DON’T COME TO TAME THE CAT

 

Red sun burns below a blue moon
and the tiger rips through trees
to escape the cat. Sometimes
small things need to be as sharp
as an icicle even when the sun
comes to burn red beneath blue
moons while she sings of those
crazy cries of Havana’s love.
She sang of Paris once while
somewhere else and California
while in Greece. She was blue too,
like that moon, while in green
and again with those icicles
and no baby for birthday clothes-
letting go’s a bitch, like moving on,
even if you’re just a fearless pussy
cat and the tiger is too scared
to fuck with you. Earlier, luxuriant
leant in, hissing all over her
manicured lawns of blue pools
and strangling centrepieces.
Always the blue below that burning
sun and those picture-perfect settings
as if to foretell of all that will follow.
Red sun burns below a blue moon
and pussy purrs alone while the tiger
takes cover beneath the shade of
the green cactus tree with phallic
spikes that look like limp icicles.

   

All words and drawings by Damien B Donnelly. Some thoughts inspired by the music and lyrics of Joni Mitchell

WHEN WHITE FALLS BLUE

 

Snow falls and the darkness drowns in silence,
a hush from the heavens falling, so slowly,
even crystals cry. Are these the tears
of angels weeping who’ve watched us, falling,
like this slow snow, like their tears, trembling?

Snow falls and there’s a stillness and still
all this silence between us. Bruises covered
in this cold cotton candy coating of fragility,
every day more freezing, more frozen,
just not enough to numb. Snow falls
and all paths disappear, I thought our tracks
ran deeper, like this winter, like this weight,
like this waiting, behind the window, behind
this glass I can’t see through, beyond the storm
falling, slowly. Snow falls and the sorrow
slips in, cold where there used to be comfort.

What happens to my tears, who will watch them
with wonderment like I look out now at the snow,
slowly falling, and think of angels?

Wasn’t I once your angel?

Are you watching at some slow distance
as these snowflakes cover my confusion?

In time, this too shall melt and be no more than memory,
even snowflakes fall for but a season. Snow,
falling, slow. Already wishing it was spring.

Even white is blue in the falling light.

 

All words and photographs by Damien B Donnelly

THE THAW

 

Blue is the breath,
blue is the earth, morning, early,
the sky a clean canvas of white and the earth; blue,

a bed of frozen blues born from dawn’s breath,

a blanket of freshly fallen slow snow,
trembling along the hairs of the land, caught
in the calm before the crunch, before the footprints
mould into mud all that is now a myriad of mystery.

There is beauty in blue,
there can be beauty in being broken,
in time being frozen, in the breath baying.

I twist and tremble between these sheets
still fresh upon these old shadows, still crisp
over this drying skin. I twist and tremble through this season
to be unsure, falling into blue, into time, time is frozen

along with all that is born in this bed,
a blanket of fallen findings; some things
I thought to be more, some things
I hoped to mean less,

like loss; less loss,
less time, less breath, more blue,
the mystery is already moulding into mud.

Blue is the breath and slow,
soft as the early morning snow
so slow, awaiting nothing more than
the affirmation of an approaching melt.

 

All words and photographs by Damien B. Donnelly

 

 

BOOKENDS; BOY SO BLUE

 

Sitting in a park in Paris, France as kids
climb trees they’ll soon outgrow and birds busy
their feathers in a dance of freedom we’ll never know.

I fall through thoughts as someone tickles strings
on cords too distant to be discovered and wonder
where you sat; on the orange carpeted concerns
of the girl growing through her song of sorrow?
By the guy with the hat and harmony, probably,
the guy guarding his guitar from the bright light
of the, as yet, starless sky as if he knows already
how celebrity will one day cripple his creativity.

A blackbird bows before me, burrowing burdens
into the road, looking for crumbs since cast off,
for a little refuge, like you did, like we all do,
looking for a little distraction from the circling sun
and shining skins blustering under bland or blander.

Sitting in a park in Paris, France, as if in a trance
from 22 to 42, recalling how I first found favour
with following you; back room, no light, bedsit;
we were masters of the Marais, simple singletons,
senselessly sinking innocence into the marshes,
courting kisses of single sparks and rising over losses
we thought at the time to be insurmountable disasters.

But they were just dances, like these tiny birds
around me now, prances we perform, up and under,
over and through. We are all naked birds flirting
with honesty and invisibility under a sweltering sun,
sometimes recalled, sometimes forgotten before begun.

Sitting in a park in Paris, France, still trying
to understand the message in the melody
underlying and still trying to comprehend
the cords forged in the flesh of the boy so blue.

 

All words and photographs by Damien B Donnelly. 

This month is about Paris and letting her go. This photo was taken at the garden on front of the Musee Picasso, in Paris where I lived in an apartment right next door at the end of the 1990’s with a young Irish girl who introduced me to the music of Joni Mitchell. On my return to life in Paris in my 40’s, I wrote a series of poems, while sitting in parks during the summer, based on the albums of Joni and this was a nod to the album Blue. Like tattoos and all things that stick.

This was the original self portrait I used when I first posted this poem as Joni painted or photographed all her album art…

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A SLIP AWAY FROM BLUE

 

Eyes a slip of grey from blue in a city not known as home,
on a mountainside to shelter a temple,
she is as welcome as the wind is warm,
she was there before us and we were caught before we knew it.

She carves life, carefully, like the Buddha etched into stone,
the chisel is the compliment to the rock and not the ruin,
an outer expression of inner contentment,
a monastic monk on a meditative mountain and I fall
between the stillness that rests behind each word.

