GEORGES, REFLECTIONS OF SEURAT ON A SUNDAY

 

Colour,
he saw colour
in a park, a simple park
on a Sunday, in the summer.
Colour,
he painted colour 
in that park; clear, considered
untainted, untampered
colour,
specs of colour,
rays of light
in a park
on a Sunday, in the summer 
in a season of details, in a salon of specifics
under demands to consolidate, co-operate. 
Colour,
he saw colour,
a canvas of light and colour,
a carnival of colour.
Colour,
he saw colour 
in a park, on people
simple people, working people
fishing people, fidgeting people
not polished people, not posh people.
They buried him
in a park,
another park,
a quieter park
but still with light and colour.
They buried him
and then they buried his son
and then another,
life and death,
father and sons,
children and art,
children or art but only art survived.
He saw colour
on a Sunday, in a park, on an island, in Paris, 
to the left of its center
and there he made a difference.  

 

All words and Photographs by Damien B. Donnelly

Photograph taken on Ile de la Grande Jatte, Paris, France. 
 

PLAY HIM

 

Play me
he pleaded
and she conceded,
trickle a tune
along my spine
make thee mine.
I’ll make you whine
she promised him
and so she played him
then she laid him
then she splayed him.
She teased the sheets
she scorched the score
and she nibbled on notes
he never even knew existed
and then she left him, lying there
broken, battered and gasping for air
pleading with her
to stop and save him
as she walked away
singing a solo.

All words and photographs by Damien B. Donnelly

A Thousand Sweet Dreams

It’s coming to the end of the year so I’m doing some rebloging or reruns of some poems that I reworked here and there and tweaked in other places because as we know reruns, just like old F.R.I.E.N.D.S, are sometimes even better second time round…

deuxiemepeau's avatarDamien B. Donnelly

I will love you for a thousand years and a thousand years more
if only you’d ask and I would, you know, lock that love away
so it can’t be touched, tarnished or tampered with. I will hide it
so deep within my heart that every beat will be stronger for it.
I will love you for a thousand years though a thousand others
may come and go, to distract me, delight me, even deceive me
but you will remain, as always, the single force that lies within,
that assures me in the darkness you have been a guiding light,
that reminds me in happiness you made me smile. I will love you
for a thousand years as if we’d spent a thousand nights together,
as if I’d been kissed by your lips a million times, as if I’d dreamt
in your arms a hundred dreams, as if we’d always…

View original post 186 more words

Care

Its Sunday Reblog again. I’ve been busy moving to Paris from Amsterdam (via London, Paris before and originally Dublin) and settling in for the past few months but now its the Christmas season and the time for giving and I wanted to share one of Christina’s poems today as she always captures me with her honesty and bare naked truth. This is a beautiful piece and I hope you enjoy it…

Christina Strigas's avatarChristina Strigas

I do not know

what you truly think

of me

or of all my dead lovers.

Once they kissed my skin

wrapped me up in denim

cheap corner motels

backseat heaven

kissed them in closets

on gurnies, trust me

you would not care

how I wore my black phase

through my blue one,

how my breasts and legs

led me through lines

free cocktails, drugs,

rides, vip sections,

limos, rock stars.

He said “you are art”

and never read my verse,

but he lived in some kind

of utopia

and locked me out.

I wandered up and down Brooklyn

Bridge, examining initials.

In and out of phone booths

with quarters in my pocket

and collect calls on my mind.

“You are my art” he explained

but I never wanted my dark hair

spread on his sofa

so he could paint me

in various naked poses,

“no,” I said,

“I like…

View original post 40 more words

NO LINES

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There are no direct lines anymore 
no direct direction
no friction 
no fuss
it’s not straight ahead
to the right
or left
I’ve left the centre
I’m to the left of centre
to the right of what was considered
right and wrong

this is the midway
the in between 
the middle ground 
of what used to be
and is still unseen 
there are no right roads 
raging and roaring

there are no direct lines anymore
on this journey through the midway

mid sentence
mid life
mid love

only meaningful meanderings. 

