THE GREYING MIST OF MEMORY

 

I’d never heard the call of the green
though my eyes caress it
in a certain light
and so many walls I’ve covered
with that same colour
to curate a comfort from the cold.
I’d never heard it, till now,
till the windows stopped
keeping out that chill.
Blue, I never found blue cold,
on the contrary, I see the sky
coming down to caress the seas I’ve crossed
in a coating of calm encouragement,
even in the snow, in the moonlight,
that blue light connecting its contours
like icy jazz notes on a single saxophone
on a smoky soirée, in a time the greying mist
of memory hasn’t quite drained.
Blue never, but white; chills.
I had red walls once and, at the time,
thought them a tribute
to my, as yet unexposed, pride.
I since recall them
as something more melancholy;
a call in themselves,
but in my child’s mind
I was scarlet conquering
on Sunday afternoons
on the inside of the rain
as oldies played across the tv screen
long before I even heard the song
from the singer in blue.
Blue, songs are like…
songs are like souls catching flight,
in my mind they are shadows;
black and white blurs,
but in the air they take flight
like cormorants of colour
over those green lands
my eyes are seeing
with more interest than ever before
as I come to drink again from that case.

 

All words and photographs by Damien B. Donnelly

14th poem for NaPoWriMo

TATTERED BROWN TROUSERS

 

Father ate all the flowers
in the back garden
because he couldn’t swallow
the promise of happiness
that bloomed within the home
he couldn’t find his root within.
Father left all the flowers
in the front garden,
too proud for others to see
him pulling from the soil
everything he needed help with
but had never been taught the words.
Father liked to laugh, first,
when others lost,
so no one could hear his own loss
tearing at him, like weeds twisting
behind the restraints he wore
like his inside out jumpers
and tattered brown trousers
he thought no one could see through.
Father ate all the flowers
in the shadows
of the back garden
and choked on a laugh
that no one understood.

All words and photographs by Damien B. Donnelly

13th poem for National Poetry Writing Month

WHITE LIES

 

What if I admitted to you,
here and now,
before I even begin,
before I even let you in,
that all I am about to tell you is a lie,
perhaps white, perhaps a depth darker.

What if I lay it all on the line,
here and now, naked,
the truth of all the lies,
would you believe me,
would you still listen,
would you still want to hear
and make up your own mind

if what I’m telling you is a lie
or if I’m just laying lines upon the truth?

We live a life
on both sides of the line
and exist somewhere
in between what we believe
and what we know to be false.

I have told the truth many times,
its many lines spilt
over many skins, in many beds

and still I lie alone.

This is what I have left;
this is the truth of my lie.

All words and photographs by Damien B. Donnelly

12th poem for National Poetry Writing M0nth 2019

GRAZING GREENS

 

I set down
upon your shores,
those grazing greens
of my childhood memory
displaced as tears rained
over the darkness
of your sleeping fields,

once seeping with humble hope,

once filled with a fine blood
even famine could not blight,

now flooded with a feeling of regret or relief,

too dark to tell,
too changed to recognise,

not knowing if you were crying
because I had found my way home
or that I’d once found a home in other fields.

All words and photographs by Damien B. Donnelly

Poem for Day 8 of National Poetry Writing Month

IN THE PEACE BY THE PURPLE PETAL

 

Lather us in lazy,
let us lick the honey
from the purple petal,
let us lay down dreams
upon the velvet veneer
of the plump peach,
slip us into a dream of sleep
where all language is lulled
into a lake that lingers
in stilled thought
that tickles tongue upon first taste
with the truth of who we are,
where we shed the red thorns
that have twisted flesh
and bequeath our blues
to the bed at the bottom
to form a base as we rise
in a garden of purple pride
as honey pours
from our once starved lips.

All words and photographs by Damien B. Donnelly

1st poem for National Poetry Writing Month 2019

THE BOOK BETWEEN US

 

You handed me the book and left,
off to another room,
another existence beyond my sight,
(even sight of that moment was selective),
you left me with that book in hand,
hand in hand with that room
where black edged over white,
where comfort was clinical and cradled no clarity
(though I wasn’t looking to be cradled),
that low-lying little room
(where tattered ties lingered in loss)
behind the camouflage of a cobbled courtyard
with its constantly burning candle
whose scent I couldn’t make sense of
(funny how some flames don’t even flinch
when faced with the flicker of fragility)
and a cut-out on the wall, in the corner,
for a door that didn’t exist, a cell-like sliver of space,
within all the space at my disposal,
to hold me hostage as I slipped off
and back to a time I hadn’t released
(and I’d let go of so much that was lighter, lesser, lonelier
since having been let go myself at the offset).

