IN THE PEACE BY THE PURPLE PETAL

 

Lather us in lazy,
let us lick the honey
from the purple petal,
let us lay down dreams
upon the velvet veneer
of the plump peach,
slip us into a dream of sleep
where all language is lulled
into a lake that lingers
in stilled thought
that tickles tongue upon first taste
with the truth of who we are,
where we shed the red thorns
that have twisted flesh
and bequeath our blues
to the bed at the bottom
to form a base as we rise
in a garden of purple pride
as honey pours
from our once starved lips.

All words and photographs by Damien B. Donnelly

1st poem for National Poetry Writing Month 2019

THE DREAM; SUNDAY NIGHT, ALMOST LIGHT

 

The Dream; Sunday Night, Almost Light.

I dream of dark nights
that cannot hold their identity tight,
that break into tight pieces of light
when mind succumbs to dream’s dimension
and stumbles (still sweaty under sheets)
upon hidden altar in open field,
light cast as day amid dark of night,
depth of dream, this stone altar cast of granite grey
and cold where congregation gathers,
each pebble imprinted with the palm
of every parishioner now present before me,
though I know no rock embedded in this sacrificial table
(where body is broken and blood is drunk)
is a captor to my own print
because still I sleep somewhere
above the grey clouds turning translucent
like my skin in this dream
and grass burning green behind the hazel of my eyes
that know this sight is not sound in sense.
Children come to candle
and their faith gives way to flames fired from fingers
in this field of unfavourable familiarity,
in this night of broken light
where community comes together to confess,
confide, comfort or criticize my coming.


I dream of day borne in a twist of still night,
stilled light, still strange in fields I’ve flown from
and now flung back to where heads turn
below those clouds, low and grey, baying,
still grey, stilled breath, as if all colour
(except the growing grey and grinding green)
have not yet been considered.
Stony eyes, cast in concrete that could crush,
cower upon my questioning
of how I fled so far from all that stands so close.


I dream of dark nights
on old roads I could walk blindly,
your cold caress of cross now left behind me
in that stone-cold field now returning to shadow
that the night somehow chose to light for me,
I shiver beneath the darkness,
on this shady street where I stand
and somewhere, in the distance, in the bed,
I lie looking for shelter beneath my blanket of sleep.
I come upon a clearing,
a turning, a returning, I am home,
not my home but a house called home,
that old home I no longer hold the keys to
(though my pockets tingle with too many connections
to other doors now closed).
But it is the home recalled
only in photographs now fading,
not in the building still standing,
a meander of the memory
I barely have the right to call mine
like this skin turning translucent,
twisting off the bone, falling and fading
from a form I seem to not recognize in this sleep.
Still, I search in pockets
hoping to pull out not another cross
to carry on shoulder, to bear down on this tight chest,
growing tighter under this night, now darker,
on this dark night once somehow light,
in this twisting dream
I am both aware of and oblivious to.
I find no key or single soulful saviour
in this starless night,
even the simple sailor had at least the stars
when lost at sea, what hope is there to be found
when one is lost in the dream
he never deemed desirable to dream?

__
And I stop,
time stops, breath stops.
I stop on front of open door,
wide open in this still night,
still a dream, still asleep,
but I did not open the door,
I did not break handle upon floor
or toss dishes from dresser
or painting from wall.
I did not.
I did not ache for the field
or the weary worshipers watching me
find footing upon a land that has forgotten my print,
whose eyes still creep across my flesh,
sensing its scent to be something foreign,
something to fear.
I did not come willingly
within this nightmare
to stand before this open door,
this battered threshold,
this scene that has lost all soul.
I did not come to drown within the dream
but then came the scream,
behind my ears,
tearing through this dark night,
dark dream, once for a time light,
that scream creeping along the covers,
slipping through time and its displaced dimensions
and settling upon my mouth as I open my eyes
from all that was a dream,
open eyes to the sound of my own scream
beneath the stilled light,
filled with a stilled fright,
below the darkness
that uncovers the stillness of this night,
almost light.

All words and photographs by Damien B. Donnelly

THE BOOK BETWEEN US

 

You handed me the book and left,
off to another room,
another existence beyond my sight,
(even sight of that moment was selective),
you left me with that book in hand,
hand in hand with that room
where black edged over white,
where comfort was clinical and cradled no clarity
(though I wasn’t looking to be cradled),
that low-lying little room
(where tattered ties lingered in loss)
behind the camouflage of a cobbled courtyard
with its constantly burning candle
whose scent I couldn’t make sense of
(funny how some flames don’t even flinch
when faced with the flicker of fragility)
and a cut-out on the wall, in the corner,
for a door that didn’t exist, a cell-like sliver of space,
within all the space at my disposal,
to hold me hostage as I slipped off
and back to a time I hadn’t released
(and I’d let go of so much that was lighter, lesser, lonelier
since having been let go myself at the offset).

I placed the book down
(along with the weight of its words)
on the simple sofa as you returned
(in saturated shades of grey;
minimum resonance that mimicked movement,
sedentary seemed to be your salvation),
a sleek but sedate sofa I had yet to sit on, be sedated in
(those sessions came later; you in your slate covered silence
on the low-lying chair behind and me; in situ,
on that charcoal sofa, lying,
trying to lay truth on all the lies
I’d crossed and tangled and torn,
trying to stretch out of that small room
and fall back to another, once red, back then,
now fading, right now
like the threads of the sofa; tensed tightly
with the mass of moment and memory
I was manoeuvring through alone
as you sank into your silence
thinking you were a pedagogue of pabulum
while I wondered who would save me.).

But that was a question I had yet to ask.

You sat down that day,
that day of the book and its position between us;
gifted child, grown adult, growing weary
of these wet tales I’d been telling everyone and no one,
for too long, and you; ash dappled with stony surrounds.

I slipped back, as signalled, to the story,
once my story now being shared
and slightly severed from my shadow
(that single story you sensed was sentenced
to an eternity within that red walled room
so far from your white walls
with its crisp corners and black floors
baring only shadows I was supposed to see light in).
But I caught your shiver at the sight upon that sofa,
said book not on the shelf, so out of place
(so out of line with your carefully constructed
compartmentalised components of conditioning),
I saw you fix upon the book
as I whizzed through multiple times,
twisted through the tension
of being someplace else while in situ,
in a taxi with his hand, long ago,
whizzing through new streets
with a trunk of baggage I needed to unload,
in a bathroom crying while he watched
from the cold side of non-concern
(and yet even then I didn’t want to be cradled,
not by a caretaker I couldn’t comprehend
until I did but by then he was already gone),
in bed, within the stillness of those red walls
that comforted and cramped the child
trying to comprehend the form and yet, also,
there I was, on front of your silence, your stare
and sudden your distraction with that book,
now displaced, like we all are
(like I was, or so you might have said had you spoken)
now in situ, on the sofa I had yet to sit on
while I soldiered on alone,
unsure if you were with hearing me,
helping me or hating me
as I turned through my own pages of the jilted journeys,
the mindless miles and the million stars I’d lost hold of
as I reached out for others; bigger, brighter, bolder, better,
then falling, fading, soon to be burnt-out,
felt to be forgotten, but not.

I stopped, in situ, next to the sofa and the book
and noted your distracted attention
to all that was now out of place
(within a space designated
for those lost to their place)
and I wondered if this cell had been built
to sooth the souls who came searching
or to cradle clinically a single stone
who couldn’t spark a brighter colour.

And the patient lost patience with the pretence.

All words by Damien B. Donnelly

Audio version available on Soundcloud

ORIGAMI

 

I found you once
like a raindrop on a window
that can only caress the extremities,
not the truth,
not the folds we fabricate
between our own fact and fiction.

I found you once and was folded
for a time

like origami…

fingers running lines along skin,
folded into form unknown,
pressed into position
with little resistance,
pleats to bridge the gaps
between the unfamiliar
and more favourable.

I was paper

being played with
for a while, like the rain
running down the window;
falling, forming, falling into fragility,
reforming, falling, leaving lines already fading,
folding into another, other…

for a time,
for a time to pass the time
between the fact and the fiction,

between the transparency
of the glass
and an inability to hold the rain.

All words and photographs and mini shirt and tie origami by Damien B. Donnelly

Audio version available on Soundcloud

 

 

 

HEMEROSCOPIUM

 

I

build

sentences

in the mind

that had no

existence before,

a platform to ponder

in a place that doesn’t

exist, in truth, until it’s been told.

I move through this Hemeroscopium

like an architect building a house

into a home, unearthing light

to contrast the shadow

my thoughts have

been confined in,

a helix that

spirals out

from within,

that will return

and move on, return

and move on, up towards

that light turning transparent,

sentence into substantial structure,

considerations becoming concrete

clarities that form walls, fold out

into roofs that consider creation

compulsory, stories rising from

basements, tales spinning

off, casting reflections

upon the windows

of this place,

this mind

that watches

the sun rise and set,

time twist and turn, again

and again, the circles, always

the spiralling circles, even in a straight

sentence, even in a slotted surface.

I build spaces to house beds and

beams and bright lights to lie

before this tower of truth

and watch the visions rise

and fall, like the sun, like

the laughter, like life,

like tales, like

sentences

that never stop

while always changing,

an ancient arch now foundation

to modern moment, a true temple

of contemplation in this space holding

space, light and space, shadow and

space, sentence and space, space

between the sofa, space

between the

syntax.

All words and sketches by Damien B. Donnelly

FOR A WHILE, TO DREAM

 

I of soft nights dream
above a sea of harpsichords,
where clouds are cooling caramel
and the stars set alight with the scent
of a pristine perfume deemed delectable.

I of soft nights dream
neath a curve of cloistered courtyards,
drunk on desires dawn will deliver
as dusk dressed Diana sets to slip
my careless catastrophes far upriver.

I of soft nights dream
on a bed of chamomile seats
where leaves lean in to comfort from cold
and fine floret rays of petals white
dance around the apple scented hearts of gold.

I of soft night dream
through this climate’s current chaos
of laughter lines beneath sweet thy smile,
of caress, kiss and chorus of choir
and the comfort that comes to call for a while.

I, of soft nights, dream…

All words and photographs by Damien B. Donnelly

Inspiration for today’s poem must be given to Nigel Cowburn from Growplan; https://growplan.wordpress.com/. His wife Liz from Exploring Colour; https://exploringcolour.wordpress.com/ told me last week that his response to my poem Solo Sail was that it reminded him of harpsichords, chamomile seats and cloistered courtyards! I couldn’t let those images be passed up on. Thank you Nigel.

SOLO SAIL, on a ship full of hearts

 

When we to time wish,
wings do not carry all words
so I to promise must desist,
faith is fickle feathers on fragile birds.

If love to hearts hold
then hearts be more than one must
for not is love a concrete mould;
stilled the river bed whose reeds rot to rust.

When we to time turn,
touch being a tethered thread,
I have to trust that ties will burn
but mind make memory of beating bed.

If love in heart’s held
just as blood in veins are bound,
then truth to self must be compelled,
feral is the field of the barren ground.

When I to nights slip
as moon to stars serenade,
my course cast upon ocean’s ship
bid adieu to lips kissed and loves mislaid.

When current’s call comes
and cares cast into the crest
I dare the waves to beat like drums
and allegiance pledge to my beating breast.

 

All words and photographs by Damien B. Donnelly

DANCING IN THE CURRENT

 

I am posting a link to Dancing in the Current, a new blog from Exploring Colour‘s Liz Cowburn. Her husband Nigel took this photograph and afterwards both Liz and I wrote poems based on our interpretations. I originally posted mine last week but wanted to show you the three pieces together, Nigel’s photograph along with Liz’s poem and mine. I am so pleased how our work has intertwined despite the distance between France and New Zealand. I wasn’t able to reblog the post directly so I have copied it here but you can click on the link below to be brought to the original post…

https://dancinginthecurrent.wordpress.com/

Liz’s post:

Drawn To The Light. Dunedin, Otago, New Zealand

The St Clair’s Piles, St Clair Beach. Taken by Nigel Cowburn 31 January 2019

My husband Nigel took this fabulous photo when he was on the beach at sunset, at St Clair. I love the view of the piles seen against the esplanade lights reflected in the wet sand. In fact, I was moved to write a poem and also invited Damien B. Donnelly to do the same. Damien lives far away, in Paris, and yet he wrote a remarkably perceptive poem. Here both poems are published together, with Nigel’s photo.

Nigel works as a Landscape Architect and blogs at  Growplan


Survivors

— Poem by Liz Cowburn

[piles’ perspective]

Sentinals of the sand,
we stand

Driven deep to defend
this beach

Regimental relics – we resist,
persist

Fight for footing! Look to the land,
the sand!

*****

[my perspective]

Battered, beaten by tidal terrors ‘the breakers’
— bowed but not cowed

Centred in a century’s swirling currents,
St Clair’s piles sink, subside…

Yet… THESE SURVIVE !!!

You can see Liz’s original poem post here:

https://exploringcolour.wordpress.com/2019/02/12/survivors-poem/

Her new blog is: https://dancinginthecurrent.wordpress.com/


THE  WEIGHT  UPON  THE  WAVES

— Poem by Damien B. Donnelly

And in the tide
tight with time and its turning
they left their posts,
impaled upon the sand,
impressed upon the land.

And there they stood
ten in heart and ten in tide
for time to tend,
impaled upon mind,
impressed upon mankind.

And on they marched
up the land and on from shore
for evermore
impaled upon their wain,
impressed upon the flame.

And out with wave
woe on water and touch from time,
tormented years
impaled upon the crest,
impressed upon the chest.

And on they went
refugees in search of root
swept along the shore
impaled upon with tears,
impressed upon with fears.

And on it goes
those who run and those who can stay
and those who are lost,
impaled upon the wars,
impressed upon the waves.

All words by Damien B. Donnelly
Link to view the poem on Damien’s blog:  The Weight Upon The Waves


Notes on Damien’s poem

The reference to refugees made a big impression on me. In April 2016 Dunedin accepted their first group of Syrian refugees. Damien wouldn’t have been aware of this when he wrote the poem; I told him later via Comments at his site – the following was his response:

“When I saw the piles and the lights heading off inland in the distance a journey immediately came to mind, the struggle of those who survived, who carry the flames of the hope and the souls of the past; those who were left behind or lost on the journey, the hills we all have to climb and the oceans too many have to cross to seek refuge, I am so glad to hear how Dunedin opened its gates to welcome in a new hope. I think our global commonality is that we are all refugees looking for our place in the world, just some of us have it much easier and a more comfortable journey than others.”
— Damien B. Donnelly (conversation via Comments)


Originally Posted by Liz; Dancing In The Current (2019)

 

Reprinted by Damien with permission

RESILIENT

 

Dry earth,
its sharp teeth
tear through trunks,
spines spindle around nature’s tenacity;
this rugged rage of rocks that have rolled,
boulders are the big bands here
spotlight of sandy sun bolts
and center stage dawns
of desert dust.

Dry earth,
cutting clouds like carefree-cotton
fall apart amid the peak-like pinnacles
that places people as unimportant pebbles,
we can climb the heights, we can slip our soles
along the sandy tracks others have thread
but a simple sandstorm leaves us
as a mark once made,
fast forgotten.

Dry earth.
Still. Silent.
Shining. Steady.
Bare breath is borne off on the breeze,
beauty is breath taking where the breath is less
and beauty is everything.
Steady. Shining.
Sill. Silent.

Dry Earth,
but so relentlessly
resilient.

 

All words and photographs by Damien B. Donnelly

Photographs taken last week in Joshua Tree National Park, Yucca Valley, California

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THE WEIGHT UPON THE WAVES

 

And in the tide
tight with time and its turning
they left their posts,
impaled upon the sand,
impressed upon the land.

And there they stood
ten in heart and ten in tide
for time to tend,
impaled upon mind,
impressed upon mankind.

And on they marched
up the land and on from shore
for evermore
impaled upon their wain,
impressed upon the flame.

And out with wave
woe on water and touch from time,
tormented years
impaled upon the crest,
impressed upon the chest.

And on they went
refugees in search of root
swept along the shore
impaled upon with tears,
impressed upon with fears.

And on it goes
those who run and those who can stay
and those who are lost,
impaled upon the wars,
impressed upon the waves.

All words by Damien B. Donnelly

This 2nd photograph is also of St Clair beach, Dunedin, Otago, New Zealand, taken by Nigel and used by Liz for her blog Exploring Colour.

The original link to Liz’s blog post is;

https://exploringcolour.wordpress.com/2019/02/06/drawn-to-the-light/

Liz has also penned a glorious poetic tribute to these long standing piles entitled Survivors and the link is

https://exploringcolour.wordpress.com/2019/02/12/survivors-poem/

Nigel’s Landscape Architecture blog is;

https://growplan.wordpress.com/