JE SUIS…

 

Day 13 of National Poetry Writing Month 30 poems in 30 days

Beau, tu sais?
Tu es beau,
c’est vrai.
Non, I say,
ca, c’est pas vrai.
Moi, je sais
d’autre chose,
mais beau?
Non, I say,
je ne suis pas beau.

Fragility I know,
mon ami s’appelle
fragilité,
pour lui
je porte a smile,
comme de vêtements,
like a shield,
mon sourire
est beau,
ca, tu peut dire,
ca, tu peut écrire,
but I am not my smile,
I am the boy behind
and sometimes it hurts,
tu sais? Ca fait mal.

Mais merci, comme même,
c’est beau ce que tu m’a dit,
ce que quelqu’un m’a dit,
c’est beau, mais non,
c’est pas moi; I am…
je suis autre chose.

All Words and Photographs by Damien B. Donnelly.

OUI

Day 11: National Poetry Writing Month #NaPoWriMo

Was it true, was it you,
in the blink of an eye
and the history of a man
out of time, a man not mine?
Was it true, was it you,
who settled sweetly onto sofa,
who slipped swiftly into suggestions
as we washed whispers with wine?
Was it true, was it you,
caressing and undressing the distance
that tickled from your red bricks (red lips)
into the tangles of my sheets fresh?
Was it true, was it you, was it me,
that northern man kissing
and climbing over southern son’s
heart he wore carved upon flesh?

Oui, you say, in my ear, still,
Oui, you said, from my bed

and then we laughed…

and somewhere
in the distance
a train pulled away.

All Words and Photographs by Damien B. Donnelly

WILLING TO BE WONKA

Day 4; National Poetry Writing Month #NaPoWriMo

Up and through, through colour
to brighter, better, perhaps.
I’m next, she says,
up and though and off,
following under foot
the man with the hat
whose had enough,
off with hats, top hats
and hard hats, happy heads
float through colour, dissolving
all that was once dense
and now looking lighter,
brighter. Dissolve, he says,
into concrete columns
of colour, preconceptions
are now passing, no longer
cornered by constricting
contraptions, sink into that
which was solid, into that
which is not what it seems,
release the rope with the briefcase
and the blindness and the budget,
and slip swiftly into a new world
of hope on the wall, on the roof,
there is no ceiling, there is no limit,
imagination has no holding
in all that is flat, in all
that seems futile, gone
are the grey days, the grey ways,
the grey suits that ground him
downwards, freedom is
but a jump upwards, sideways,
left, out of centre, this is
but a waiting room,
close your eyes, feel the weight
lift, slip, feel the worry ware away
between the suggestions
someone else has painted
on that which was once static,
that which was once
only a support, imagination
is a jump up and through,
pink can be your sky
if you rise above all who tell you
it’s blue, the sea can be your heaven
if you can get through the clouds.
Up and through, through all that binds you,
bonds are only walls that have yet to be
splashed with colour.

All words and photographs by Damien B. Donnelly

Photograph taken at Maison du l’Air, Parc de Belleville, Paris, France

BALLOON

 

Balloon, see the balloon, see thoughts float through space, meander through the mind; wild thoughts, drifting thoughts, blue thoughts, white thoughts, read thoughts, thoughts arriving unannounced, uninvited, unaware of the current climate, thoughts that rise like balloons on silent streets, on sleepy Sundays in the suburbs, to the south of her centre, where it’s slow to shock and surprise, though if no one ever sees it, was it ever really there? Thoughts float through time, suggestions, signs from unconscious minds, disruptive thoughts, distracting thoughts; I held his hand in a taxi while thinking of another and then came back but he was gone or I had changed or the memory was never a true account of the reality, maybe he’d held mine. Thoughts trickle as I float through strange streets, mounting Montsouris and its misplaced meridian on a Sunday, drawing conclusions of held hands next to monuments out of line, drawing on inspiration wherever necessary, wherever noticed; see the balloon! Thoughts float like balloons, like bodies, like taxis, never knowing if it’s a considered curve or just a current we’re caught in and if it cannot be captured, can it ever be caressed? If I leave will I be remembered, if I run will I be missed, if I come back, could it all have been a dream before? They thought this was the centre once, drew lines to draw them back to where positions could be measured, redrew them later when location fell from their favour. Thoughts float like balloons though the air, oxidising, fuelling, thinking, thoughts float, fragile and free, some never to be caught, some never to be caressed. Thoughts fade; even the marker on this monument has been ground down, thoughts float; balloons blow and then burst, roads lead out and to reverse is not to replay. Capture me, it, them, all, everything before I, we, it, all fade, before I, we, it, all burst. Balloon, see the balloon, see the being, see the beginning, see the beginning of something bright, even on silent streets, in the sleepy suburbs, on Sundays, south of all that seemed, once upon a time, to be central, see it all, where simple things can shine. See it all now, here, on front, before it bursts.

