THE KIND OF CREATURES WE ARE 

 

Strange are the creatures we are
beyond the bones that break
and the backs that bare,
striving to question our own conception
within this creation ever depleting

(and yet we all want more).

Strange are the creatures we are
beyond the fingers that fondle
and the footprints that fade,
striving to find a love completely,
a comfort to cover the concrete

(that we poured on the soil ourselves).

Strange are the creatures we are
beyond the blood that feeds
and the flesh that festers,
striving to hold the stars in our hands
now that our planet we’ve pulled apart

(the greener grass of another galaxy).

Strange are the creatures we are
beyond the tongues that taste
and the eyes that envy,
striving to have all that we can hold
not thinking what we’ll leave behind

(not thinking of those we leave behind).

Strange the creatures we are
beyond the heart that hurts
and the needs not enough,
striving to stay afloat within the fear
yet laughing as we’re carried away.

Strange the creatures,
these creatures we are.

All words and drawings by Damien B. Donnelly

TIME ON THE TIDE, PART 11; WHEN THE SEA MEETS THE SHORE

 

See me,
see in me,
see the sea in me,

see in me motion moving,
from an outstretched ocean,
returning, movements manoeuvring;

the sea in me, seeping,
seeping out of me,
sweeping over you,

over us now,

not just me now,
not just you and me now,

us now, us two now, too.

The sea and shore,
and the sea wants more.

See me,
see the sea in me,
see how much more we can be;

you; the shore and me; the sea
coming in, coming home,

see more in us now, today,
here together, (forget forever).

See the sea seeping over shore
sinking deep between
the cuts and curves

see in us more than before.

See me, this sea
that sees you, me, us,

these waves that sweep you, me us,

concerning, caressing
this current connection

coming in closer, (and breathe)
pulling out gently (and breathe)
coming back deeper (and we breathe).

See us taking major meanings
from these minor movements,
taking time for the tides that bind us;
bare bodies, on this beach, that wash over us;

me; the sea and you;
the shore, now sure

now each wanting more and more of more.

All words and photographs by Damien B. Donnelly

TIME ON THE TIDE; PART 7; I PROMISE

I wrote words before,
polished promises I lost hold of
at nights by the sea where the waves stripped
all that was fantasy from a reality
that was never to know my hold.
I lost words I’d promised to hold
for longer than time would allow
but time is not to be toiled with,
time takes no prisoners, is not on our side,
the tide comes and goes, like these lines,
the ones we write and the ones we cross.
I can promise now, nothing but now,
nothing but this hold where hope is held
without being spoken,
I promise to hold you as we wash over time,
further, deeper into the waves
to see what the tides think of us,
to see if we float united,
or fall under in separate streams.
I promise, I promise.

IN THE MOMENT

 

Today
we are together,

timeless

in this singular moment

of forever.

We are limitless;

soul entwined in hope,
hope entwined in love.

Today we are together.

Tomorrow is for fools to fret over.

All words and photographs by Damien B. Donnelly. The Kiss Sculpture by Rodin.

Inspired by a Twitter poetry prompt from #DimpleVerse

AFTERGLOW

 

Hunger harbours its hold
like a boat
bent on the scent of the sea
and we are bound
to the pull of its freedom,
its current crushing all caution
as we fall folly to its friction
on bended knee in benediction,
on beds of bodies bare and breathless,
tongues tempted towards taste,
buoyant on the bounce,
fast to the flesh, I want you,
you feel me, I will leave you
famished for nothing but more
and more and more, as I walk away,
still parched, still famished,
but never foolish
enough to linger longer
than the afterglow.

All words and photographs by Damien B. Donnelly

I CAME TO THE CITY, PART 18; TRAVELOGUE

 

I

In the park
bodies are bare and bending
in sweaty forms,
see the skin still salivating
as if fresh from the frolics,
when we were fondled and found,
some born to be bound
and then others;
fickle fools thinking thrusts
were as true as trust.

But truth is told only in time;
touch turns from tenderly
tempestuous to temperamental
and all too temporary.

