STILL NIGHT

 

Still night,

still light
in corners
not yet caressed
by shadows,

in thoughts
not yet crushed
by dreams

that will never
see the light,

that stilled light
that lingers

beneath
the stillness
of the night.

All Words and Photographs by Damien B. Donnelly

WILFUL IN THE WILD

 

Wilful in ways worrisome 
like in the wilderness weaned,
he was born of the breeze
and bound from baby to be breathless 

and when they caught him he said;

‘When I lay me down
let the ground make of me what it wants,
let the soil seek substance beneath my skin.’

Reckless in ruthless rebellion
like the river ravages routes,
too timid to be touched
and too tormented to be tamed 

and when they chained him he said;

‘When I lay me down
let the sun make of me what it wants
let its rays find rest on my remains.’

But as they strung him up
he heard, in the distance, the feathers running restless,
and as they pulled the rope
he knew, in the mountains, the vultures were hovering

eager, at last, to make a meal out of what was a beast of a man.

 

All Words and Photographs by Damien B. Donnelly

Photograph taken just outside of Galway in Ireland.

Audio version available on Soundcloud:

PARISIAN PROTECTION

 

And there stands
reassurance
right on front of me
at the exits of metros
still moving behind me,
where men,
always black men,
always banlieue,
who I recognise
from the streets
yesterday begging for bread,
now search
for bombs in bags
so Parisians feel more protected.
Really Paris,
is this your position
or are you just trying
to reduce the homeless
by placing then closer
to possible blasts
and kill two birds
with the one bomb?
Unarmed, untrained
and unexplained
boys looking for
booby traps
that would only
make them collapse
if they found one.
These gullible gangstas
are no MacGyvers.
Appearances, it seems,
in Paris are still everything
while the streets
stink with rubbish
hiding the homeless
from the tourists,
the jobless, non-nationals,
uninsurable non-entities,
at least the ones
you haven’t yet picked
to reassure commuters
that dangers are being derailed
before style trends board trains.

 

All Words and Photographs by Damien B. Donnelly

IN THE GARDEN OF MOTHER EARTH

 

Mother,
the path
has been puzzling
and there are patterns
now, penetrating patterns
once thought impossible, entwined
around veins, like vines that vie for vittles
on walls already wavering, on buildings bare
as if each brick banished is a breath
broken,
Mother,
I carry more
now than before
but fragments have flown,
not yet cremated but I’ve scattered
ashes over mischievous maestros who tussled
tarnished tunes along my tissue, who cut cords, crude
and often crippling, who leeched the lyrics from my limbs
when I thought a relationship meant relenting to the rhythm,
when I thought love was a note
never ending,
Mother,
we’ve seen
how sacrifice
can separate mother
from her making, little girl
blue you had to give up and woman
who had let me go, the root cut from rose,
adapting far from the garden of creation, but we
adapted to adoption as if it wasn’t an option, as it wasn’t
a question, for there was always
a connection,
Mother,
I see you
with the bud
of your womb now
returned to you as woman,
your vines reattaching as nature
intended while I rarely regard the roots
of my own becoming, still too busy looking
up and over, looking always for the next interchange
and questioning every other connection in a garden scattered
with those ashes, the bush burning
as the blossom still blooms,
but Mother,
I’m more you
than the woman
who made me, I am
more product of the carer
than sewer of the seed who
so long ago saw the sacrifice
in her own soil and replanted my life
in your warm embrace,
Mother,
I’ve seen stars
setting fires to skies
in other lands where other
oceans wash over other sands,
stars that still fade, though they are far,
sands that still sweep into all consuming currents
while populations ponder the same problems as stars
flicker out and time slips
through our hands,
Mother,
I’ve seen money
makers in plastic palaces
following white lines to narcotic
nirvanas as if salvation was snortable,
I’ve seen wiser men, on the sojourn, in India,
blind to all light, perhaps shielded from the fight,
holding tight to a smile that has slipped from our grip
with eyes still able to trap the light, with hearts too hungry
for more of more of more, polluting once stubborn seas as we
rape other roads, take other fruit from other gardens, while blind men
begged for nothing and saw more than I could
ever imagine,
Mother,
the days
are now shorter
and even before night
falls there is less light that falls
and people are crying in the streets,
the flowers are folding and retreating into
the dirt as if hell might be better, Mama, people
are dying in discos and in diners and in school halls
where they should be learning to be better, not leaving blood
behind on broken desks and chalkboards with equations that don’t add up
because the book has been swapped
for the bomb,
Mama,
there are
horrors happening
now, not yearly, but daily,
one chaos no longer fills one
book, but one chapter, followed by
another and another with no let up, no
intermission, our gardens becoming desert
landscapes as all that tries to exist is destroyed,
as all that was once deemed right is declared wrong,
as all rights are removed and all races viewed
as radicals,
Mother,
they’ve mistaken
the mask for the man
and they can’t see though
those smiles I’ve staged to still
the shadows that line these lines,
these lives played out upon my breaking
breast, pouring like riverbeds raging over banks,
over blank pages, drowning them with tales, twists
and turns, loves and losses that have taken up home
below the shivering skin, mostly uninvited, like wild flowers
in the garden, like weeds we mistake to be worthy of their place
till the thorns bear
their treachery,
but Mother,
amid the mayhem
there are moments magic,
there are babies being heard
with first breaths beating, there are skies
singing of the sunrise, there are still sunsets
still sweeping shores where lovers still linger, long
after the first kiss, there are words whispered on winds,
glorious hymns of hope and heroes and there is art, still
filling walls with light and life, there is music
and there is, as always,
your smile
Mother,
life is a series
of spirals, not just circles,
for it elevates on the turn, not
just levitates, for I am back, again,
at the beginning, but frail are the things
once thought familiar in this once foreign land
I fled and feared never to return, in this land where
nothing changes while everything moves and the shadows
I once knew have up and vanished and grass is growing where
once there was concrete and concrete has crushed all that was once
green and grand and 40 is not as adventurous as 20 but the questions
still remain unanswered so there is no turning back because, as I said, the vines
have entangled themselves around me, in this garden I’ve grazed in, from a distance,
for so long, pulling across my chest, either aching or yearning, they are drawing me down,
down towards the ground, down, at last, to regard the roots of where it all began,
so long ago, when I first dared to ask;

