tissue, who cut cords, crude
and often crippling, who leeched the lyrics from my limbs
when I thought a relationship meant relenting to the rhythm,
when I thought love was a note
never ending,
Mother,
we’ve seen
how sacrifice
can separate mother
from her making, little girl
blue you had to give up and woman
who had let me go, the root cut from rose,
adapting far from the garden of creation, but we
adapted to adoption as if it wasn’t an option, as it wasn’t
a question, for there was always
a connection,
Mother,
I see you
with the bud
of your womb now
returned to you as woman,
your vines reattaching as nature
intended while I rarely regard the roots
of my own becoming, still too busy looking
up and over, looking always for the next interchange
and questioning every other connection in a garden scattered
with those ashes, the bush burning
as the blossom still blooms,
but Mother,
I’m more you
than the woman
who made me, I am
more product of the carer
than sewer of the seed who
so long ago saw the sacrifice
in her own soil and replanted my life
in your warm embrace,
Mother,
I’ve seen stars
setting fires to skies
in other lands where other
oceans wash over other sands,
stars that still fade, though they are far,
sands that still sweep into all consuming currents
while populations ponder the same problems as stars
flicker out and time slips
through our hands,
Mother,
I’ve seen money
makers in plastic palaces
following white lines to narcotic
nirvanas as if salvation was snortable,
I’ve seen wiser men, on the sojourn, in India,
blind to all light, perhaps shielded from the fight,
holding tight to a smile that has slipped from our grip
with eyes still able to trap the light, with hearts too hungry
for more of more of more, polluting once stubborn seas as we
rape other roads, take other fruit from other gardens, while blind men
begged for nothing and saw more than I could
ever imagine,
Mother,
the days
are now shorter
and even before night
falls there is less light that falls
and people are crying in the streets,
the flowers are folding and retreating into
the dirt as if hell might be better, Mama, people
are dying in discos and in diners and in school halls
where they should be learning to be better, not leaving blood
behind on broken desks and chalkboards with equations that don’t add up
because the book has been swapped
for the bomb,
Mama,
there are
horrors happening
now, not yearly, but daily,
one chaos no longer fills one
book, but one chapter, followed by
another and another with no let up, no
intermission, our gardens becoming desert
landscapes as all that tries to exist is destroyed,
as all that was once deemed right is declared wrong,
as all rights are removed and all races viewed
as radicals,
Mother,
they’ve mistaken
the mask for the man
and they can’t see though
those smiles I’ve staged to still
the shadows that line these lines,
these lives played out upon my breaking
breast, pouring like riverbeds raging over banks,
over blank pages, drowning them with tales, twists
and turns, loves and losses that have taken up home
below the shivering skin, mostly uninvited, like wild flowers
in the garden, like weeds we mistake to be worthy of their place
till the thorns bear
their treachery,
but Mother,
amid the mayhem
there are moments magic,
there are babies being heard
with first breaths beating, there are skies
singing of the sunrise, there are still sunsets
still sweeping shores where lovers still linger, long
after the first kiss, there are words whispered on winds,
glorious hymns of hope and heroes and there is art, still
filling walls with light and life, there is music
and there is, as always,
your smile
Mother,
life is a series
of spirals, not just circles,
for it elevates on the turn, not
just levitates, for I am back, again,
at the beginning, but frail are the things
once thought familiar in this once foreign land
I fled and feared never to return, in this land where
nothing changes while everything moves and the shadows
I once knew have up and vanished and grass is growing where
once there was concrete and concrete has crushed all that was once
green and grand and 40 is not as adventurous as 20 but the questions
still remain unanswered so there is no turning back because, as I said, the vines
have entangled themselves around me, in this garden I’ve grazed in, from a distance,
for so long, pulling across my chest, either aching or yearning, they are drawing me down,
down towards the ground, down, at last, to regard the roots of where it all began,
so long ago, when I first dared to ask;

Mother,
Will we ever have all the answers?

All words and drawings by Damien B. Donnelly

Self portrait at 19 in the Botanical gardens, Dublin

Audio version available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/in-the-garden-of-mother-earth

VIRTUE OR VULTURE?

 

Is love letting go or leaning on or leading on

Is love like a salmon swimming upstream, struggling against the tide, against the current,
against all nature

Is love like a room you redecorate on rotate, layers of new prints over old paper, frail and fragile and fading in corners too complicated to remove the clutter, long since left, from other lovers now departed

Is love like the copious copies of masterworks, artworks we hang in hallways far from any real light so as not to intimidate real life

Is love as subtle as the smile stroked on canvas across her face, impossible to trace if she is leaning towards love or lingering in loss

Is love like the riverbed, caressed and corrosive concurrently, currently leading towards lust or something that might last longer, that might run deeper than an ocean

Is love virtue or vulture?

All words and Photographs by Damien B. Donnelly

Photograph taken in Aldeburgh, England by the Benjamin Britten tribute sculpture

Audio Version available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/virtue-or-vulture