RESILIENT

 

Dry earth,
its sharp teeth
tear through trunks,
spines spindle around nature’s tenacity;
this rugged rage of rocks that have rolled,
boulders are the big bands here
spotlight of sandy sun bolts
and center stage dawns
of desert dust.

Dry earth,
cutting clouds like carefree-cotton
fall apart amid the peak-like pinnacles
that places people as unimportant pebbles,
we can climb the heights, we can slip our soles
along the sandy tracks others have thread
but a simple sandstorm leaves us
as a mark once made,
fast forgotten.

Dry earth.
Still. Silent.
Shining. Steady.
Bare breath is borne off on the breeze,
beauty is breath taking where the breath is less
and beauty is everything.
Steady. Shining.
Sill. Silent.

Dry Earth,
but so relentlessly
resilient.

 

All words and photographs by Damien B. Donnelly

Photographs taken last week in Joshua Tree National Park, Yucca Valley, California

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THE BREAKING OF THE BLUE

 

Tall is the man
willing to rise before the break of day
beneath the blanket blackness
and tip toe into the still untempered tide
blindly, current cast as yet unclear,
and trust in time
to lean in with light.

We can be cold creatures
staking our claim
with breath of blue
into our ever-shortening shores
but quickly warmed and welcomed
when we see beyond the shallow
and dig beneath the depths.

We are not owls
who serve the night
but oceans
brought to life
with the breaking of the blue.

 

This photograph is of St Clair beach, Dunedin, Otago, New Zealand and was taken by Nigel and used by his wife Liz for her blog exposing all that is colourful and beautiful Exploring Colour. Recently Liz asked me to give the photograph some thought with regards to a poem and this poem above is what I penned while on route to San Francisco last week. The original link to Liz’s blog post is;

https://exploringcolour.wordpress.com/2019/02/05/still-standing/

Nigel’s Landscape Architecture blog is;

https://growplan.wordpress.com/

FALLING THROUGH SPACE

 

 

Ghost clouds gather

over an ice-cold ocean of marble

we cannot break through.

Maybe there is something deeper

within its depths

that we have missed.

 

All breath is naked.

Movement has been muffed.

The air rigid.

Nothing left to cover up.

 

I blush under your absence

or do I blush

before the cold truth;

this is it, we are alone,

we will end one day.

All we have failed to learn

will fall through space

like stars,

burnt out

before they’d even begun.

 

All words and photographs by Damien B Donnelly

GLUTTONY HAS GOT THE GOAT

 

There is a goat
dancing in the parking lot
and this train cannot proceed
along its track,
interlopers interrupt on intercoms;
there are packages of suspicion
on the trail up ahead
and a goat in a lot
dancing round the cars.

There is a goat
dancing in the parking lot
as a woman tells tales
in the seat behind me
to a girl with fingers
fixed on her insta-fame,
on Instagram,
while a goat
with shameful notoriety
throws shapes in the parking lot.

There is a goat
dancing in the parking lot
and a plane descending
like a sub into the sea
while a package has been placed
in positions of pedestrians
and a woman complains
to her daughter about her day
and her daughter captures it all
on Snapchat to ensure it exists
as a goat in a parking lot
continues to dance.

There is a goat
dancing in a parking lot
and this train has lost the thread
of its tracks
and in a synagogue
on the sabbath
in a state out of states,
someone opened fire
while the goat in the lot
continued dancing.

There is a goat
dancing in the parking lot,
trying to distract us
from the collisions
he can’t cover.

Winter is already here.

All words and photographs by Damien B. Donnelly

DARK LIGHT, PART 1: FAR FROM

 

And slow falls the heaven’s breath,
drawing on those days of dawns;
dewy with that blanket white crispness
below the song of the bluebird
(do you see; beauty can be blue
even when the bird isn’t black)
soft thrills trembling through the forest
as fine folds of frosty fur
find its form in frozen
between branches blithely bending,
l picture violins, their strings
being strung in a honed harmony
to hush the moon
now bitter to be beckoned
back beyond the blue,
(always the blue, always the time falling
on showers of snowflakes
that find their form
in their fluttering flight).
For a moment,
far from the fury,
the morning sighs itself awake,
(I see a baby draw its breath
and consider the corner of a smile
before it crumbles to a cry)
roots stretch and buds break
through the soil
the slow snow is intent on freezing,
for a moment, all is possible
but the snowflakes
that found the light beyond the night
turn to cracked crystals
of inconsistency
as they tip the truth
of who we are in the dark light
of these dull days.
They were golden tears
for but a moment,
spun into perfection,
swirling southward,
before they found us, falling
over an earth too far
from heaven.