I had a king
in a castle in London
who showed me Soho
and Shakespeare
and Sondheim and song,
I had a home
in the confines of concrete
with textiles and textures
and people who thought
I shouldn’t want more,
I was a shadow
of winter in summer,
I was a peasant
unprepared for the palace
of people and places and graces.
I was the blue note in a home
where I didn’t belong.

I was caught
and caged in the concrete
I had pasted and painted
with colour to keep out
the cold.
I was the killer
of kindness in the castle
when I couldn’t keep track of the ties
too lonesome to hold.

II

Truth, like ties,
are tenuous,
like I told him once
and he laughed
and I knew I’d already lost him.
We were drunk then,
daily, ravenously rampant
by the river, raising the rafters
of romanticism into something
more erotic as liquor left us
more likeable,
more pliable.
More, you asked,
more of more and more
and we were whores
to the hunger, fools rocking
on a trust, that I had told him,
would turn out to be as tenuous
as it was temporary.

My old man
was a funny one,
a drinking man,
a bottle collector
who liked me like his liquor;
in cabinets next to cast offs
and collectables he could polish
at his pleasure.
My old man
was a fond one
of class and culture
who liked his treasure
in bottomless glasses
and freshly pressed sheets.
My old man
was the party clown
when the lights were leaving
and the drink deceiving
and despondent, at times, I think,
to think that he could have been more,
to think that we could have
had more.
My old man
was a bottle collector,
a drinking man
of class and culture
but there wasn’t enough room
in the bed for us all
with the more and more and more.

The sun is shining now
in this park, over sweating skins
poised for it to be permanent
while I watch the clouds gathering
just beyond the tress

where the vultures
are devouring their own virtues.

III

Alone now,
a flight of feathers
free from all shackles,
walking the single lane,
secure if it is to be
for a single day
or forever.
Alone
and casting off
the cages that once encased me,
feeling strength
that has long since slumbered,
heading along the highway
and holding all that is truly mine,
slowly retuning
to my natural state,
my own body embracing
its bounty, baring its beauty
like the womb; nurturing myself.
Loving alone now,
getting to know the curves
and the quite corners
of this midway of me
and the miles I am making,
true to the tales
of my own travelogue,
all natural states eclipse
for in returning
to this part of me,
once pushed aside,
once cast out of spotlight,
I am moved,
almost elevated,
parallel to that
which I am bound
into becoming.

I am the waters
no longer resting,
I am the stream swimming
from the city to the open ocean
and already I can feel the breeze
that those bound parks can only ponder.

All words and photographs by Damien B. Donnelly

Audio version available on Soundcloud:

 

 

I CAME TO THE CITY, PART 17; THE OTHER SIDE

 

What is life
but a book to read
from both sides,
from either end,
from all there is to see here
below the constant clouds of consideration
and from far on high
where the clouds are carpet
and the stars are as close to perfection
as we can get,
for midway
through this meander
of noise and nonsense,
of love and what is left
in its place
when it has parted,
i am no closer
to the correct question
as I am to the unachievable answer.

What is love
but a sunlight
seen out of season,
a breath to better us
when there is no air,
a rainstorm
when all we can see
is desert dust
sweeping over the highway
where our hope is headed
while we are bound,
barely,
to faithful,
to fearless,
to ferocious,
as we falter, fail and fall
and rise again,
better for the bruises
ready for the next round,
prepared to bleed out
our lives along
this road we are rocking.

And still I can drink another case
of you, and you, and you, and you, and you…

What is life?
What is love?
What is the point in asking?

We are here…
happy, hurt, healing.

We have cut through the clouds
and reached the other side…

what more is there to fear?

All Words and Paintings by Damien B. Donnelly

Audio version available on Soundcloud:

 

 

 

I CAME TO THE CITY, PART 16; LILTING LULLABY

I thought we were templates for tattoos to tell tales on,
I never thought to the tire skids and teeth marks time’s tiger
would temper on our skins. Here kitty, kitty, we call
and curiosity comes crawling out from under as cat with claws uncut.

Cute kitty, come catch, we call through the forest foliage, fooled
into thinking we are the keepers of the cage within this corner
of creation in constant recreation all around us.

I thought us all thoroughbreds, better bred, slices of a bigger plan
but it’s true that thought is not to be trusted, not all that is kneaded
rises as we were led to expect. We are busy bakers, blindly baking
in ovens too hot to hear our hunger, too closed to be open to our urges.