All Words and Photographs by Damien B. Donnelly

A NEW BEGINNING

 

Is that a day
still to come
birthing in the distance
rising through the stillness
writing on the heavens
the joy we’ve yet to know?

Is that a beacon
blazing bright
a siren for survivors
a moment for the missing
a reason to believe
the pain can fade with night?

Is that a hope
finding hold
on a city that needs saving
by a river that’s been crying
in a year that needs forgiving
Is this the light of a new beginning?

All words and Photographs by Damien B. Donnelly

CAPTURED

Light
catches glass,
catches colour,
creates contrast
on walls
and water.
Light
leans in
and leaves
illusions on lines
where once there was
but shadow.
Buildings
become boats
baring sails
to beckon
the breeze
which billows
at its ease
through colour
caught on glass
with is captured
in the light.

All Words and Photographs by Damien B. Donnelly

Photographs taken today at the Foundation Louis Vuitton in Bois de Boulogne, Paris.

 

SECRETS ON THE STAIRS

Screen Shot 2016-07-16 at 20.13.21
Where turrets twist

light leaps around steps

long since merged
with the marks,

caressed into carpets

made bare by the burdens
they now bare,

secrets
stored in stairs that turn
ever onwards,
ever upwards,

always reaching for the rest
of the story

never truly told in the light

still leaping.

All Words and Photographs by Damien B. Donnelly

Photographs taken at the Musée de la Vie Romantique, Paris, France.

LOVE IN THE CURRENT CLIMATE

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The years are waning
and rivers overflowing,
paths and positions
disappearing
into puddles,
into pools
raging with reflections,
reflections of connections
and rejections,
of what has been
and what’s slipped away;
the debris and decay
as we stop
and stand
and mourn
for all that’s no longer ours,
all that’s been tempted
by the tides touch,
taking pictures
as it passes,
as if the memory
is no longer
canister convenient
to load, to log,
to catalogue
all we wanted
to hold on to
but never thought
important at the time;
the feel,
his taste,
her scent.

And the years
still wane
and the waters
still rise,
taking us deeper
and deeper
from any depth,
from any clutch
to cling to
and the black widows
still throw water
from their balconies
as if draining their hearts,
as if that can save them,
and I catch myself
in those rushing waters
looking up at me
through trickles of time,
a memory now
meandering downstream,
for we are no salmon swimmers,
turning on the ripple
after the stones
been thrown,
after the bloods
been shed,
how much more
can we loose?
and I see myself
in that sinking shadow
caught on the current
of what once was;
back in that taxi
holding his hand
while thinking of another
and wondering,
all the time,
what is love
and where will it take us?

This foolish feeling
that flows recklessly
like this river,
this river I thought
to skate away on
or so she sang,
this all consuming complicity
that floods my heart,
breaking boarders and banks
while I just wanted
to wade for a while
in the warm waters,
to feel its touch tingle
but time is not tender,
tick tock, tick tock
and, in another twist
of the tides,
I see, with my own eyes,
the I who I was
flying through Paris
on the back of that motorbike
that mesmerised me,
holding tight
to the back of that man
that mystified me,
oblivious to how fast
the wheels were turning,
ignorant to how far
time can take us,
to how much
it can take from us,
momentarily
chasing curiosity
and comfort
that lasted no longer
than a single drop
of water
in a river running
forever onwards
and I was never
fast enough
to keep up,
to keep hold,
to draw breath
from a heart
that was always
a stranger to caution
like these floods
that wash over lands
and pour over paths
we’ve taken without hesitation,
breaking the beds
we’ve only newly broken in…

and all the while
the years
keep waning
and the rivers
keep sliding
and the question,
never answered,
never changes;
what is love
and where will it take us next?

Cause I’m back
where I started,
on the same path;
left side, boho chic
where Sartre laughed
and Oscar died
and drinking where
Anais and Miller
lapped up lust
but the heat’s
been turned down
by the rivers rising
and the path’s now paved
in puddles,
Paradise is gone
Miss Mitchell
and 40 is the older 20
and paying for bills
replaced playing at parties
and there are conferences
on climates
and consideration
and conservations
while Paris piles up paper
cause it doesn’t want to change,
as if we ever had a choice,
as if it hasn’t really noticed
the tensions rising
and the people rioting

and
the river,
like the years ,
eroding all that was once familiar

and I wonder
what is left to love
and where do we go from here?

All Words and Photographs by Damien B. Donnelly

Audio available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/love-in-the-current-climate

THIS IS HOW WE MOVE

 

This is how we move
now, in the aftermath 
in the silence
in their absence

This is how we monitor
here and now, in the passing
under surveillance
under scrutiny

This is what happens
when the scandals burn out
when the candles burn out
this is how it goes

This is how we move, now
monitoring the metros
soldiers on streets
searches in stores

This is how we move
now, in the aftermath
and still the shadows build
and still the voices are missing
when before they were just
laughing and eating,
when once they were just
drinking and singing.

This is how we move
now, in the aftermath.

 

All words and Photographs by Damien B. Donnelly