This is how we move
now, in the aftermath 
in the silence
in their absence

This is how we monitor
here and now, in the passing
under surveillance
under scrutiny

This is what happens
when the scandals burn out
when the candles burn out
this is how it goes

This is how we move, now
monitoring the metros
soldiers on streets
searches in stores

This is how we move
now, in the aftermath
and still the shadows build
and still the voices are missing
when before they were just
laughing and eating,
when once they were just
drinking and singing.

This is how we move
now, in the aftermath.

 

All words and Photographs by Damien B. Donnelly

THIS IS HOW WE MOVE

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We saw you that day, a world away from today, in a gentler time,
when your towers of trade still stood, we saw you in your brown stones
and running shoes, always running, always pacing, always off somewhere;
somewhere newer, someplace shinier, somewhere brighter, someplace bigger
and we felt so small, so new to it all, looking on;ignorant, innocent, breathless,
you with your yelling arms hailing yellow cabs, you with your giant cars
tearing along your streets, always up the avenues and over the hundreds;
would I ever remember, could I ever forget, would we ever be able to sleep
in our tower above the park, above your streets that towered beneath us,
over us, your buildings that glistened in the daylight, sparkled in the starlight,
sparkled all night, soaring higher and higher, neck ache; always looking up
to see where they ended and the heavens began, streets like soldiers marching
downtown to funky town, Chinatown, Italian town, Liberty’s crown.
We saw you like that, that day, your brown stones and yellow cabs,
the Vanguard and the Village, where he sang and I sobbed, sobbed as he sang
for me, sang for a father. We saw you, uptown for lunches from Zabar’s,
picnics in parks before midtown for belters that blinded us on Broadway.
We saw you and your hidden treasures and your childhood pleasures;
the library, at the back, behind the glass; Winnie the Pooh and Tigger too.
We saw you, suddenly, that day, with one turn, as we fell upon your bridge,
your bridge to Brooklyn, sketched by Roebling and favoured by Whitman,
and there, above the Hudson, a turn away from the hustle and bustle,
in the years before fear reigned, before terror struck and we broke up,
everything opened up and a stillness reigned triumphantly in the air,
until, just a moment later, a siren shot through the city to remind us
that while we’d found a quiet edge, it was just an edge of a great big
shiny metropolis. We saw you that day, together, as one, one summer
when everything seemed eternal. We saw you like that, that day
and never dared to think what might happen if it all fell down.

All words and Photographs by Damien B. Donnelly

METROPOLIS

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Starting at top left with a Jeu de Paume exhibition advertised at Cite Metro station on Ile de la Cite, La Tour Eiffel seen from Le Mur pour la Paix (The Wall of Peace), a bench in Jardin du Luxembourg, the back roof of the Saint Sulpice church in the 6th arrondissement, Notre Dame seen from the terrace of Institut du Monde Arabe on Quai Saint Bernard.

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Autumn revealing its colour on the hills of Parc de Belleville in the 20th, looking at reflections on a glass wall of the George Hermant swimming pool in the 19th, plant pots on Rue Mabillon in the 6th, La Tour Eiffel and the champ du Mars, graffiti on columns in the Maison du l’Air in Belleville, mosaic panelling inside the Institut du Monde Arab.

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A man sitting in the Jardin des Tuileries, a winding side street in the 6th, metro line at Pasteur in the 15th, a bridge in the Parc Bercy in the 12th, trees along the road side in Neuilly Sur Seine, a house in Parc Bercy.

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 A black and white shot of the Nassim de Camondo Museum in the 8th, the bridge again (I like it), a tree yellowing at Parc Montsouris in the 14th by Cite Universitaire, polar ice melting at the Pantheon in the 5th for the Climate Change conference, a chandelier in a glass ball on a lake in the Jardin des Tuileries and a deserted railway line in the 14th.

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Boat houses opposite Ile de la Grande Jatte in Neuilly Sur Seine, the Louis Vuitton Foundation museum in the Bois de Boulogne, the entrance to Parc Monceau in the 8th and finally a leafy lane in Parc Bercy.

The featured photograph is a hot air balloon (Ballon GENERALI de Paris) hovering over Parc Andre Citreon in the 15th arrondissement.

All Words and Photographs by Damien B. Donnelly

PARIS IN PICTURES

 

Colour,
he saw colour
in a park, a simple park
on a Sunday, in the summer.
Colour,
he painted colour 
in that park; clear, considered
untainted, untampered
colour,
specs of colour,
rays of light
in a park
on a Sunday, in the summer 
in a season of details, in a salon of specifics
under demands to consolidate, co-operate. 
Colour,
he saw colour,
a canvas of light and colour,
a carnival of colour.
Colour,
he saw colour 
in a park, on people
simple people, working people
fishing people, fidgeting people
not polished people, not posh people.
They buried him
in a park,
another park,
a quieter park
but still with light and colour.
They buried him
and then they buried his son
and then another,
life and death,
father and sons,
children and art,
children or art but only art survived.
He saw colour
on a Sunday, in a park, on an island, in Paris, 
to the left of its center
and there he made a difference.  