Cast out of kitchen we cower as canines caught between the cage
and the carnal, praying for peace with paws ready to pounce
on all possible prey. Falling on four feet in the forest already fading,
we are shadows of former selves, cut and claimed by the marks
our own malice has made of us. In the forest falling no one hears
the crazy cries of the lives who once howled only for the lilting

lullaby of love.

I CAME TO THE CITY, PART 11; CORRECTING CORINTHIANS

 

As a child
was I thoughtless
or just thought less?
Less taught.
Less to think about?
Was there really less to see,
less to love?

For life was never loveless.

As a man
I have given so much away, I guess,
less love left,
less to give,
more gone.

Does it grow back,
like children grow
and learn and know
before becoming thoughtless again,
before taking more of their share,
before leaving less for the rest?

Less to give. More gone. What rests?

But I am not a noisy nothing
because I have emptied love
into other hearts,
hungry,
happy,
heavy,
hard..

But now, with the knowledge
that I no longer know less,
I know this:

I am not less than the child
who once thought less,
I am not less than the man
who once loved more.

I see
in the mirror, dimly,
and sometimes clearly,
those pieces that have parted
and the person that remains,
someone between child and man,
somewhere between innocence
and all the light that is dimmer after its loss,
somewhere between the thinking
and the taking and the being taken,

I am
somewhere
between it all,
looking back, reaching out,
holding up the faith that has fallen
and regarding the fate that is waiting,
reflecting the hope that the child sees
and the one that every man needs,

holding
up the love
that will always be
at home in my heart,
whether or not I am
framed by someone
or single, just me.
just one.

For even if it is just one
it is far from none.

I am not nothing and never will be.
This I used to know in part
but now I know in full.

All words and pictures by Damien B. Donnelly

Audio version available on Soundcloud:

 

I CAME TO THE CITY, PART 1, A SONG FOR THE SLEEPING BEE

 

There was a man I used to know,
who came a calling long ago,
back in the days when I didn’t know,
when I didn’t know the truth of me,
when I didn’t know who I could be.

There was a boy once, long ago,
fragile as filigree and falsetto,
there was a boy I used to know,
who didn’t know, I didn’t know.

I am a man now not from here,
who’s watched the shadows disappear;
the jeers and shame for being queer,
I’m not that same boy anymore,
I’ve set my sail to another shore.

If you said ‘home boy’, I wouldn’t know,
if you said ‘go boy’, I would not know

I couldn’t say which way to go.

I came a calling long ago,
I caught a calling that pulled me so,
came from inside and would not let go,
and now I can’t let it go,
can’t let the calling, can’t let it go.

I had a hero long ago,
he played me music sweet and slow,
I was the string at the Château d’Eau,
I was a puppet in his travelling show.

There was a puppet he used to know,
of sugar sweet and gentle snow,
but strings grow cold over melting snow,
and so he had to let me go,
he had no choice but to let me go.

I will not keep you, you have to know,
you’re just a pull of my cross and bow,
i’ll release the string and watch you go,
I will not want you to know me so,
we’ll let it burn out in the afterglow,
that’s the blow, but this I know,
and here I am to tell you so.

So you can love me before I go,
and you can taste me but then forego,
you can hold me like Calypso
did so long ago till she let go,
for this I know, I will let go,
of all I don’t know, this I know.

There was a man I used to know
who came a calling long ago,
I loved him so and yet I let him go,

I couldn’t say; ’I cannot stay’
but now he knows and so it goes.

There was a boy I used to be,
silent and still like a sleeping bee,
trying to hide behind a nobody,
but now he’s no more a part of me,
I see him sometimes out at sea
and in the shade of what used to be.

But he’s not me, that sleeping bee,
just thought it was who I was meant to be.

But it was not me, he was not me.
You see; that nobody; it wasn’t me,
there was a boy I used to be
but now this man, this man is me
or at least the only part I’ll let you see,
for all the rest, all the rest,
I’ve learned to keep that just for me

I learned you gotta keep something
because love;

It don’t come free.

All words and drawings by Damien B. Donnelly

Audio version available on Soundcloud: