THE LIGHT

Day 2: National Poetry Writing Month #NaPoWriMo

Dance
in the light now.
Lighter,
feel the light.

In parting
you touch my cheek,
fragility caressing flesh
as magnolia’s
unfold overhead.
Goodbye
I hear you say
from the distance,
from where the light
is so much brighter,
and off you go,
lighter now,
in form,
in vision
in voice.

And ashes find favour
with tears
and what once was
dissolves on my cheek,
that cheek you touched,
that skin you kissed.
Life now mixing
with all we lost,
water washing away
what has been burnt,
what had been broken.
Disease diminished.
Cancer no longer
with cadaver to cower in.
Latch on to the light,
my light, our light,
so much lighter
than before.

And the sea
sweeps along the shore,
and the water
waves along the beach,
and every grain of sand
is shaped,
and every grain of sand
is touched,
marked forever,
as we bare your mark,
as we carry your light.

Fly now,
fly to where the light lingers
longer, lighter, brighter.
The wait is now over.
Dance,
dance in the light,
Lighter, brighter,
Forever.

All Words and Photographs by Damien B. Donnelly

Audio version available on SoundCloud:

 

 

NaPoWriMo: ENTITLEMENTS

 

And so it begins, National (Global) Poetry Writing Month #NaPoWriMo

30 new poems over 30 days

Gird your loins! (Or Lines!)

Who’s joining in? Feel free to post your blog address in the comments section here to make sure everyone knows what you’re up to…

All pillars fall
over time,
all gods
grow down
out of grandeur,
grow pale
out of waste
(we cannot
always worship
that which is distant)
and gravitate
into grasp as age
and taste and circumstance
wrinkle the concrete columns
we set them once upon,
so high, too high
to truly touch at times
like trees too tall
in forests to far to reach,
too distant to be seen.

All pillars fall
over time,
all trees topple,
and their tales
revealed as circles
turned and twisted
in trunks we could not
wrap ourselves around
until we cut them down,
like bodies
bound by loves
and lusts
we could not reach
until we found a way in.

But you

You
will not
come down,
will not be grounded
(precious distance
demands still
songs of glory)
will not
wrap around
this flesh that feels
your fingers too far,
though still I breathe,
though not do I rot.
You;
not made
for me
but a moment
considered
too late,
too complicated,
but mystery,
but man
becoming myth,
no kisses but misses,

still missed.

I tended
too much
to the roots,
thoughts twisting
through a time
now past
(like your eyes to my sight)
now lost
(like your voice to my ears)
a time
never touched
(we never touched
but watched it
slip though fingers).
I let it tower
untended,
not over me
(how I wished),
but away from me
and found myself
firm footed
on strange soil
and you;
in the sky
of dreams
on a pillar
I built for you
never thinking
you’d one day
grow out,
out of reach,
our of hand,
out of hope,
out of hold
(all that I never held),
hand that I can’t
let go of
even if it’s now
too far from reach.

If you never had it
to begin with,
are you still
entitled
to miss it?

All words and photographs by Damien B. Donnelly

Audio version available on SoundCloud:

https://soundcloud.com/damien-donnelly-2/entitlements

ENTITLEMENTS

 

And so it begins, National (Global) Poetry Writing Month #NaPoWriMo

30 new poems over 30 days

Gird your loins! (Or Lines!)

Who’s joining in? Feel free to post your blog address in the comments section here to make sure everyone knows what you’re up to…

All pillars fall
over time,
all gods
grow down
out of grandeur,
grow pale
out of waste
(we cannot
always worship
that which is distant)
and gravitate
into grasp as age
and taste and circumstance
wrinkle the concrete columns
we set them once upon,
so high, too high
to truly touch at times
like trees too tall
in forests to far to reach,
too distant to be seen.

All pillars fall
over time,
all trees topple,
and their tales
revealed as circles
turned and twisted
in trunks we could not
wrap ourselves around
until we cut them down,
like bodies
bound by loves
and lusts
we could not reach
until we found a way in.

But you

You
will not
come down,
will not be grounded
(precious distance
demands still
songs of glory)
will not
wrap around
this flesh that feels
your fingers too far,
though still I breathe,
though not do I rot.
You;
not made
for me
but a moment
considered
too late,
too complicated,
but mystery,
but man
becoming myth,
no kisses but misses,

still missed.

I tended
too much
to the roots,
thoughts twisting
through a time
now past
(like your eyes to my sight)
now lost
(like your voice to my ears)
a time
never touched
(we never touched
but watched it
slip though fingers).
I let it tower
untended,
not over me
(how I wished),
but away from me
and found myself
firm footed
on strange soil
and you;
in the sky
of dreams
on a pillar
I built for you
never thinking
you’d one day
grow out,
out of reach,
our of hand,
out of hope,
out of hold
(all that I never held),
hand that I can’t
let go of
even if it’s now
too far from reach.

If you never had it
to begin with,
are you still
entitled
to miss it?

All words and photographs by Damien B. Donnelly

Audio version available on SoundCloud:

https://soundcloud.com/damien-donnelly-2/entitlements

TALES ALONG THE STREETS OF A TIME NOW DEPARTED

 

Sitting by gas fires having gas craic where once
there were open fires, tended fires, where once
the ceilings rose higher and the walls seemed
wider as if now weighed down with habits
and history, tales burn bright like turf
taking flight, blazing through time, a string
of stories flickering fine in the evening’s amber
light of memory, moments made and measured
in simpler ways, in simpler days, in a sleepy town,
a country town were family folded in between fields
to farm and food to find, stories starting with;
‘Mammy warned us, if Mammy found out, Mammy
would kill us, Mammy, give him a clout!’ Reach out,
listener; catch the smoke about to smother the light
from what happened long ago on streets and faces
that time has now outgrown. See them then,
younger and lighter and giddy on laughter
(no laughter at that table, said Nana) your uncle
grabbed a cake once when they weren’t looking,
when they were no taller than an oven, shared it
with brother and off ran, the boys, shaking, see them
shaking the streets with childhood (before they knew
it would outrun them) ‘Don’t look back, don’t tell
the mammy, let’s savour the flavour and not the smack!’

See the girls now women, now ladies (so they say)
hiding posh frocks in thorny bushes, changing down
lanes out of sight from mothers and then in shorter skirts
they stick thumbs out to crowded cars who’ll ferry
fairer girls to band-hall dances, the brothers hiding
in ditches till cars stop for pretty legs but find petty boys
wedging security between boys with cars and the girls
they’d stopped for. Country cottages filling up fast,
priests teaching parishioners never to abstain,
never to complain, though never explained how
to turn water into wine to stop the baby’s whines
and every young mother forgets what it was
not to be pregnant, not to be planning, not to be pushing,
pushing the older kids into corner beds, kitchen beds,
and beds under beds. See them in this house, in a time
before this house was a modern home, when water
was outside and the buckets carried inside to the bedside
at night time for midnight toilet time. Check the bucket
before your business begins, brother’s missing
his socks again and the other one laughing
beneath the blanket. Look again, look back
to the past now parting, now pealing from walls
like wallpaper that clung on too long to linger longer
(don’t pull; it will come to you) they’re climbing
through windows cause the open door has found
its closure after curfew. See him, silly boy,
comical brother, untypical twin, he’s got the window
down and the foot almost in, another step
and he breaks the bed his brother’s asleep in! Hear them
laughing; the bed is broken and Brian thinks he’s dying
but his brother’s already snoring. See them burning
through the flames of time, twisting back, sneaking
Daddy out the front door after dinner for drinks
in the town while Mammy is busy with the bacon
and the bread. See them through the clothes
in the bushes and the beds almost breaking
and the bucket overflowing and the cakes, off running
through streets still standing, still shining a light
on the laughter of children that once rang out
that once, once, once, upon a time…

All words and photographs by Damien B. Donnelly

Audio version available on SoundCloud:

 

EYE SEE

 

I

eye

I see

a head
in the frame,
a wall frame,
a half frame,
a half head,
a half of me,
a reflection
of who I am,
of what you see,
part of a picture
framed before finished

I

eye

I see

myself,
a self I have created,
centered,
assembled,
to show you
only a reflection
of me,
myself,
myth before mirror,
mask of the moment.

I

eye

I see

you see
what I want you to see.

All words and photographs by Damien B. Donnelly

A SEAT ON THE TRAIN

 

A factory man
forged in fights
on streets
and bars
on iron clad nights
and a local girl
born and raised
in longing,
loss
and dreams unglazed
who crash sometimes
behind the shades
to drink,
to fuck,
to drop their blades
on this desert town
of dirt and dust,
of cactus,
crows
and mounting rust.

An old train tears
right through the town
to tense,
to tease
all those around,
it rarely stops,
just blows on through
the drab,
the dust,
that vacant view.

A factory man
forged in fights
on streets
and bars
with small town sights

and a local girl
born and raised
who now owns
a ticket
toward freedom days.

All words and photographs by Damien B. Donnelly

Audio version available on SoundCloud:

https://soundcloud.com/damien-donnelly-2/a-seat-on-the-train

 

 

FIRST THRUST

 

There
in the crook of hope,
like fluff caught
in the navel,
of youth barely tasted,
(I had barely licked air)
of freedom newly found,
(note: first flights often fail)
of fulfillment
before it failed
(before we faded),
I am in a bed
in Belfast
no longer bloody
(the city not yet I)
no longer blown to bits
(the streets not yet my hope)
and we are better
than I believed,
trusting in our thrusts,
truer than we were
and more lasting,
more intact
than reality
left that first kiss
(already gone once it’s given)
of something bright,
of freedom felt
before it was shattered
on my bed;
bloody
and blown to bits,
I, not the city.

We were never
more than momentary
(a training ground
for grown-up toddlers),
a meeting at Bewelys
(when it was creative
and cozy like cuddles
when it’s cold
and still accommodating
after clubs)
when Dublin
was still my day,
was still within interest
(when its size didn’t matter;
isn’t it all relative?)
a courting over coffee
(footsies in the shadow
of a table that wobbled
on the third floor
near the theatre
and therein the warning;
unstable and all an act)
in the afternoon,
in the aftermath
of my outing;
freshly feathered bird
on the first flight
from the nest
from the tit;
the search
for something new
to suck from,
so full on faith,
so blind to the fall
but eager to climb
over dreams,
over desires,
over you in the end,
(or up from under you)
obstacles to rise to,
to arouse me
(did you arose me
or just your attention
to trembling erection?)
obstacles that came
until they were gone
and other conquests
(obstacles become conquests)
took their place
in my head,
in my bed
after I’d cleaned up
what had been left
broken
by our blast.
A bright wave
in the dark enlightenment
of a Dublin night
by the shore
swept off the ring
that wrapped us
(faith falling from finger)
when your wandering ways
and hands and eyes
(that turned like tides)
washed over
my innocence
(my Disney-like devotion)
and drowned
your deviations
and my dedications
to the blind side.
We’d been better
in Belfast
after the conflicts,
in that bed
that night
before our conflict,
but that was just one act,
one thrust
before dublin
demolished
the trust
that was an illusion
revealed
behind the crook
of the curtain
of our pale play
with too trite twists.

All words and photographs by Damien B. Donnelly

Audio version available on SoundCloud:

https://soundcloud.com/damien-donnelly-2/first-thrust

SING NOT OF SATISFACTION

Screen Shot 2017-03-12 at 11.47.54

I’ve looked for you
in corners of the past
no longer concerned
with connections
to considerations
I once cradled
(we never cradled)
but since carefully
filed and folded
(like pictures pressed
into pages of albums
never opened)
into a folder
of foolishness
fantasised
on foreign fields,
though never fertile,
though never suitable
for the fondness
we felt but never held,
a fleeting flirtation
we never saw
to fruition,
no admission,
no submission
to mounting
attraction,
seduction
(sing not of satisfaction!)

I’ve seen you
still surviving
in the shadow
of sleep’s delusions;
delirious distractions,
abstractions
of colour and light
of ‘could have beens’
that blanket me
in mistruths,
piling passion
into pillows
never pressed
with your lips
or my caress
to your comfort,
sojourns of sleep
that soothe not
the waking visions
violated by your
polar position,
leaving me
breathless
in the restless
dark naked night,
far too far
from your face,
your flesh,
your form.