Mother,
Will we ever have all the answers?

All words and drawings by Damien B. Donnelly

Self portrait at 19 in the Botanical gardens, Dublin

Audio version available on Soundcloud:

https://soundcloud.com/damien-donnelly-2/in-the-garden-of-mother-earth

SECRETS ON THE STAIRS

Screen Shot 2016-07-16 at 20.13.21
Where turrets twist

light leaps around steps

long since merged
with the marks,

caressed into carpets

made bare by the burdens
they now bare,

secrets
stored in stairs that turn
ever onwards,
ever upwards,

always reaching for the rest
of the story

never truly told in the light

still leaping.

All Words and Photographs by Damien B. Donnelly

Photographs taken at the Musée de la Vie Romantique, Paris, France.

THE REOCCURRING DREAM

 

I have
reoccurring dreams
where I swim
in seas

where I have
no feet but fins
where I have
guts and gills

I have
reoccurring dreams
where I swim
in seas

where the bottom
is boundless
where possibilities
are endless

I have
reoccurring dreams
where I swim
in seas
while in reality
I drown
in shallow streams

All Words and Photographs by Damien B. Donnelly

Photograph taken in Curacao , Dutch Caribbean 

 

PARIS PAST; YEARS GO BY

 

Years go by
and I’m still here, remembering.
Years flying by feeling like minutes in my mind;
a decade lost in the passing,
like I’ve fallen forward through a gap in time.
Years in between
and yet that first morning still so fresh,
waking up into a home I’d gate crashed;
the Irish abroad; Jeannie,
with the flaming red hair and welcoming hug,
a son in the shadows of another country
and a daughter to fall in love with were I straight.

Unable to forget
those heated floors boards,
the note of good morning in the kitchen,
the crispy toast from a packet,
the tiled green bathroom, separate toilet
and back to the bathroom to wash hands.
The plant filled balcony,
those frosted glass doors which echoed
through the apartment as you opened them,
so mundane and ordinary
and yet so much more a part of me now
than those trivial things ever where then,
long before they became a memory to cling to,
to cherish.

I hold on to so much more now
than I ever thought possible or considered important;
the feel, the taste, the smell,
like those disgruntled old madams
who threw water from their balconies every morning,
clocked in sombre shades of black
and scowling at passers-by like me
for the demise of their youth
and their looks.

