STILL MOVING…

 

Moving, still moving on metros, more metros, more sturdy, more stable, more directive, less suggestive, people, more people, less strangers, more familiar on metros still moving through motions of settling, the notions of belonging to lives above these lines, above these metros still moving like my life that’s still changing, new lands, new lines, same lines, different names, sometimes sturdy and stable, more times suggested than directed, catching connections in the passing, holding hands, holding tight, losing grip, letting go of these lines of our life that we mark into memory like the tracks under ground where we scuttle and scurry on metros, still moving…

All Words and Photographs by Damien B. Donnelly

Audio available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/still-moving

 

 

FEATHERS IN FLIGHT

 

We are but fickle fellows,
like feathers that blow
at the beckoning of the breeze
and know not where we land.
We are the folly of fluttering fancies;
a collection of coincidental connections
that we cannot create, keep or control.
I found you once in a far flung field
and fought to find the freedom
to forge in you forever but wicked winds
wound my weakness in greater gales
and I lost my grounding in that garden,
never mine, never thine, never ours,
the petals perishing on prized plateaus
where passion never played to pleasure.
We are fellows of fluttering feathers,
too feeble to fight the forces
that blow us briefly onto bodies bare
and bring us back from that beauty
for fear we might one day
find the force to forge our own flight.

All Words and Photographs by Damien B. Donnelly

POCKETS OF TIME

 

I have crossed many oceans and have known
few limits, I have travelled many roads
and have folded my favourites into pockets
of time, stored in a hundred boxes, marked
with a thousand names who have touched me,
sealed with a hundred souls who have moved me,
taped with a dozen men who may have loved me.
I have travelled many roads and I have packed
many boxes, I have folded so much of time,
and lost too many friends, but memories
cannot be stored in boxes and time cannot
be held in pockets, roads are only the beginning
and friends are never truly lost. Home is not
housed in bricks and mortar, home is like the ocean; 
                       it knows no limits if the water is willing.

All Words and Photographs by Damien B. Donnelly

BLUES AT THE BOTTOM

 

Even in paradise,
on paved paths long pillaged,
the palms are no longer placid
and shady skies swell with storms
as rivers rumble with ripples
from ructions bellowing between
the blues at the bottom
and the clouds congregating,
without comfort, by the high heavens
and, blowing on boisterous breezes
nearby, are names I once knew,
faces forming of fidelities forgotten
in the foaming waters
where once there was weight
now withered with ruin
like colours that run
in the wash, in the tempest
that turns through time,
too lost to latch on to,
too fragile to fight
the currents currently pervading
this paradise now paved and perishing
like parts of me long lost
in a sea now swelling beneath me…

 

All Words and Photographs by Damien B. Donnelly

Photograph taken in Turks and Caicos.

Audio version available on SoundCloud:

https://soundcloud.com/damien-donnelly-2/blues-at-the-bottom

 

BITTER BRIDGES

 

Clouds cross the skies
and trains cross countries
while we cross each other
only at jagged junctions
and obstinate intersections,
cluttered with catastrophes
or below bitter bridges
that bridge no boundaries,
basked only in blackness
always shadow, never light,
always almost, never right
here, right now, right moment,

while clouds still cross skies
and trains still trail onwards,
distance never denied to those
on the right track.

All Words and Photographs by Damien B. Donnelly

Photograph taken from a moving train somewhere outside of Lisbon, Portugal.

 

 

BEACHES BROKEN

 

I’m chasing 
beaches broken 
slipping in between sands sinking 
feet in search of footing firm
contemplating connections
between the sand and sea
as if to find reflections 
between the land and me.

I’m chasing 
beaches broken 
slipping in between sands sinking
watching tides through time trickle
dividing and subtracting
what’s lost and left to see
as if they’re reenacting 
what the years made of me.

I’m chasing
beaches broken
slipping in between sands sinking
currents coming to covet
corrections and corrosions
that trickle out to sea
along with the illusions
of who I thought I’d be.
I’m chasing
beaches broken
slipping in between sands

sinking

skipping over shallow streams

dissolving

while holding on to hope.

