RUNNING THROUGH THOUGHTS IN A PARK ON AN ISLAND BY A RIVER IN PARIS

 

I slipped off to the edge of the city,
this morning, where the stream found a stillness
and the air a crispness that kept confusion at a distance.

I stood beneath the bridge
that took the traffic and its tension far from me
and found the swimming swan rising higher in the stream,
the follow-on from the floods that now seem so far
with these skies of blue, speaks of colour
in a park, on a Friday, in February,
where an artist once came to paint.

A park, in Paris, on an island,
by the Seine, where the waters wash with colour
when you look beyond the shadows, a new rise
basking in the glory of what was once regarded
as great, by those who regarded the value of greatness.

Straight and tall, shiny structures shoot up,
like soldiers, by a stream ever in movement,
ever following the route,
today’s design will be tomorrow’s sign
of an age the river has outrun.
I see trees towering tall in waters,
once rising, now falling, still strong, still weathering
the storm, still willing to be remembered, like an artist
captures beauty, captured beauty, in a park,
once, on a Sunday in a time since parted.

Nature is not in our control,
nature is willing to withstand all our wilfulness,
will not drown in these days of destruction,
will not worry, as we do, will not bend
but will let life flow around it,
in hope, in harmony.

In a park, on a Friday,
on an island, by the river,
in jogging shoes and sweatpants,
I ran through days already distanced
and tried to make connections between the road
winding onwards and the trees rising upwards, like the water,
rushing onwards like time, ever at play with its participants,
with all that it connects, with benches for the breathless
to recapture breaths and wheels
to help us follow the stream.

And in the windows
I saw reflections of those towering trees,
never to be forgotten, blue of sky in the beauty of light,
light and harmony, colour and shade, captured in what is new,
a hint of what knows the bounty of age.

And on the river, by the park, on a Friday, in Paris,
I stopped and saw my reflection in the gentle waters
and in the waters saw colour, colour and light,
by a boat, in a park, in a city ever changing,
where an artist came to capture it all on a Sunday,
a simple Sunday, not a Friday but a Sunday, searching
for something between the shadow and light,
between all that will fade and all
the rest that cannot stay.

   

All words and photographs of Ile de la Jatte famed by Georges Seurat by Damien B Donnelly

This is a repost for a week considering creation and how it flows around us

IMG_9664.jpg

WHEN THE EMPRESS IS REMOVED FROM THE EMPIRE

 

There is art on walls, winding walls,
in rooms on show with light, luscious light,
and climate controls while she’s side-lined
to the shadows to weep for the darkness
that devours her skin, stuck like tar
and trapped in stone, once tempered
by an artist’s touch now off and absent,
now long grown cold, not being of stone
but breaking bone, while she weeps
beneath polished position on partitioned
pedestal and waits in the shadow of his name
long forgotten from rooms alight with art
on walls, the art of other men,
maybe more remembered

like lands, once considered, now grown
careless in their unions next to nations
who have not nurtured the need to be
noticed for notions long ago set in stone.

   

All words and photographs by Damien B Donnelly

This is a repost for a week of considering all sides of creation

A SEAT BEFORE CREATION

 

Silent in her own darkness
she takes a place
by the canvas of creation
and before its stillness
she lets the light
pour over all
that has slipped
between the shadows.

   

All words and photographs by Damien B. Donnelly

This is a repost for a week of colourful imagination. Photo of La Fee Electricite by Raoul Dufy from Musee d’Art Moderne, Paris. 

 

CAPTURED ON CANVAS

 

Connie was caught by colour in the corner
of the castle where curtains collected
carnations. Connie was captured courting
curious on the canvas of a castle in a kingdom
condemned. Connie was caught by the kiss
of a courter in the courtyard where calla lilies
were cut. Connie missed the caution in the cut
of the calla while her courter crept away
with her coin. Connie’s forever captive on that canvas
in colour in that corner too curt with the kiss
of that courter now a cancer on her complexion
that no carnation covered curtain could ever conceal.

  

All words and photographs by Damien B Donnelly

This is a repost for a week of colourful imagination. Photo taken at Musee Bourdelle, Paris

WILLING TO BE WONKA

 

Up and through, through colour to brighter,
better, perhaps. I’m next, she says, up
and over, following underfoot the man
with the hat who’s had enough. Off with hats,
top hats and hard hats, happy heads float
through colour, dissolve, he says, into columns
of colour, preconceptions passing now,
no longer cornered by constricting contraptions,
sink into that which was once solid, release
the routine with the briefcase, the blindness
and the budget and slip swiftly into a world
of hope on a wall, on a roof, there is no ceiling,
no limit, imagination has no holding in flat,
in all that seems futile, gone are the grey days,
grey ways, grey suits that ground down, freedom
is but a jump up, sideways, over and under,
this is just a waiting room, close your eyes, feel
the weight shift, slip, feel the worry ware away
between suggestions someone else has painted
on that which was once static, which was once
only a support, imagination is a jump up
and through, pink can be your sky if you rise
above those who tell you it’s blue, the sea can be
your heaven if you can get through the clouds.
Up and through, through all that binds you, bonds
are only walls waiting to be splashed with colour.

   

All words and photographs by Damien B Donnelly

This is a repost for a week of colourful imagination. Street art from Parc Belleville, Paris.