DAYS IN THE DAM

 

It’s funny
how you slip in
along the side lines
on days that don’t deliver
that don’t distract.

It’s strange
how you pull me
from the pit falls
on days when I feel undone
when I feel attacked.

It’s alarming
how you linger
in the background.

It’s odd
how you hold me
despite the distance
even though
I thought us done.

It’s funny
how you trickle by
when bikes blow past
and windmills bellow.
Its funny how a land
can be as addictive
as a hand to hold
a tie to bind
and a heart to heal.

All Words and Photographs by Damien B. Donnelly

All Photography taken in Amsterdam, The Netherlands 

LA MERE ET MOI

Last weekend my mother and her two sisters, the identical triplets of Lusk, Co Dublin, the women who shaped my life, came to visit me in Paris for my mums birthday. Mum has been celebrating her birthday abroad with me since I first moved to Paris in 1997, and then to London and then to Amsterdam and now back to Paris again. Some things, it seems, never change. The below poem I wrote 18 years ago after mums first visit…

Mum and I on my street 22 July 2016

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The Sisters

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Birthday celebrations at La Rotunde, Montparnasse, Paris

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Aspirational house hunting by Parc Montsouris

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Wishful thinking

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Blondes in the Parc

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Fairytales

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I am sure it was Spring but in the scattered photos
by my slippered feet the weather recalls it winter.
Your first foray into the new world I had run to,
forsaking the familiar for the unknown,
discarding childish ways for other adult desires.

Your glistening eyes lit up as I showed you
the treasures I had found, enlightened eyes that hid
so well the tears reeked down since my departure.
Eyes that frowned upon my green sofa bed
resting but a foot from the floor, that laughed
at the view from my first window; just another window
perched but a hands throw away and loving eyes
that saw through mine and smiled; relieved,
relaxed and enthralled. And quickly you began
to revel amid it all; my new transitory family
who took you to their hearts, tempted you with cocktails,
boat rides and frolics within a Spanish tavern
in the Frenchest of all cities where you slowly found
my raison d’être and the joie that had become part
of ma vie became, as always, a part of yours.
My adventure you, now, a witness to, a part of
and integral to. You had been no more deserted
by me than I by you and so geography became now
no more than a different view and no longer
a means of separation. You floated through the city,
your feet feeling nothing but comfort
even as I dragged you up the steps of Montmartre,
hiding from you the lift behind the trees.
With the wind freezing our faces and tears
streaming from our eyes, we huddled together
in queues filled with adolescent vacationers
and mounted fair Tour Eiffel. Through the night’s
falling darkness the city lit up below us
and I traced for you the paths I had taken.

You left amid only tears of joy, my life no longer
to you an empty canvas a world away, but a painting
being filled up and coloured in, in tri-colour, technicolour,
Damien colour. We painted away the days and nights
ourselves, Mother and son, as inseparable as Mona
from Lisa or the Moulin from the Rouge.

It may have looked like winter but we knew
that behind the wind lay a spring in bloom
for both of us. We had earned our time in the sun
and we would wear its rays like medals of honour.

 

From the vault, Paris 1998.

All Words and Photographs (except the ones I’m in) by Damien B. Donnelly

 

 

 

IN THE GARDEN OF MOTHER EARTH

 