All Words and Photography by Damien B. Donnelly

SHADES OF METROS MOVING

 

I take the metro and tour the world
on one single line, in one single hour,
I am south and white, not so south 
that I am ghetto, but I’m still south
so I start in paler shades, fragile skin,
freckled skin, skin burnt by sunlight
and I travel central to chicer centres,
to tote bags, Chanel bags, Prada bags,
bags so cool they don’t have names
carried with character and sun glasses
worn indoors over eyes, on the head,
and all through life, I cross the Seine
and the current now changes to casual
as the youth descend from Les Halles;
the track suits and highheels, gay boys
with toned tops, crew cuts in J crew’s,
chiseled cheek bones and trendy setters
with Asian angles, before I move north
again, further up the line and I darken,
in one stop; I am urban now, ethnic and 
eager with attitude, edgy, and on I go
until I’m swayed, suddenly, in shawls
and in wraps and in colours so bright,
I am now a kaleidoscope of carriages 
going north, tearing up into the ghetto,
of the greatness, of the gangs, the guts,
I am metro madness in one line of life.

All words and photographs by Damien B. Donnelly

CARVED IN

 

You are carved upon the lines, carved upon the seat, carved upon the branches
and the roots and the shoots of the tree that stood before you,
carved upon the life, carved upon the heart, carved upon the tears
and the tissue and the memory of the mind that holds you,
your scent is still within the garden, still upon the chair,
is wrapped around the branches and the bushes and the buildings
that stood before you, your scent is sealed upon the body,
teases still the tongue, smelt still on the hands,
beneath the nose and on this skin that used to touch you,
there are knots within this wood, on this bench, on this tree,
on these buildings, along this body that can never be undone.
There are shadows in this garden, on this seat, beneath the branches,
in the sunlight, shadows in the sunlight, on this body that can never be erased. 
There is an echo of what was, resounding in this garden, in this seat, in this tree,

in this heart.

 

All words and Photographs by Damien B. Donnelly

Translucent Changes

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I am surrounded by change, 

greens going brown, 

burning into translucency,

visible into invisible 

as leaves leave branches

to flitter and float in the air

turning, twisting, 

changing, change, 

change they say, 

change they whisper,

transform, turn too, in turn, turn out,

I was stuck once, in a position, 

positioned between the seams, 

sewn into lines, too structured, too static, 

derailed by demands, dictating designers,

but I have turned too, already, 

I have transformed, turned into transparency. 

I live now in lines, between the pages, 

I appear and disappear at will, at want, 

I am me at times, 

characters at others,

careful, cautious, curious, questioning. 

I am skin and bone, 

I am ageing, like the leaves, 

older, greyer, lighter, 

wilting with the weather, 

but I am sturdy too, 

stronger in other places, 

wizened but wiser.

I am caught in the same current

as the autumn air that lingers, 

lightens and lifts

and carries life onto the next adventure…

All words and photographs by Damien B. Donnelly

ANTITHESIS

Screen Shot 2015-11-29 at 19.36.47

We kiss and cry
concurrently,
miserably happy, 
oh happy misery 
how sweet
your bitter pout
on my mouth  

We love and lie
simultaneously,
lying fucking
fucking lying, 
how seductive
your sweaty lies
between my thighs 

We live and die
inexplicably, 
dying to be happy, 
oh happy death
how we crave
to know how it ends
before we even begin.

All words by Damien B. Donnelly

PULLING AWAY

Screen Shot 2015-11-25 at 13.16.11

The train pulled away
it pulled at me
pulled all I’d known
away, leaving me
lost in a scent
that was neither
you nor I
but what we had
once been
before we’d broke
broken and pulled away
the train pulled away
pulled at broken bits
scented, soured, stained
and tourists pulled bags
this way and that, pulling
belongings bulging,
bags and baggage,
so much baggage, so much,
belongings, I don’t belong
I was empty handed
I was bagless,
covered in a stale scent
but without belonging
but weighed down
yes, weighted
with all the baggage
we’d accumulated
and curated
and cut down
and thrown out
and the train
pulled away
and you
slipped
away