All words and collage by Damien B. Donnelly

Audio version available on Soundcloud:

 

 

JOURNEYS, PART 18; THE BEAUTIFUL BRINY

The moon is a diamond dream, a sweet shadow
of midnight, butterflies drunk on sleep
into which we seep like the blood red sun
beneath the blue blood sea and we are waves
in bottles bobbing along on the beauty
and the briny, too intoxicated to think
of our time being temporary, too insignificant
to think of ourselves as anything other
than spotlight central, hurtling through this journey
of shiny and sleepy and catching reflections
on the slippery surface of the rest; the best
of what we’ve yet to be. The moon
is a diamond dream and this journey;
a blind belief that cannot be broken by the truth;
we can master the major even if we are minor,
we can catch that kiss caught in another corner
of this cosmos even as we burry more and more
of ourselves within the bright red borders
but we broke from Eden and it didn’t end.
We are self-starved delusions winging it
on a whim of wonder beneath a glass cloud
in a sky of shining steel. We are diamond dreams;
how we shimmer in the shade of the moon.

All words by Damien B. Donnelly

JOURNEYS, PART 16; IDOLS OF INDIA

 

Queue up, check in, board, sit down, take off, eat, sleep, movies, sleep, sky and sea, cross continents, curtail time, more sky and sea, more food, a hint of something hotter, then sand and land and then we land. Finally, fingers fumble over cameras caught in a current of silken sarees sweeping through streams of jasmine tipped traffic in colours more complex than creation can count, colour is a commotion on this carriageway, is in motion itself, looking for life to light upon, though no life here is a still life, and it’s hues are brilliant billows on the breeze, too busy to be bound to any one stretch of land, like the feathers of the peacock parading along the packed pavements, unperturbed by the petrol pouts of motorbikes careening through the chaos, honking through the hustle and bustle of the crowds who live their lives along the roadside markets and mayhem and mini vans selling mighty mangosteens and a myriad of spices in sacks that seep with salivating scents and ignore the rules we westerners have grown so weak and wearisome under and their curious eyes watch from precarious positions on backs of yellow lorries and sun seasoned trucks with bandages to stop them breaking, in a saffron stained city that has no brakes, eyes that smile, that furrow and frown, that wonder, naturally, on the reason that lies behind my gaze, behind the flash of my lens. The air; awash with tastes my tongue tries to catch, the landscape; burnt with tones my thoughts can’t even tackle when out of nowhere, amid the cars careening and trucks trumping and crowds cutting through, idolised cows come calling from the city’s stacked streets in search of sustenance and a simple shade and suddenly we slip into a slow stream as if the cattle are a cathedral and their coming; a blessing. A man, blind to all light, weaves his way through this carnival, three sheep by his side, as if they’ve always been with him, as if they were family and I wonder who is leading who; the man, the sheep, this car or me? Amid all of this life carried out in cars, on corners, at crossroads, along grassy knolls and sandy banks, with the stalls and the shoppers and the scents and the smiles and the sarees and that sweating sun, there is a freedom beyond the weight of politics and poverty, there is a simple survival stirring and it is I, in my branded costume, who looks the fool traveling through, taking it in, thinking I am better off with all my laws and rules and beds and baths and running water and walled in farms. I am the foreigner, swept up along this sojourn amid what looks like the fortunate whose fortunes look more favourable than mine.

The carriageway is a cattle call
we can be lead or we can learn
the blind can find sight in scent.

all words and photographs by Damien B. Donnelly

JOURNEYS, PART 15; BLIND BELIEF

 

We smoke liquid laughs,

embrace clouds of midday butterflies

that come in celestial clutters,

listen to smiles kiss the skies

that dazzle this vast ocean.

We are self starved

and cracked like overcooked caramel

but we draw our delusions from dreams,

we are nothing if not imagination

waiting to dip our wings into the world.

All words and paintings by Damien B. Donnelly

JOURNEYS, PART 14, THE RUSTLING

 

Rustle rocks,
the night has murmured to the soul;
Peace cannot rest in the shade for long,
it seeks but a sanctuary for a season,
Eden could not flower forever,
there were other fields waiting
to be found as fertile,
other apples begging to be tasted,
other counties where curiosity
wasn’t a closure to the contract.

Behold this wind, this wild thing,
its tendrils tug so on my flesh.

Bright is the breath
as the path waits to be pressed.

All words and photographs by Damien B. Donnelly

JOURNEYS, PART 14, AT THE RISING SUN

 

Sandy shades of dust speckle the ground and gallant tones of green dot the landscape from which the scent of olives ooze, before mixing with the aromas of musk, distant Morocco and the comical smell of burning tires. At dusk, I was driven by a blind taxi driver, judging by his driving, along a road which seemingly stretched through the sea whilst seagulls dove for food before the final setting of the sun. That morning, I had strolled along golden sands and watched tides sweep over my feet, I saw white robbed men close their eyes and wrap themselves in prayer and peace. I saw the sun rise and pour its rays over the tombs of those who had long since gained eternal rest. A simple life witnessed, with riches extending far beyond the grasp of materialism.

The sun rises over setting souls,
white waves sweep over strange scents,
gulls are savages on all shores.

All words and photographs by Damien B. Donnelly