Sun sets
Water retreats
Concrete is cold of comfort
Day is devoured by its swan song.
All words and photographs by Damien B. Donnelly
Sun sets
Water retreats
Concrete is cold of comfort
Day is devoured by its swan song.
All words and photographs by Damien B. Donnelly
Restless morning after night’s twist.
From day we’d split like shadows
Into the swallow of darkness
But dreams are billowy breaths
That toss ships under sheets
Of stormy seas and we- single sleepers
Under the blindness, washing up
And through time and buried thought.
Restless morning after night’s twist.
Lip trembles at dream’s touch
As I reach out to pinpoint position
Upon this shore of subconscious
Where desire is an abhorrent beast
And we, single dreamers, fooled
Into thinking that one night’s hold
Can stir day into a sweet surrendering
Of the isolation drowning on the shore.
All words and photographs by Damien B Donnelly
A short poem of fear
A haunting is happening in this house that holds me,
a sinister spirit that lies in the shadows,
a feeling of fear is feeding on frenzy
as it ghoulishly groans and gasps from its gallows.
A breath is baying by this bed that now binds me
with its fetid foulness that flits by my face,
a mischievous menace that will not let me be,
I fear the already dead splitting time and space.
A demon is devising a death to destroy me,
his clutch a cold and callous caress,
while no face nor fingers nor form can I see
there’s dread in this dark I cannot suppress.
A sour scent stains the sheets where I slumber
reeking of rank and rotten revulsions,
it exhales a heinous, horrible, hunger
of demonic desires and cursed compulsions.
A miserable monster while mumbling madness
is slapping and sliding something sharp on my skin,
between life and death there’s not much to divide us;
but the grind to be good and the seduction of sin.
A haunting is happening in this house that holds me,
a sinister spirit groaning from its gallows,
a face is now forming and two eyes can I see
as I’m dragged into darkness to be sliced in the shadows.
All words and photographs by Dmien B Donnelly
Was he not tied
and turned on the tide,
was there not light
and dark by his side,
though the morning’s sun
rose as his bride
twas the black of the moon
at night that found stride.
Was he not washed
and worn on the waves,
was he not cracked
like the sea cuts the caves,
in the morning did he count
the slaughter, the saves,
was he ashamed of how many
he’d laid in their graves?
Was he not just a reed
washed over the sand,
was he not just a vessel
on an ocean unmanned,
controlled in the day
where blood was banned
but unbound in the night
the beast took his hand.
Was he not just a man
who’d from day lost sight?
Was there not to be compassion
for the monster in the night?
But the hunger he managed
to contain before the light
was too much in the darkness
to put up a fight.
The best of a man,
a wolf of a beast
but never the two
could ever find peace,
Helios held famine,
Selene supplied the feast
but not a single God
could offer a release.
A savage surrender
into the sea was swept,
the hair of the hound,
the soul that now wept,
a man and the monster
drowned in the depth
and in their beds, his children,
safely then slept.
And was he not tied
and turned on the tides
like the rise and fall
of a twist that divides
as the nature of man
and monster collides
but when the darkness descends
the light
it subsides.
All words and photographs by Damien B. Donnelly
I climb clouds
between the night’s blanketed sleep,
a billowing blossom of smoke
that never chokes the mountain moon,
where the world is a warm walk
through a blue breeze
and the only plight
is to find your path
within a forest of daffodils
on a prairie of peace.
On a prairie of peace
within a forest of daffodils,
beyond the billowing blossom of smoke
that never chokes the mountain moon,
I climb clouds
as a blue breeze uncloaks
the confusion of consciousness
and the sky glistens
with a golden glimpse of tomorrow
tipped in a topaz tempered truth.
I climb clouds
to sleep in a dream of daffodils.
All words and photographs by Damien B. Donnelly
This is a re post of one of my older poems
Last night you came calling
like a song to soften the shadows
and found me slipping in between
the silence and the slumber.
Last night you came calling
softly with your whispering words
that filled the longing, soft words
that settled upon my bed like a blanket
to sooth me. Last night, in the sweetened
stillness, you bent down from above,
from far away, from somewhere
beyond the silence and beckoned me
closer with your wisdom, whispering
words, softly like stars in the darkness,
like hope in the loneliness, welcome
words whispered which fell from your lips
and moved amid minds, warm words
that rested softly in between worlds
of sleep and seclusion, that found my ears,
that soothed my shoulders, that caressed
my chest like a breeze, a beautiful breeze,
a beautiful summer breeze that lets you breathe,
that finally enables you to breathe. Last night
you whispered from a world away and I awoke
all the lighter as the night gave way to day.
All words and photographs by Damien B Donnelly
This is a re-post, i’m still on holiday!!!!
See, he says
to the child by his side,
see how the water rises.
Wait, he says
to the child by his side,
to see how life surprises.
Dark, he says,
is the black of night,
the stars too far to enlighten.
But day, he says
to the child in his wake,
brings a light for the willing to find sight in.
I see, says the child
by the side of the man,
feeling his ancestors were blind.
All words and photographs by Damien D. Donnelly
7th poem for National Poetry Writing Month
The Dream; Sunday Night, Almost Light.
I dream of dark nights
that cannot hold their identity tight,
that break into tight pieces of light
when mind succumbs to dream’s dimension
and stumbles (still sweaty under sheets)
upon hidden altar in open field,
light cast as day amid dark of night,
depth of dream, this stone altar cast of granite grey
and cold where congregation gathers,
each pebble imprinted with the palm
of every parishioner now present before me,
though I know no rock embedded in this sacrificial table
(where body is broken and blood is drunk)
is a captor to my own print
because still I sleep somewhere
above the grey clouds turning translucent
like my skin in this dream
and grass burning green behind the hazel of my eyes
that know this sight is not sound in sense.
Children come to candle
and their faith gives way to flames fired from fingers
in this field of unfavourable familiarity,
in this night of broken light
where community comes together to confess,
confide, comfort or criticize my coming.
—
I dream of day borne in a twist of still night,
stilled light, still strange in fields I’ve flown from
and now flung back to where heads turn
below those clouds, low and grey, baying,
still grey, stilled breath, as if all colour
(except the growing grey and grinding green)
have not yet been considered.
Stony eyes, cast in concrete that could crush,
cower upon my questioning
of how I fled so far from all that stands so close.
—
I dream of dark nights
on old roads I could walk blindly,
your cold caress of cross now left behind me
in that stone-cold field now returning to shadow
that the night somehow chose to light for me,
I shiver beneath the darkness,
on this shady street where I stand
and somewhere, in the distance, in the bed,
I lie looking for shelter beneath my blanket of sleep.
I come upon a clearing,
a turning, a returning, I am home,
not my home but a house called home,
that old home I no longer hold the keys to
(though my pockets tingle with too many connections
to other doors now closed).
But it is the home recalled
only in photographs now fading,
not in the building still standing,
a meander of the memory
I barely have the right to call mine
like this skin turning translucent,
twisting off the bone, falling and fading
from a form I seem to not recognize in this sleep.
Still, I search in pockets
hoping to pull out not another cross
to carry on shoulder, to bear down on this tight chest,
growing tighter under this night, now darker,
on this dark night once somehow light,
in this twisting dream
I am both aware of and oblivious to.
I find no key or single soulful saviour
in this starless night,
even the simple sailor had at least the stars
when lost at sea, what hope is there to be found
when one is lost in the dream
he never deemed desirable to dream?
__
And I stop,
time stops, breath stops.
I stop on front of open door,
wide open in this still night,
still a dream, still asleep,
but I did not open the door,
I did not break handle upon floor
or toss dishes from dresser
or painting from wall.
I did not.
I did not ache for the field
or the weary worshipers watching me
find footing upon a land that has forgotten my print,
whose eyes still creep across my flesh,
sensing its scent to be something foreign,
something to fear.
I did not come willingly
within this nightmare
to stand before this open door,
this battered threshold,
this scene that has lost all soul.
I did not come to drown within the dream
but then came the scream,
behind my ears,
tearing through this dark night,
dark dream, once for a time light,
that scream creeping along the covers,
slipping through time and its displaced dimensions
and settling upon my mouth as I open my eyes
from all that was a dream,
open eyes to the sound of my own scream
beneath the stilled light,
filled with a stilled fright,
below the darkness
that uncovers the stillness of this night,
almost light.
All words and photographs by Damien B. Donnelly
Today’s quote for Jane Dougherty’s A Month with Yeats comes from ‘Aedh Wishes for the Cloths of Heaven’. ‘The blue and the dim and the dark cloths of night and light and the half-light,’ —W.B. Yeats
Jane’s blog is: https://janedougherty.wordpress.com/2017/11/17/a-month-with-yeats-day-seventeen/
My poem is called HALF LIGHT, HALF NIGHT
And time finds them folded
between all that had been lost
and the hope of what yet might come.
And night finds them falling
between the dark clouds covering
and the hands that caress their bodies.
And the kiss finds them feeding
on a hunger they thought exhausted
beneath the truth the darkness can’t hide.
And in the half light,
half starved,
he fell beneath her dark cloths
cast in shadow
as if half forgotten,
half starved
for that blue light
once burning bright
in the dimming night.
And in the half light,
half jarred,
she sank beneath his old hold,
reborn in bold,
no longer
half accepting
that half starved
was the whole picture
as their hunger
pulled them tight.
And in the half light,
half scarred
from being alone but not alive
in this scrapyard,
they each half held
that half light,
half bright
and held each other
in a hope
below the night.
All words and photographs by Damien B. Donnelly
It’s day 10 of Jane Dougherty’s A Month with Yeats poetry challenge and today’s quote is as follows: ‘And he saw how the reeds grew dark at the coming of the night tide’
Jane’s blog is: https://janedougherty.wordpress.com/2017/11/10/a-month-with-yeats-day-ten/
My poem today is called: THE MONSTER IN THE MAN
And was he not tied
and turned on the tide,
was there not light
and dark by his side,
though the morning’s sun
rose as his bride
it was the moon o’er his hand
at night that died.
And was he not washed
and worn on the waves,
was he not crushed
like the sea cuts the caves,
in the morning did he count up
the slaughter, the saves,
was he ashamed of how many
he’d laid in their graves.
And was he not just a reed
washed over sand,
was he not just a vessel
on the ocean unmanned,
controlled in the day;
all blood was banned
but unbound in the night
the beast took his hand.
And was he not just a man
who’d lost his sight?
Is there passion for the monster
lost in the night?
But the hunger he was bound
to before the light
was too much in the darkness
to put up a fight.
The best of a man,
a wolf of a beast
but never the two
could ever find peace,
Helios held the famine,
Selene supplied the feast
but not a single God
could offer a release.
A savage surrender
into the sea was swept,
the hair of the hound,
the soul that now wept,
a man and the monster
drowned in the depth
and in their beds, his children,
safely then slept.
And was he not tied
and turned on the tides
like the rise and fall
of a twist that divides
as the nature of man
and monster collides
but when the darkness descends,
the light it subsides.
All words and photographs by Damien B. Donnelly
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