Did her mouth smile
or just her eyes that shade of grey a brush away from blue
as she takes us to her temporary temple of wood and wonder
and shares with us a simple feast on a sweltering day
a treat along the trail, a rest upon the journey,
a moment to bear witness; not to be greater than the Buddha,
not to rise higher but to reflect on what we can become.

We climb over rock and broken earth,
diverge through dead ends that still deliver more light than loss,
we thirst and tire and then take in another treat; another temple, another tree,
a smile from the locals who look and laugh
and wonder why we came and what we will take back.

We travel on and place our tired feet into holds others once held to
as we witness wonders so many others may never see.
We have sat and shared joy like food, laughter like it was love
and coffee like it was an elixir to let us in on the light that lingers over life
and the eyes of the gentle light from Lithuania,
a slip of grey from a sea of blue
seeing the simple synchronicity in all that is true.

   

All words and photographs by Damien B. Donnelly. This week’s theme is South Korea and recalling the travels though it and the faces found along the way.

BOY SO BLUE

 

Sitting in a park in Paris, France as kids climb
trees they’ll soon outgrow and birds busy
their feathers in a dance of freedom we’ll never know.
I fall through your thoughts as someone tickles
strings on cords too distant to be discovered
and wonder where you sat; on the orange carpet
caressed by concerns of a girl growing
through her own song of sorrow? Next to the guy
with the hat and harmony, no doubt, who guards
his guitar from the bright light, in the as yet
starless sky, as if he knows how celebrity
will one day cripple his creativity. A blackbird
bows before me, burrowing his burdens
into the road, looking for crumbs cast off,
for a little refuge, like you did, like we all do,
a little distraction from the circling sun
and shining skins blustering under bland and blander.
Sitting in a park in Paris, France, as if in a trance
from 22 to 42, when I first found favour
with following you; back room, no light, bedsit;
we were masters of the Marais, simple singletons,
senselessly sinking innocence into the marshes,
courting kisses for a single spark and rising
over all those losses we thought at the time
to be utterly insurmountable disasters.
But they were just dances, like these tiny birds
around me now, prances we perform, up and under,
over and through. We are all naked birds flirting
with honesty and invisibility under the sweltering sun,
sometimes remembered, sometimes forgotten
before begun. Sitting in a park in Paris, France,
still trying to understand the message in the melody
underlying and still trying to comprehend
the cords forged in the flesh of the boy so blue.

   

All words and photographs by Damien B. Donnelly

This is a repost from my Joni Mitchell Series

A FISH CAUGHT ON THE CURVE OF THE MOON

 

Love
is a red
Russian rose
on the run,
a bouquet
to brush the blues
from their burdens.

Hope
is his hand
on her head
in the night,
taking flight
as that blue bird darkens.

But
her moon
was in Pisces
and she was said
to be expunged
by her sensitive soul

but
in his hands
he still held her,
his red
Russian rose
and so
he painted a song
to perpetuate her soul.

Her moon
was in Pisces
and his heart
in the bloom of her hand.

All words by Damien B Donnelly. Painting, Le Paysage Bleu, by Marc Chagall

GRAINS OF SAND BENEATH CERULEAN SKIES

 

Faith
is fragile,
courage
is not always conclusive
until called,
we do not command the waves
nor comprehend the clouds.
I tell you this sand
will be swept into the sea by night fall,
this baying breath of cyan
neath the stretch of those cerulean skies.
This smooth, salt-licked land
was forged from fire
before you were born,
when vultures had feathers
instead of hands and knives,
when volcanos were all there was to fear.
Faith is fragile,
we cannot see what once was
or what will come to be.
We are not the fire nor the future,
we lie somewhere
below the caelum
searching for a shred of security
on a spot of shore
before the tides return
and we, in turn,
become a grain of sand
that some being will one day look upon
and try to see what is no longer there.
It is ours to be the basalt
or to be
something
better.

IMG_3077

   

All words and photographs (taken on Jeju Island, South Korea) by Damien B. Donnelly

27th Poem for National Poetry Writing Month

IMG_2871

SHADES OF BLUE FEATURED ON EXPLORING COLOUR

 

Today my poem Shades of Blue is featured on Exploring Colour, the beautiful and inspiring blog from Liz Cowburn; https://exploringcolour.wordpress.com/2019/04/25/shades-of-blue-2/

It is featured alongside a powerful poem of loss and being found from Kay McKenzie Cooke entitled Found. Kay’s blog is https://kaymckenziecooke.com/

and a stunning water-colour painting of blue irises by Jodi McKinney from the blog https://lifeinbetween.me/

Liz has curated this little collection exploring the positivity of the colour blue while sharing two sides of the adoption spectrum with the help of photography from her husband Nigel.

Please take a moment to visit the blogs and explore the beauty and colour of painting, pictures, poetry and precious voices…

 

Dami X

 

CATCH THE COLOUR

 

Sun sets and then rises and in between
we kiss, catch the kisses that come
upon the current, catch the kiss,
the continent is not always ours
to conquer. Tides come and tides
retreat, touch is temporary, flesh
is polished pink below the sensuous sky
but falls from fold like sands in the
glass that hoards the hours, like clouds
that can never be caged. Sun sets
and we blaze our orange blossoms
into passing nights, the night’s gale
calls of connections in the passing,
passion is precious until it too passes.
Sun rises and then falls, catch light;
catch the fire before it drowns
on the water, catch the colours to paint
the coming of the grey, to keep afloat
until the next kiss. Catch colour,
catch kisses before the sun sets,
let worry waste upon the wave,
tomorrow’s light will be blue enough.

    

All words and photographs by Damien B. Donnelly

20th poem for National Poetry Writing Month