Mother,
the path
has been puzzling
and there are patterns
now, penetrating patterns
once thought impossible, entwined
around veins, like vines that vie for vittles
on walls already wavering, on buildings bare
as if each brick banished is a breath
broken,
Mother,
I carry more
now than before
but fragments have flown,
not yet cremated but I’ve scattered
ashes over mischievous maestros who tussled
tarnished tunes along my tissue, who cut cords, crude
and often crippling, who leeched the lyrics from my limbs
when I thought a relationship meant relenting to the rhythm,
when I thought love was a note
never ending,
Mother,
we’ve seen
how sacrifice
can separate mother
from her making, little girl
blue you had to give up and woman
who had let me go, the root cut from rose,
adapting far from the garden of creation, but we
adapted to adoption as if it wasn’t an option, as it wasn’t
a question, for there was always
a connection,
Mother,
I see you
with the bud
of your womb now
returned to you as woman,
your vines reattaching as nature
intended while I rarely regard the roots
of my own becoming, still too busy looking
up and over, looking always for the next interchange
and questioning every other connection in a garden scattered
with those ashes, the bush burning
as the blossom still blooms,
but Mother,
I’m more you
than the woman
who made me, I am
more product of the carer
than sewer of the seed who
so long ago saw the sacrifice
in her own soil and replanted my life
in your warm embrace,
Mother,
I’ve seen stars
setting fires to skies
in other lands where other
oceans wash over other sands,
stars that still fade, though they are far,
sands that still sweep into all consuming currents
while populations ponder the same problems as stars
flicker out and time slips
through our hands,
Mother,
I’ve seen money
makers in plastic palaces
following white lines to narcotic
nirvanas as if salvation was snortable,
I’ve seen wiser men, on the sojourn, in India,
blind to all light, perhaps shielded from the fight,
holding tight to a smile that has slipped from our grip
with eyes still able to trap the light, with hearts too hungry
for more of more of more, polluting once stubborn seas as we
rape other roads, take other fruit from other gardens, while blind men
begged for nothing and saw more than I could
ever imagine,
Mother,
the days
are now shorter
and even before night
falls there is less light that falls
and people are crying in the streets,
the flowers are folding and retreating into
the dirt as if hell might be better, Mama, people
are dying in discos and in diners and in school halls
where they should be learning to be better, not leaving blood
behind on broken desks and chalkboards with equations that don’t add up
because the book has been swapped
for the bomb,
Mama,
there are
horrors happening
now, not yearly, but daily,
one chaos no longer fills one
book, but one chapter, followed by
another and another with no let up, no
intermission, our gardens becoming desert
landscapes as all that tries to exist is destroyed,
as all that was once deemed right is declared wrong,
as all rights are removed and all races viewed
as radicals,
Mother,
they’ve mistaken
the mask for the man
and they can’t see though
those smiles I’ve staged to still
the shadows that line these lines,
these lives played out upon my breaking
breast, pouring like riverbeds raging over banks,
over blank pages, drowning them with tales, twists
and turns, loves and losses that have taken up home
below the shivering skin, mostly uninvited, like wild flowers
in the garden, like weeds we mistake to be worthy of their place
till the thorns bear
their treachery,
but Mother,
amid the mayhem
there are moments magic,
there are babies being heard
with first breaths beating, there are skies
singing of the sunrise, there are still sunsets
still sweeping shores where lovers still linger, long
after the first kiss, there are words whispered on winds,
glorious hymns of hope and heroes and there is art, still
filling walls with light and life, there is music
and there is, as always,
your smile
Mother,
life is a series
of spirals, not just circles,
for it elevates on the turn, not
just levitates, for I am back, again,
at the beginning, but frail are the things
once thought familiar in this once foreign land
I fled and feared never to return, in this land where
nothing changes while everything moves and the shadows
I once knew have up and vanished and grass is growing where
once there was concrete and concrete has crushed all that was once
green and grand and 40 is not as adventurous as 20 but the questions
still remain unanswered so there is no turning back because, as I said, the vines
have entangled themselves around me, in this garden I’ve grazed in, from a distance,
for so long, pulling across my chest, either aching or yearning, they are drawing me down,
down towards the ground, down, at last, to regard the roots of where it all began,
so long ago, when I first dared to ask;

Mother,
Will we ever have all the answers?

All words and drawings by Damien B. Donnelly

Self portrait at 19 in the Botanical gardens, Dublin

Audio version available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/in-the-garden-of-mother-earth

TIME TEMPERED

Retrograde ripples
swim me back to days
when a certain light could cut
the shadows in a single movement,
when your touch was like cool water
poured over feverish flesh below orange
walls that watched us sinking onto a single soul.
Terracotta tempered
with summer shadows
as streets twist and turn,
as I twist and turn and burn,
even in the shade, with shadows
and shades of you and those days
now reduced to simply recessive ripples
slouching towards the bottom of a city sinking.

 

All Words and Photographs by Damien B. Donnelly

Photograph taken in Venice, Italy

Audio version available on Soundcloud

https://soundcloud.com/damien-donnelly-2/time-tempered

ELEMENTS

 

In the uncertainty
between the darkness
and the dawn
there is the gentle dream
of what might
one day
unfold,
in the wings
of the new born bird,
with feathers still unfurling,
there is the fear
of that first flight
still to be flown,
in the page
that rests before me
there is a story
begging to be told
between the weaving
of words
I’ve yet to find,
in the first kiss
I place on your lips
you may taste
the real truth
of why
one day
I’ll have to
let you go,
in every house
not yet a home
there are walls
newly mounted
waiting for memories
to fill in
the cracks
already forming,
in the taxi
we took together
to somewhere
since forgotten
I held your hand
and thought
of someone else
long departed,
in the woman,
not yet a mother,
breathes the ties
already tethered
to the child
she’s yet to bare,

in the waters
broken with new birth,
in the air
that echoes our secrets,
in the fire
that drives our desires,
on this earth
that we tear through in taxis

there are songs

we’ve never heard
we’ve never known
we’ve not yet rejected

still waiting to be sung.

All Words and Photographs by Damien B. Donnelly

Photograph taken in Tarragona Zoo, over looking Sydney Harbour, Sydney, NSW.

Audio version available on SoundCloud:

https://soundcloud.com/damien-donnelly-2/elements

ON THE SHEETS

 

And you
were gone
and we,
and you
and I
were off
and running
in different
directions,
in search of
subsequent
distractions

and you
were gone,
the day
unfolding
and duties
reasoning
chores into
realities
far from
the comfort
of beds
where bodies
were bare,
where tongues
touched thighs,
trembling,

where fingers
found flesh,
feverish,
where lips
licked
the lies
we tell
each other
that time
will last

and you
were gone
and I was
empty,
had been
emptied,
la petite mort,
unburdened,
lightened
by all that passed
in the passion
and parted
with the dawn
breaking,
with your sweet
sweat still
on my sheets.