I placed the book down
(along with the weight of its words)
on the simple sofa as you returned
(in saturated shades of grey;
minimum resonance that mimicked movement,
sedentary seemed to be your salvation),
a sleek but sedate sofa I had yet to sit on, be sedated in
(those sessions came later; you in your slate covered silence
on the low-lying chair behind and me; in situ,
on that charcoal sofa, lying,
trying to lay truth on all the lies
I’d crossed and tangled and torn,
trying to stretch out of that small room
and fall back to another, once red, back then,
now fading, right now
like the threads of the sofa; tensed tightly
with the mass of moment and memory
I was manoeuvring through alone
as you sank into your silence
thinking you were a pedagogue of pabulum
while I wondered who would save me.).

But that was a question I had yet to ask.

You sat down that day,
that day of the book and its position between us;
gifted child, grown adult, growing weary
of these wet tales I’d been telling everyone and no one,
for too long, and you; ash dappled with stony surrounds.

I slipped back, as signalled, to the story,
once my story now being shared
and slightly severed from my shadow
(that single story you sensed was sentenced
to an eternity within that red walled room
so far from your white walls
with its crisp corners and black floors
baring only shadows I was supposed to see light in).
But I caught your shiver at the sight upon that sofa,
said book not on the shelf, so out of place
(so out of line with your carefully constructed
compartmentalised components of conditioning),
I saw you fix upon the book
as I whizzed through multiple times,
twisted through the tension
of being someplace else while in situ,
in a taxi with his hand, long ago,
whizzing through new streets
with a trunk of baggage I needed to unload,
in a bathroom crying while he watched
from the cold side of non-concern
(and yet even then I didn’t want to be cradled,
not by a caretaker I couldn’t comprehend
until I did but by then he was already gone),
in bed, within the stillness of those red walls
that comforted and cramped the child
trying to comprehend the form and yet, also,
there I was, on front of your silence, your stare
and sudden your distraction with that book,
now displaced, like we all are
(like I was, or so you might have said had you spoken)
now in situ, on the sofa I had yet to sit on
while I soldiered on alone,
unsure if you were with hearing me,
helping me or hating me
as I turned through my own pages of the jilted journeys,
the mindless miles and the million stars I’d lost hold of
as I reached out for others; bigger, brighter, bolder, better,
then falling, fading, soon to be burnt-out,
felt to be forgotten, but not.

I stopped, in situ, next to the sofa and the book
and noted your distracted attention
to all that was now out of place
(within a space designated
for those lost to their place)
and I wondered if this cell had been built
to sooth the souls who came searching
or to cradle clinically a single stone
who couldn’t spark a brighter colour.

And the patient lost patience with the pretence.

All words by Damien B. Donnelly

Audio version available on Soundcloud

HEMEROSCOPIUM

 

I

build

sentences

in the mind

that had no

existence before,

a platform to ponder

in a place that doesn’t

exist, in truth, until it’s been told.

I move through this Hemeroscopium

like an architect building a house

into a home, unearthing light

to contrast the shadow

my thoughts have

been confined in,

a helix that

spirals out

from within,

that will return

and move on, return

and move on, up towards

that light turning transparent,

sentence into substantial structure,

considerations becoming concrete

clarities that form walls, fold out

into roofs that consider creation

compulsory, stories rising from

basements, tales spinning

off, casting reflections

upon the windows

of this place,

this mind

that watches

the sun rise and set,

time twist and turn, again

and again, the circles, always

the spiralling circles, even in a straight

sentence, even in a slotted surface.

I build spaces to house beds and

beams and bright lights to lie

before this tower of truth

and watch the visions rise

and fall, like the sun, like

the laughter, like life,

like tales, like

sentences

that never stop

while always changing,

an ancient arch now foundation

to modern moment, a true temple

of contemplation in this space holding

space, light and space, shadow and

space, sentence and space, space

between the sofa, space

between the

syntax.

All words and sketches by Damien B. Donnelly

SOLO SAIL, on a ship full of hearts

 

When we to time wish,
wings do not carry all words
so I to promise must desist,
faith is fickle feathers on fragile birds.

If love to hearts hold
then hearts be more than one must
for not is love a concrete mould;
stilled the river bed whose reeds rot to rust.

When we to time turn,
touch being a tethered thread,
I have to trust that ties will burn
but mind make memory of beating bed.

If love in heart’s held
just as blood in veins are bound,
then truth to self must be compelled,
feral is the field of the barren ground.

When I to nights slip
as moon to stars serenade,
my course cast upon ocean’s ship
bid adieu to lips kissed and loves mislaid.

When current’s call comes
and cares cast into the crest
I dare the waves to beat like drums
and allegiance pledge to my beating breast.

 

All words and photographs by Damien B. Donnelly

DANCING IN THE CURRENT

 

I am posting a link to Dancing in the Current, a new blog from Exploring Colour‘s Liz Cowburn. Her husband Nigel took this photograph and afterwards both Liz and I wrote poems based on our interpretations. I originally posted mine last week but wanted to show you the three pieces together, Nigel’s photograph along with Liz’s poem and mine. I am so pleased how our work has intertwined despite the distance between France and New Zealand. I wasn’t able to reblog the post directly so I have copied it here but you can click on the link below to be brought to the original post…

https://dancinginthecurrent.wordpress.com/

Liz’s post:

Drawn To The Light. Dunedin, Otago, New Zealand

The St Clair’s Piles, St Clair Beach. Taken by Nigel Cowburn 31 January 2019

My husband Nigel took this fabulous photo when he was on the beach at sunset, at St Clair. I love the view of the piles seen against the esplanade lights reflected in the wet sand. In fact, I was moved to write a poem and also invited Damien B. Donnelly to do the same. Damien lives far away, in Paris, and yet he wrote a remarkably perceptive poem. Here both poems are published together, with Nigel’s photo.

Nigel works as a Landscape Architect and blogs at  Growplan


Survivors

— Poem by Liz Cowburn

[piles’ perspective]

Sentinals of the sand,
we stand

Driven deep to defend
this beach

Regimental relics – we resist,
persist

Fight for footing! Look to the land,
the sand!

*****

[my perspective]

Battered, beaten by tidal terrors ‘the breakers’
— bowed but not cowed

Centred in a century’s swirling currents,
St Clair’s piles sink, subside…

Yet… THESE SURVIVE !!!

You can see Liz’s original poem post here:

https://exploringcolour.wordpress.com/2019/02/12/survivors-poem/

Her new blog is: https://dancinginthecurrent.wordpress.com/


THE  WEIGHT  UPON  THE  WAVES

— Poem by Damien B. Donnelly

And in the tide
tight with time and its turning
they left their posts,
impaled upon the sand,
impressed upon the land.

And there they stood
ten in heart and ten in tide
for time to tend,
impaled upon mind,
impressed upon mankind.

And on they marched
up the land and on from shore
for evermore
impaled upon their wain,
impressed upon the flame.

And out with wave
woe on water and touch from time,
tormented years
impaled upon the crest,
impressed upon the chest.

And on they went
refugees in search of root
swept along the shore
impaled upon with tears,
impressed upon with fears.

And on it goes
those who run and those who can stay
and those who are lost,
impaled upon the wars,
impressed upon the waves.

All words by Damien B. Donnelly
Link to view the poem on Damien’s blog:  The Weight Upon The Waves


Notes on Damien’s poem

The reference to refugees made a big impression on me. In April 2016 Dunedin accepted their first group of Syrian refugees. Damien wouldn’t have been aware of this when he wrote the poem; I told him later via Comments at his site – the following was his response:

“When I saw the piles and the lights heading off inland in the distance a journey immediately came to mind, the struggle of those who survived, who carry the flames of the hope and the souls of the past; those who were left behind or lost on the journey, the hills we all have to climb and the oceans too many have to cross to seek refuge, I am so glad to hear how Dunedin opened its gates to welcome in a new hope. I think our global commonality is that we are all refugees looking for our place in the world, just some of us have it much easier and a more comfortable journey than others.”
— Damien B. Donnelly (conversation via Comments)


Originally Posted by Liz; Dancing In The Current (2019)

 

Reprinted by Damien with permission

THE WEIGHT UPON THE WAVES

 

And in the tide
tight with time and its turning
they left their posts,
impaled upon the sand,
impressed upon the land.

And there they stood
ten in heart and ten in tide
for time to tend,
impaled upon mind,
impressed upon mankind.

And on they marched
up the land and on from shore
for evermore
impaled upon their wain,
impressed upon the flame.

And out with wave
woe on water and touch from time,
tormented years
impaled upon the crest,
impressed upon the chest.

And on they went
refugees in search of root
swept along the shore
impaled upon with tears,
impressed upon with fears.

And on it goes
those who run and those who can stay
and those who are lost,
impaled upon the wars,
impressed upon the waves.

All words by Damien B. Donnelly

This 2nd photograph is also of St Clair beach, Dunedin, Otago, New Zealand, taken by Nigel and used by Liz for her blog Exploring Colour.

The original link to Liz’s blog post is;

https://exploringcolour.wordpress.com/2019/02/06/drawn-to-the-light/

Liz has also penned a glorious poetic tribute to these long standing piles entitled Survivors and the link is

https://exploringcolour.wordpress.com/2019/02/12/survivors-poem/

Nigel’s Landscape Architecture blog is;

https://growplan.wordpress.com/