JOURNEYS, PART 2; A FERRY FROM THE FUTURE

 

I took the ferry, once again, that morning, after a long repose,
to the other side, the one formerly ‘his side’, the side I used,
so often, to cross to, to eat, to sleep, to kiss, to share,
the same ferry that took me from the real world to his world,
which became my world until it was our world, for a while.
That small stretch of water that separated one from the other,
so small and insignificant and yet deeper than we ever imagined.
I cycled on and as morning met the afternoon, I passed that farm
we’d stopped at in the middle of nowhere, in that time long ago,
to buy eggs and milk for no other reason than because we could
but not with him, the other one, the one who’d distracted me
after we’d stopped ferrying back and forth when the water got colder
and proved less penetrable. That other man, the native man
and newly separated too, who’d kiss and cuddle and hold and stop
and break and kiss and stop and kiss and kiss and smile sometimes.
He’s happier now, I see it in photographs, but he stopped for me
for that time after we’d stopped, like I said, and I’ll always be grateful.
It wasn’t long after I cycled over the bridge at Ijburg and slipped back
into the city from the east and passed his house and smiled
at the thought of him, the one that had stopped, another one, not the kisser
or the one across the water, but the one who’d come before them both,
the blonde, after I’d been lost in a sea of darks or so she said
in that play, Suddenly Last Summer, and it never left my mind.
No, the first one who’d found me in that foreign land, who’d spotted me
in cap and boots, drinking whiskeys and beers on a Sunday afternoon,
my first Sunday afternoon, raining outside, of course, was it really always
raining? He wasn’t home that day, but he was somewhere close to me,
within, still teaching me scraps of his native tongue
that would later kiss me all over and cover me in its scent.
He used to watch me from the corner of his eye, wondering
if I was shocked and surprised at his life and smiling, sometimes,
at how I stayed around. But I wasn’t, not at all, not even once
in all that short life we shared together that swiftly passed into the past
just like yesterday and the day before, just like today will do tomorrow
and yet, for some sweet reason it all returned to me that day,
not so long ago, before I left the flatlands for the French ones,
that almost ordinary summer Sunday, in August that graced me
with warmth as it gently kissed me on the cheek before distance,
inevitably, carried it off on a subtle breeze as I cycled on home,
a home that is no more in reality, but that remains so close
to the heart as this journey continues along its route.

All words and photographs by Damien B. Donnelly

JOURNEYS, PART 1: ON THE ROUTE OF THE ROAD

The sun burns the shadows
as fields fall into forgetful,
speed is not my subject
nor a confusion I can peacefully pedal.

We are tethered to tracks;
all these pick ups and their set downs
that perish after purpose while we rattle
toward the repercussions and rebounds.

The sun burns the shadows,
I am senseless to why I strayed,
distance no more distinct like those faces
that had the fortune to fade,

baggage is back breaking,
space not as infinite as vowed,
I cluttered conscience in cupboards
but now cast countless confusions onto a cloud.

The sun burns the shadows
in fields of former exertion
now sullen at the sight of its descendants
and their detached desertion,

Tattered ties sag on trees,
forefathers flounder in a darkness
no longer indulgent to either
a hopeful herd or healthy harvest

(I have clippings of ribbons in boxes
but no recollection of what I tied them to).

The sun burns the shadows,
I watch from crowded compartments
all crammed with connections that deceives
with its distractions and derailments,

I am no more surprised
to set down on the wrong platform
than to drive in the right lane, so long
have I turned from the left of this sojourn,

remembering is rough,
memory meanders like tracks
that turn twists into truths, that take
their tales far from the foundation of facts,

(creativity is carte blanche to recreate,
the truth was too dull to disclose
and so it burns in the shadows
of these fields I am flying past)

The sun burns the shadows,
sets by a sea I’ve never seen,
where breakers are beached as if tired trunks
might tempt time to sweep more serene.

The morning sun is slow
as my feet sweep across salt sands,
I reach towards the crisp air that has crept
to a calmness to caress my hands

but in all this stillness,
before the day yet yawns awake,
its still as elusive as time itself
that never stops for you to catch a break;

We are not the fishermen,
but the fish viewing the hook
as something to hang onto.
We are not the sea
but the sand being swept into shapes
we cannot always smooth out.
We are not the tracks
but the train being taken
to places we never thought to touch.


The sun burns the shadows
and I watch from behind the glass,
my reflection cast upon
things I will never touch
while, in my eyes, I still see
the things that time has still to take.

All words and photographs by Damien B. Donnelly

Friendly Friday featuring; Noises — method two madness

 

This is Kerfe, one of the two genius creators from MeMadTwo, Method to Madness, art expression, poetry and presence. I saw this yesterday and was blown away by its beauty both in words and visuals. Click link below to discover more…

 

 

Were I Other. Were I spoken in a different voice. Were I fallen into impossibility.

I would be like stars.
I would echo the feeling
that follows the wind.

Were I made of light. Were I pulsing like oceans. Were I to open as wide as never and nothing.

I would radiate
rainbows. I would paint moments
with sound. Fill absence.

 

via Noises — method two madness

A SHIFT TO THE SEASON

 

 

Another oldie as we drift to the end of another season…

It happens, now and then,

That slight shift in the season,

A new light, a different dusk,

A gentle breeze that brushes you

Into remembering a moment in the memory,

A time, once far removed,

Now returned, repeated, relived

And there you are, once more,

Back in those arms, looking in those eyes

Or maybe just reading that book,

Wearing that Sweater,

Crossing that bridge.

Time moves and overlaps, all at once,

I am here today, living and yet

A part still of yesterday, re-feeling it now.

I move, change, evolve

Like the weather, as the seasons.

I am summer because Spring bloomed before.

Today it is fine because yesterday I loved.

And then suddenly it shifts again,

A newer light, a darker dusk,

A twist to the breeze and another memory

Melts into the moment and on I go,

As the seasons, changing constantly,

While rarely forgetting that tomorrow,

What we did today, happened yesterday.

All words and photographs by Damien B. Donnelly

A WHITER SNOW

As the sun still blazes through the shades pulled low, I found this older poem recalling the sentiment of another season…


I saw you,
One morning,
Blanketed in white-
A speckled canvas of virgin purity,
All color lost out
To a simpler shade of simplicity.
No more that magnificent mass
Of contrast and contradiction,
Just quiet and gentle
Unencumbered distinction.
Distant laughter
Sailed on a breeze
That swirled around trees
Caught motionless in time,
With branches bare but for snow
Reaching down to Mother Earth,
So proud to be born from Her roots.
I saw you like this,
One ordinary morning,
Alone,
As tears formed icicles on my face,
While snowflakes fell from your skies
Hiding your valleys and hills
And I watched my feet disappear
‘Neath the snow white earth.
I saw you,
Like this,
That morning,
And that longed-for smile
Returned.
For all has its season that crawls to an end
But the most hopeful in heart can rise again.

All words and photographs by Damien B. Donnelly

THE RETURN

Breezes are back in bloom

and I am caught

by the curl of the curtain

as it catches

in the courant d’air

now coming in

with questions

for all that has slipped

into a sleepy silence.

All words and photographs by Damien B. Donnelly

CYCLE

Start. Stop.
Repeat.

Start. Stop.
Return. Rerun.

We are movement broken down
Into stages,
On stages

Persons performing their pieces
In spaces,
Persons in pieces
Often in the wrong places.

Start. Stop.
Release.

Start. Stop.
Rethink. Reread.

We are short stories bound in books

Looking for readers,
Looking for worship,
Looking for our worth,

We are sentences unseen.

Start. Forget. Remember. Forget. Stop.

I was a hand being held
In hope,
In haste,

I held a hand while thinking of another
Since forgotten.
Then remembered.
Now lost.

I remember more
Of what didn’t happen
Than I do of what did,

Subconscious is subversive,
Conscious does not always question.

Stop. Start.
Lay down.

We are the truth of our lies,

We lay lie between what we believe
And what we know to be reality.

Stop. Start.
Throw out.