 

All words and Photographs by Damien B. Donnelly

Photograph taken on Ile de la Grande Jatte, Paris, France. 
 

GEORGES, REFLECTIONS OF SEURAT ON A SUNDAY

 

Play me
he pleaded
and she conceded,
trickle a tune
along my spine
make thee mine.
I’ll make you whine
she promised him
and so she played him
then she laid him
then she splayed him.
She teased the sheets
she scorched the score
and she nibbled on notes
he never even knew existed
and then she left him, lying there
broken, battered and gasping for air
pleading with her
to stop and save him
as she walked away
singing a solo.

All words and photographs by Damien B. Donnelly

PLAY HIM

A Thousand Sweet Dreams

It’s coming to the end of the year so I’m doing some rebloging or reruns of some poems that I reworked here and there and tweaked in other places because as we know reruns, just like old F.R.I.E.N.D.S, are sometimes even better second time round…

deuxiemepeau's avatarDamien B. Donnelly

I will love you for a thousand years and a thousand years more
if only you’d ask and I would, you know, lock that love away
so it can’t be touched, tarnished or tampered with. I will hide it
so deep within my heart that every beat will be stronger for it.
I will love you for a thousand years though a thousand others
may come and go, to distract me, delight me, even deceive me
but you will remain, as always, the single force that lies within,
that assures me in the darkness you have been a guiding light,
that reminds me in happiness you made me smile. I will love you
for a thousand years as if we’d spent a thousand nights together,
as if I’d been kissed by your lips a million times, as if I’d dreamt
in your arms a hundred dreams, as if we’d always…

View original post 186 more words

Care

Its Sunday Reblog again. I’ve been busy moving to Paris from Amsterdam (via London, Paris before and originally Dublin) and settling in for the past few months but now its the Christmas season and the time for giving and I wanted to share one of Christina’s poems today as she always captures me with her honesty and bare naked truth. This is a beautiful piece and I hope you enjoy it…

Christina Strigas's avatarChristina Strigas

I do not know

what you truly think

of me

or of all my dead lovers.

Once they kissed my skin

wrapped me up in denim

cheap corner motels

backseat heaven

kissed them in closets

on gurnies, trust me

you would not care

how I wore my black phase

through my blue one,

how my breasts and legs

led me through lines

free cocktails, drugs,

rides, vip sections,

limos, rock stars.

He said “you are art”

and never read my verse,

but he lived in some kind

of utopia

and locked me out.

I wandered up and down Brooklyn

Bridge, examining initials.

In and out of phone booths

with quarters in my pocket

and collect calls on my mind.

“You are my art” he explained

but I never wanted my dark hair

spread on his sofa

so he could paint me

in various naked poses,

“no,” I said,

“I like…

View original post 40 more words

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There are no direct lines anymore 
no direct direction
no friction 
no fuss
it’s not straight ahead
to the right
or left
I’ve left the centre
I’m to the left of centre
to the right of what was considered
right and wrong

this is the midway
the in between 
the middle ground 
of what used to be
and is still unseen 
there are no right roads 
raging and roaring

there are no direct lines anymore
on this journey through the midway

mid sentence
mid life
mid love

only meaningful meanderings. 

All Words and Photography by Damien B. Donnelly

NO LINES

 

I take the metro and tour the world
on one single line, in one single hour,
I am south and white, not so south 
that I am ghetto, but I’m still south
so I start in paler shades, fragile skin,
freckled skin, skin burnt by sunlight
and I travel central to chicer centres,
to tote bags, Chanel bags, Prada bags,
bags so cool they don’t have names
carried with character and sun glasses
worn indoors over eyes, on the head,
and all through life, I cross the Seine
and the current now changes to casual
as the youth descend from Les Halles;
the track suits and highheels, gay boys
with toned tops, crew cuts in J crew’s,
chiseled cheek bones and trendy setters
with Asian angles, before I move north
again, further up the line and I darken,
in one stop; I am urban now, ethnic and 
eager with attitude, edgy, and on I go
until I’m swayed, suddenly, in shawls
and in wraps and in colours so bright,
I am now a kaleidoscope of carriages 
going north, tearing up into the ghetto,
of the greatness, of the gangs, the guts,
I am metro madness in one line of life.

All words and photographs by Damien B. Donnelly

SHADES OF METROS MOVING

 

You are carved upon the lines, carved upon the seat, carved upon the branches
and the roots and the shoots of the tree that stood before you,
carved upon the life, carved upon the heart, carved upon the tears
and the tissue and the memory of the mind that holds you,
your scent is still within the garden, still upon the chair,
is wrapped around the branches and the bushes and the buildings
that stood before you, your scent is sealed upon the body,
teases still the tongue, smelt still on the hands,
beneath the nose and on this skin that used to touch you,
there are knots within this wood, on this bench, on this tree,
on these buildings, along this body that can never be undone.
There are shadows in this garden, on this seat, beneath the branches,
in the sunlight, shadows in the sunlight, on this body that can never be erased. 
There is an echo of what was, resounding in this garden, in this seat, in this tree,

in this heart.

 

All words and Photographs by Damien B. Donnelly

CARVED IN