All Words and Ink Drawing by Damien B. Donnelly

THE BENCH ALONG THE WAY

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And the leaves
leaned back

by the bench
beneath the branches

to let the light
linger longer

on the memory
now maintained

when two sat together

and dreamed
of the distance

they had yet
to discover.

All Words and Photography by Damien B. Donnelly

Photograph taken in the Jardin du Palais-Royal, Paris

LONG GONE

 

I see you
in pictures
of a past
barely present
on a wall
already crossed
that we once
sat upon

I see you
in pictures
of a hold
hardly held
in a place
already parted
that we cannot
return to

I see you
in pictures
of a truth
never tested
with a smile
still surviving
from a time
now long gone

All Words and Photographs by Damien B. Donnelly

LOVE IN THE CURRENT CLIMATE

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The years are waning
and rivers overflowing,
paths and positions
disappearing
into puddles,
into pools
raging with reflections,
reflections of connections
and rejections,
of what has been
and what’s slipped away;
the debris and decay
as we stop
and stand
and mourn
for all that’s no longer ours,
all that’s been tempted
by the tides touch,
taking pictures
as it passes,
as if the memory
is no longer
canister convenient
to load, to log,
to catalogue
all we wanted
to hold on to
but never thought
important at the time;
the feel,
his taste,
her scent.

And the years
still wane
and the waters
still rise,
taking us deeper
and deeper
from any depth,
from any clutch
to cling to
and the black widows
still throw water
from their balconies
as if draining their hearts,
as if that can save them,
and I catch myself
in those rushing waters
looking up at me
through trickles of time,
a memory now
meandering downstream,
for we are no salmon swimmers,
turning on the ripple
after the stones
been thrown,
after the bloods
been shed,
how much more
can we loose?
and I see myself
in that sinking shadow
caught on the current
of what once was;
back in that taxi
holding his hand
while thinking of another
and wondering,
all the time,
what is love
and where will it take us?

This foolish feeling
that flows recklessly
like this river,
this river I thought
to skate away on
or so she sang,
this all consuming complicity
that floods my heart,
breaking boarders and banks
while I just wanted
to wade for a while
in the warm waters,
to feel its touch tingle
but time is not tender,
tick tock, tick tock
and, in another twist
of the tides,
I see, with my own eyes,
the I who I was
flying through Paris
on the back of that motorbike
that mesmerised me,
holding tight
to the back of that man
that mystified me,
oblivious to how fast
the wheels were turning,
ignorant to how far
time can take us,
to how much
it can take from us,
momentarily
chasing curiosity
and comfort
that lasted no longer
than a single drop
of water
in a river running
forever onwards
and I was never
fast enough
to keep up,
to keep hold,
to draw breath
from a heart
that was always
a stranger to caution
like these floods
that wash over lands
and pour over paths
we’ve taken without hesitation,
breaking the beds
we’ve only newly broken in…

and all the while
the years
keep waning
and the rivers
keep sliding
and the question,
never answered,
never changes;
what is love
and where will it take us next?

Cause I’m back
where I started,
on the same path;
left side, boho chic
where Sartre laughed
and Oscar died
and drinking where
Anais and Miller
lapped up lust
but the heat’s
been turned down
by the rivers rising
and the path’s now paved
in puddles,
Paradise is gone
Miss Mitchell
and 40 is the older 20
and paying for bills
replaced playing at parties
and there are conferences
on climates
and consideration
and conservations
while Paris piles up paper
cause it doesn’t want to change,
as if we ever had a choice,
as if it hasn’t really noticed
the tensions rising
and the people rioting

and
the river,
like the years ,
eroding all that was once familiar

and I wonder
what is left to love
and where do we go from here?

All Words and Photographs by Damien B. Donnelly

Audio available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/love-in-the-current-climate

CAUGHT IN THE CONSCIOUSNESS

 

Curious are the occasions 
you come into consciousness, 
like colours caught 
out of season, without 
a reason you slip in 
between the solace 
to accentuate the silence,
the stillness and the distance.
 
Curious are the occasions 
you come into consciousness,
like lyrics lost
to their line, without
reason or rhyme, you are mine
through the miles, a million
smiles emerging for time
to divide, derail and deride.

Curious are the occasions
you come into consciousness,
like a photo forgotten
then found as if to remind,
to rebound on possibilities
pondered, attachments
attempted and those
connections long cemented.

Curious are the occasions 
you come into consciousness,
like a hold that can be held 
in hindsight, and suddenly
there is kindness in the place
of confusion, comfort
in the place of exclusion,
hope in between the illusion…

All Words and Photographs by Damien B. Donnelly

Listen to the audio version on Soundcloud:

https://soundcloud.com/damien-donnelly-2/caught-in-the-consciousness