We are clothes cut and cluttered,

We have forgotten to be sustainable,
To be recyclable,
We have been pressured into polyester.

Start. Stop.
Repeat.

Not retrain. Not relearn.

We are beings bound to repetition

We take foolish steps
Into fallen footprints
we haven’t understood,
we haven’t forgiven,

Be become the ghosts
That cloaked our childhood.

We have not been thought to think.

Stop. Start.

Rely.
Repeat.

All words and drawings by Damien B. Donnelly

BASKETS OF BLASPHEMY

 

The always inspiring Liz at Exploring Colour

https://exploringcolour.wordpress.com/

introduced me this week to this beautiful drawing by Jean Mackay of Drawn In,

https://jeanmackayart.com/

a sketch revolving around the various stages in the basket making process. Liz hinted there could be tales uncovered within the shadow and light of the sketch and, after an initial look this week qnd finding a certain nostalgia mixed in amid the delicate pencil strokes, this is the story that unfolded for me…

 

Before they break the bread they make the baskets,

hands twisting like roots turning, finding the source

beneath the soil; finding the form between the fingers

fixing, wondering if knots can hold, if what is born

can bind and hoping that what they make might mend.

__

And she saw the fine filigree of her grandmother wave

from within the weave, remembered how it felt to be

entwined into a hold that held so much heart, the smell

of those hands now her smell, her scent, her hands

finding form as the circle turned into something greater,

broader; wider, darker, not all twists can be unturned,

wicker bends and leans in as if to whisper and falls away

and under and she wondered how it might find its way

back as the other laughed, the giggling girls with their long

skirts over skin already stained, looking for ways to twist

out of their own tales, platted into tatters too soon.

__

Maura gave birth to a Saint Bridgits Cross that day,

wove her worries into a fallen belief, soaking her swollen

aches with the reeds in the water that would never warm.

Brenda bore her basket like a baby, fragile folds

and tucks and wrapped the rim carefully like covering

a blanket neath the chin of a child she would never forget.

__

Before they broke the bread they made the baskets

the babies would be placed in, each reed drowned

in a river that ran from their fears, ties never attached,

hope never to be held while behind them, resplendent

after lashings and splicings, the black winged women

cawed over the faithful feathers they wore as robes

as their beaded hands prayed for the sinners now

servants for the so-called stains of their skin.

__

And she watched, as she weaved wicker through

the wicked world, in a convent grown cold,

in a kitchen to clean, those witnesses of judgement,

the untouched sisters of seeming servitude, religious

reeds never bent by other hands, folding only

to an unseen force, foreign to the feeling of other flesh,

twisting their rosary around their faultless fingers

as she turned the reeds around the coming regret

of being born and borne away to never come back.

__

Before they broke the bread they made the baskets,

before they broke their hearts, they buried all hope in their broken waters.

 

Audio version available on Soundcloud;

https://soundcloud.com/damien-donnelly-2/baskets-of-blasphemy

 

 

All words by Damien B. Donnelly

Artword by Jean Mackay of Drawn In, https://jeanmackayart.com/

Encouragement by Liz at Exploring Colour

https://exploringcolour.wordpress.com

IMPRESSIONS

Gentle breath
All as yet an impression
Morning yawns with uncertainty

Thoughts flicker on skin
Hairs rise to signal the day
My body stirs to the stillness

Feathers flap
Cracks are caught in the concrete
Roads are not the only route

All words and photographs by Damien B. Donnelly

TRIGGERS

 

We still taste the scent
of semi lucid laughter
edging over apples
being skinned and sweated
on extra ordinary Saturdays
of sweeping and stews,

still taste the crisp coating
of confusion beneath smiles
barely swimming over tears
there was not enough threat to trace.

We still trace, still blindfolded,
those outlines of imagination
now fading on distant walls
when dreams were seductive serpents
sucking the deafening dullness
out of roast Sundays
seasoned with unsensational rain
falling like the granulated gravy
that drowned our plates
as we looked to escape
the smell of a fear we couldn’t
pull the trigger on.

All words and photographs by Damien B Donnelly