I can recall,
as if it were yesterday,
those precious summer mornings that soon followed,
the air filling with the fragrance of freshly baked croissants
as boulangeries opened their bell-ringing doors
to delighted strains of bonjour and ca’va.
Years, reaped upon years
but I still smell it as fresh now
as the day was new.

I can hear those familiar sounds of kids,
singing out in ignorant celebrations of their youth
but always hidden from view behind high walls of stone.
Paris; the city for artists,
Intellects and the amourouse,
where children are heard but rarely seen.
No tantrums in stores, no snotty noses in bistros,
no changing of nappies in sight.
Our Lady of Magic was fully grown, fully developed,
no question of who She was or where She was going.
This City was born dressed in Chanel attire
with precious pearls to match,
born a proud, free speaking, free thinking,
pompous, confident adult, without question.
Her raison d’etre;
Herself entirely.

And there I stood
in the middle of it all
trying to find my own trend
and set a route amid multitude of pathways I longed to explore,
get lost in, fall in love in
and find adventure in.

Time slips away
but it somehow leaves a part of me still there,
somewhere, wandering through covered passageways
packed with marionette cheaters and tiny trinket stores
watched over by age old glass ceilings,
discovering underground chambers of sewers and tombs,
lost generations of the past,
slipping unnoticed through graveyards of forgotten faces
and heralded names decorated with weeping women,
stone eyed Madonna’s and cast-iron wings, never to fly,
remembering those I’d never known
and wondering who’d remember me,
sitting by Seurat to make connections in his colours
and wondering what Mr. Wilde
would make of us now.

Years gone by
and I still go back there;
left side, art style, boho chic,
where Oscar last laughed
and Sartre sighed
and I remember who I was,
laugh at who I’ve become
and wonder why I’ve fled so far
from the city that never changes
whilst I never stop.

Saturday afternoons, after lazy lie-in’s
rising through the cobbled hills
of once moulin covered Montmartre
with Abi’s and Vincent’s and Yasmine’s and Shaun’s,
where artists ghosts,
intoxicated by the green fairy’s potent mix
and the ruffling of high kicking can-can skirts
would swept through air
that you had only to touch to feel a part of,
while tourists flocked to pick up
as many copies and replicas as they could carry
without so much as breathing in
all that surrounded them for free.
I was a free man in Paris too, my dear Joni,
and have wandered down that Champs Elysees
in search of those I once knew and cared for
and loved and lost.

Years outrun years
but I can still close my eyes
and feel the sun on my skin
as we filled Victor’s fine square with resounding laughter
that soared around the fountains
and columns and palaces fit for queens.
14th of July ’98, Champ du mars,
Three tenors, fireworks, Mary and me
and a thousand others.
We were the luckiest in the world.

I can see myself at 23,
cast bright in the lamp lights
that I sailed past on the back of a motorbike
tearing through world of Hemingway
on the slumbering market street of Rue Mouffetard
before the bank side approached
and Notre Dame lay reflected in the sleeping waters.
My arms wrapped tight around my leather clad driver
with Spanish blood and gallic looks,
willing to show me it all.

The years may continue to build on years,
time will continue to tick-tock away,
but there are lifetimes in moments
which years can do nothing to suppress
or erase if the heart wills
not to forget.

marydami 002
 
All Words and, almost all, photographs by Damien B. Donnelly

 

THE AMERICAN DREAM

 

There’s a man travelling states
building walls and closing gates,
he used to be a showman,
a businessman, a lover man,
now he wants to be the townsman
but what town could want this man?

There’s a man crossing states
with opinions out of date
and he’s parading his delusions
as if suggesting some solutions
like changing constitutions
and inciting petty citizens
to pointless revolutions.

There’s a man out of date
with ambitions to head of state
who’s been told that if you dream it
and can afford it, then you just take it
but House of Cards was just a show
can it be possible he did not know?

There’s a county getting bigger,
oh what’s it matter, I mean fatter,
there’s a country losing face
with its kin, with the human race,
it used to be the promised land,
was once the land of dreams,
but now that anyone can buy a gun
it’s just the land of screams.

There’s a man in the states
gaining power and closing gates…
perhaps America was just a dream
that we watched once on a screen.

All Words and Photographs by Damien B. Donnelly