 

All Words and Photographs by Damien B. Donnelly

Audio version available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/beaches-broken

PAIRED IN PARADISE

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We walk on soothing sands
in far flung foreign lands
that sweep seductions 
over sky and sea, we see,
in loving hands, golden wedding
bands, no tighter knot any sailor
ever made, we walk on beaches
of borders blue, better blues
than any blue has ever been, a better bond
than any eyes have ever seen, eyes
that tickle with tears, eyes that see
a future beyond the years, we twist
and turn to songs serenading the sunset,
a sway of celebration, a joyous jubilation
to court the continuous currents
of the fortunate fate that found you,
a dutch delight and a perfect Per,
here and happy folding hands
around hearts while a certitude
sweeps the shore, connections created 
in this paradise where gods have given glory,
where the universe maps out for you
a story, and when the sun sets your foot prints 
will settle upon the sand where you once stood, 
impressions tied by tides like the rings now worn;
bands to bind the bearers, you are now
like the sea and the shore;
bound to each other,                       always and forever more…

All Words and Photographs by Damien B. Donnelly

THE SCENTED ROAD

The 30th poem on the 30th day of April for National Poetry Writing Month

 

And on runs the road,
rushing in rings around us,
faster than feet can find footing, 
brisker than bodies can breath, 
holds lost in the hustle and hurry,
securities slipping by the sidelines,
hearts hurtling off into hills 
parted and passed
before properly appreciated, 
faces fading into flashbacks;
were his green eyes 
really brown or blue?
I catch his aftershave
in an afterthought 
but it’s mixed now 
with other musks,
other bodies, other owners,
other moulds the meanders made of me
on the sweaty scented streets
that scurry by in seconds.
 
And on runs the road,
tracks turning with time 
too tight to keep track of,
to uncertain to ascertain 
as changing lanes change lives
and loads, luggage left for others
to look through and lovers
left for others to latch onto;
swapping suitors at service stations 
like they were something to eat,
something to drink,
a seduction along the sojourn,
a kiss to capture and captivate us,
to carry us carnally on to the next carriage,
the next imminent interchange. 

And so another road opens
and on it endlessly runs
and I’m always rushing at the rear,
duly dreading and delighting 
in the connections to come
beyond the bracing bends…

All Words and Photography by Damien B. Donnelly

Photograph taken in De Hoge Veluwe, Netherlands

Listen to the audio version on Soundcloud:

https://soundcloud.com/damien-donnelly-2/the-scented-road

 

ME ON THE METRO

 

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It was this morning and yesterday again,
          a smell, a scent, on the metro, in my nostrils,
                    a decent into the memory, a revery playing, replaying 
                while the crows counted Round Here, they sang, 
          this year and that other year, all at once,
we sang our own song, once, once, once
          but time, like the metro, took us off and on
                     into different directions, obligated to other distractions, 
                                           men and marriage, movements and meanders,
                                 an Irish song we sang, you sang, I listened 
                    and then I left while you stayed on,
        stayed on track in that other year 
but I came back and you were still there
           still here, Round Here, as the crows sang,
                     are still singing, those counting crows
                                   their words still ringing 
             in my ears, today, on the metro,
  with that scent, that odorous accent
            that opened a gap in time between yesterday,
                                            when we were young, and today,
                                                              grown worldly and wider, 
                                           this morning as my mind rushed
                            and passengers crushed onto carriages
            commuting, lines crossing, junctions joining
as I went to work remembering who we were,
     I wore waistcoats even then and you a brown coat
                            that caressed your curves and concerns,
                                   I went to work while traveling onwards,
                                                     along the same rails,
                                          in the same direction
                      as before but different too 
                             some things old
                                  and some things new,
                                           still me on the metro,
                                                  still me and there’s you.

All Words and Photographs by Damien B. Donnelly

THE THINGS THAT LEAVE US COLD, PART 3

If you missed Part 1 or Part 2 you can click on the links here:

https://deuxiemepeau.wordpress.com/2016/02/08/the-things-that-leave-us-cold-part-1/

https://deuxiemepeau.wordpress.com/2016/02/09/the-things-that-leave-us-cold-part-2/

The Things That Leave Us Cold

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Part 3 of 4 (Audio version available to listen to; link at the end of page)

          It rained the first night I walked back to our apartment with him, just as it had rained that first night when you persuaded me to take you home, ever the flirt you were. We had our jackets over our heads to keep us dry, do you remember? One of those tropical rainstorms that graces Paris in August, as if to wash away the dust and heat, though it’s always hot rain, of course, not the full relief the stifling city longs for, mourns for. You can almost see the steam rising from the ground as it falls straight down from the sky. Straight, that’s what I told you that night, which you laughed at, as if I was pointing out the most mundane, the most obvious. But it’s true, and still is. The rain here falls straight from the sky, like water from a shower, not to the left or to the right, not at all slanted, it just drops straight down. You can leave the window open and it never comes in.