Album
barely filled,
rarely opened,
never disregarded.

All Words and Sketches by Damien B. Donnelly

Audio version available on SoundCloud:

https://soundcloud.com/damien-donnelly-2/sing-not-of-satisfaction

 

 

ONCE, ON A SUNDAY

 

And I see you
standing with apron on
on a Sunday morning,
rollers turning
mum’s sleep
into mother’s style
like time turns
moments into memory,
I see you there
roasting
in the kitchen
before the bacon’s burnt
and the sausages sizzle,
before the decision
of where to go
to find God
(we were faithful then
but never loyal)
hoping to find him
singing somewhere
as it’s Sunday
and it’s spring
and everything seems better
with a song
aside from the peas
you’ve been steeping
since last night (after Dallas)
Mum’s marrow
and soon to be mushy
peas peer back at me
from the distant pan
on a distant Sunday
in the kitchen
on the yellow lino
and the yellow
caged canaries
who died
in their dozens
(careful excavating the yard)
as the morning
moans towards mass,
moves in the memory;
time springing
from somewhere dormant
to somehow recalled.

And I see me
up the stairs
in the biggest room
for the only child
(I took the box-room
for a change of air
in summer)
drawing daydreams
and escape roots
on wooden floors
I stained one summer,
neath the reds walls
others thought angry
and I thought cozy,
maybe happy little me,
happy in my own anger,
happy on my own,
in my own bitter brooding,
brooding for better days
and lips to kiss,
a kiss,
the simplicity of a kiss,
had not yet tasted
from tender lips
that kiss of betrayal
(had not yet tasted
that first kiss
which is gone
once it’s given)
me, in my red walled room
waiting for the hold,
no longer forbidden,
no longer unacceptable,
a bedroom of shelter,
of sanctuary,
of singing out,
out of tune,
out of need,
out of want,
to break out,
I’d repainted walls
and pulled down closets
at 16
now I just needed
to come out of one!

And I see you
in the distance
in that time
that spring recalls
from slumber,
from the window
above the garden,
by the van,
the travelling van,
that white van,
that smelly van
(truly)
washing,
always washing
as if trying to find
something
in all that grease,
in all that confusion;
wash, shine, polish,
harder, rougher,
harder on yourself,
harder on the rest of us,
silence
for the rest of us,
sorrow in the springtime,
no marrow on the bone,
no back bone!
Oh hush now,
you hear me,
you can’t get
beneath the surface
with brute force;
it’s not as strong
as the brute you spray
in the morning
on your frown.
Stop!
See the reflection
in what you have
not just the objection!
Look Daddy;
see it all,
it was all right there
in the kitchen
in her apron,
in the bedroom
in my closet,
she’ll grow tired of you
(she did before)
her foot’s been out the door
longer than it’s been in it!
(Was it ever fully in it?).
Shut it
if you wanna keep it,
have it,
hold it,
for they’re about to run away
and leave you with nothing
but the marrow
going mushy
in the pan
that I never
acquired a taste for,
just like cars
and polish
and peas
and the pieces of you
I couldn’t put together.
Three peas in a pod
that I never learned
to swallow
on a Sunday
in a Spring
that time just can’t digest.

All Words and drawings by Damien B. Donnelly

Audio version available on Soundcloud: 

https://soundcloud.com/damien-donnelly-2/once-on-a-sunday

THE FIGHT THAT CAME BEFORE ME

 

I am standing
because others have fallen,
I am carefree
because others were brave,
I am kissed
because others were beaten,
I am open
because others were caged,
I am integrated
because others were segregated,
I am enraged
because others were electrocuted.

I am vocal
while others were silenced,
I am loved
while others were shamed,
I feel change
while others were chained,
I feel inspired
by others who were restrained.

I am walking
on the path others paved,
I am thankful
my days weren’t so cursed,
I am grateful
to those who came before
and will never be ignorant
to the fight that came first.

I am happy
to stand in the shadow
of those who fought

for the right
to live

in the light
of love.

All words and photographs by Damien B. Donnelly

Audio version available at Soundcloud:

https://soundcloud.com/damien-donnelly-2/the-fight-that-came-first