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          I’d fumbled nervously with the keys to the gate when we got to my building, the building that became our building, the home that so quickly became our home, the one that adapted to you and your sounds, leaned in, to your customs, your scent which still haunts the air on random days. As I persevered with the key, you came behind me, kissed the back of my neck and gently ran your tongue along my skin as if to soak up the rain that fell from the back of my hair but I knew it was just to test me and perhaps in part to taste me. It worked. You had half my clothes off before we’d even reached my first floor apartment and I scurried with the final lock before the neighbours would hear us, or even worse, come out to find us in such a state of undress and desire. I was not that out, I was not that daring, that provocative, but you managed to bring something out in me, something that had been utterly dormant, a certain appreciation of the unexpected, a fondness for excitement, spontaneity, a carefreeness that was infectious. We made love on the living room floor that first night beneath only the lights of the street lamps and the comfort of our shadows entwined on the wall. Made love, was it that, I said it was that afterwards, actually I think I thanked you for it in some rather embarrassing, teenage way and you joked that I was merely a good shag which you overly pronounced in your heavy french accent which was all the more erotic. There I was, immediately trying to make it all proper and above board, nothing sordid, nothing naughty, ignoring the silly fact that you’d just picked me up in a bar, taken me home to where we’d stripped each other naked and shaken the leaves on the wisteria outside with our sweaty, salty, sensuous explorations of the other.
          He didn’t kiss me on the neck when we finally arrived, wet through, to our gate. He didn’t rip my clothes off as we climbed our staircase. He didn’t know that each step I took, I felt more and more guilty, that I was bringing him back here, to our place, to our home and possibly into our bed, or maybe even onto our floor. He didn’t pounce on me when I closed our door, didn’t press his body tightly against mine and steal the breath from my mouth with his own lips because he wasn’t you. He stood by the window instead, looking out across the small garden and over the wall into the empty street, just as I had done for the past year.

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          He thanked me as I took his wet coat and hung it in the bathroom next to mine and then took a seat on my armchair while I made tea in the kitchen. I didn’t even have the customary coffee in the apartment. You were the coffee drinker, the true Parisian, while I sipped herbal, fruity teas which you referred to as piss, continuously. When I turned the lights on, he noticed the candles and asked if I could light them instead. I shivered again. That was always your preference. Not the silly scented ones, of course, too prissy for you, just simply so you could watch the shadow of the light flickering on the wall and make up scenes, monologues to connect with their movements. When he said he liked to watch the light flickering I closed my eyes and imagined it was you.
          Was that cruel? Was that too much, too wrong? To be with someone and imagine he was someone else. I held his hand in a taxi while thinking of someone else from long ago, someone said that to me once, years ago, before you, before us, before the emptiness and I thought it to be so horribly unkind. And yet it had become my truth. I didn’t tell him, of course, I would never, I couldn’t hurt someone in such a way, no. But it was how I felt. I was happy to have someone, to hear someone breathing, other than myself again, within our walls, within all that had become our sanctuary and somewhat angry at the same time that who it was in reality was not who it was in my head.

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          He had a name, of course, what a stupid statement to make. I don’t really mean it like that, it’s more that I didn’t realise at first that I never used it, never referred to him by his given name. I called him boy, pet, hot stuff when necessary, moody occasionally, but I think that was more me. To use his name would have sounded far too real, far too impolite to you, not like I ever mentioned that to him. I’m not that mindless.
          He called me Monsieur, at the start, which turned into a continuing joke, then a nickname and then my name, as if my own given name became lost and I didn’t mind that, not at all. I’d given you everything I had, including my name so it seemed appropriate that I became just a pronoun and nothing more.
          And so it went, with the boy and the monsieur, a little story, a little tale unfolding amid all the other daily distractions and, of course, the waiting, well, my waiting.

To be continued…

All Words and Photographs of Paris by Damien B. Donnelly

https://soundcloud.com/damien-donnelly-2/the-things-that-leave-us-1