Gracious and godly, if I recall correctly,
you sat stocky at the table and told us
your passions for paintings and pretty
things and how you’d fallen often, of late,
on bended knee over a foreign body
to worship the whole beauty of his being.
I was shy of 20 at the time, new to dating
and dinner decorum and you- new to me
in this costume of finicky dinner guest.

I recalled you instantly from years earlier
in your work clothes, but said nothing
of how I myself had come to bow
on bended knee before you, confessing
my dirty poor boy childhood secrets
of curses and disrespecting my elders,
in that parish you described over pre-
dinner drinks as devoid of any delights.

I remembered you most as angry man,
sharp like a stick that knew how to smack-
clearly chocked by the confines of that collar,
cursing from the pulpit when babies cried
during your long, slow moving soliloquy’s
of the suffering saint stripped on the cross
and all us sinners, all smelly in their seats.

I wondered, in between the forgotten entree
and the main course of stuffed pheasant,
what it took to be a man of the cloth
in a modern age while I was listening
to your collarless sermon at that table,
after you’d turned to be someone else’s
parish priest, the night you regaled us with tales
of the ring you wore on a recent Vatican visit-
pierced in pride of place beneath that very cloth. 

  

All words and photographs by Damien B Donnelly

BETWEEN THE COURSES AND THE CLOTH

 

The circles spiral.
Goodbye is not a definitive swan song.
Time cannot be buried in a single spot.

Early evening
and the sun no longer sets in this kitchen
that watches the seasons turn without comment.
The sills have new shadows we have not yet named.

This morning broke over fallen feathers
and for a second I caught the silence your song once filled
You lay where the grass had barely grown green,
below a tree where we’d placed a bird box
in a garden where a bunny used to come to play at night.

When the sun
shone the brightest
I took your dignity and covered it with a gentle blanket of earth
and placed the bud of a rose by the breast of your stilled chest
in the hope that circles do spiral,
that a root can find a home on a wing that once found flight.

Sometimes faith needs to be released before it can be returned.

Later, after naming those shadows before the sun set
and another spiral closed and then commenced afresh,
I watered that spot in the freshly turned earth
as another bird found its place to perch
on that bird box where you once sang your song.

  

All words and photographs by Damien B. Donnelly

A SONG ABOUT THE SPIRALS

 

Poet in Residence at Poetry Ireland Catherine Ann Cullen (@tarryathome) sets daily poetry prompts for adults and kids to keep everyone creative during the Covid pandemic and this weekend I am the guest Poetry prompter.

There are prompts for adults and for kids and you can post your poems on my link on twitter (@deuxiemepeau) or post a copy here and I will post them on twitter for you if you want to take part.

The poetry prompt (NodFilíochta in Irish) for adults is Island (oileán). Your dream escape, your home or how it feels to be currently isolated islands.

For kids the prompt is either SnowPerson (DuineSneachta) or SandCastle (CaisleánGainimh). Which would tour child build first?

Come join in the creativity or come along and read the gems by other writers. See you on Twitter for @PoetryIreland 

 

WEEKEND POETRY PROMPTS FOR POETRY IRELAND

 

I loved China Beach, as a boy and its opening
theme tune- Miss Ross belting out her light voice;
Reflections of the way life used to be, reflections of…

I was too young then to understand anything deeper
than the melody that rose in me while the meaning
sank,

of an age then that had barely left any marks
for time to reflect on later, after.

Youth is too light, like her voice was, to be consumed
by thoughts of things concerned with used to be.

They were lovers and friends and mores and lesses
playing other tunes by the shorefront firelight-
reflections in the flames. All heat and hazy.

But there was a war too, of course, for these medics
and the soldiers they were saving while I pondered
free love and long youth

but now, looking back on the way life used to be
a week ago, a month ago, I see how, even then,
a nurse could rise to be a hero.

And so she sings; Through the hallow of my tears I see a dream…

 

All words by Damien B Donnelly.

Photograph of China Beach TV Series cast pulled from the internet 

SUPREME

 

They call them Russian dolls
but there was a shop that sold them
by the Nieuwe Kerk in Amsterdam,
not far from those ruby lit windows
displaying Dutch dolls in de Wallen,
both of which provided excitement
for wet tourists under rain coats
in the soaked summer months
terrified of traffic and tram tracks
and serial cyclists ringing their bells
like they were shooting guns.

The Russian dolls within dolls
within dolls were higher in price
than those locals offerings
you couldn’t bring home with you
after the money was handed over.
I used to see them, in their windows,
in the mornings- reading the paper
with their crispy toast and mint teas
in G-strings and little else.

I find it funny how undressing
reveals even less of the person
than being fully clothed.
I wonder if those Russian dolls
hold more truths in their multiple layers-
building up into a whole
instead of stripping down for a price.

  

All words and photographs by Damien B. Donnelly

TYPES OF DOLLS

 

I- The original

 

Water                            floods flesh

From carnal comes forth     creation

Washed in sin

and they watch. In judgement

Water releases               hold

Sign away the rights                to his name

 

II- The Second Coming

 

Tears flood                   drained desert

She will be  an ocean             once more

Blood             is not the only bond

Longing leans in                  with twice the light

while they watch. In judgement.

Her tears           taunt their dried lips.

 

III- The Journey

 

You are ocean endless   and I worry

about growing                tired.

Sides streets         hold songs.

Every cobble     a connection for collection

Born from one and raised                by another

Now the road    is the mother

Feet turn    on judgement.            I found the refuge

The final fate          is on the road.

 

All words by Damien B Donnelly

MY THREE FATES

 

Input-
daily. Early morning.
Wake up to bird call and input ideas for the new day.

Run. Write. Weights. Wash.

Garden. Grass. Weeds. No Smoking.

More Chopping. Manic. Now move indoors.

Pottering.
Pacing. Painting and onto poetry.

Moving out again from bedroom.
Old room. Once far room. Cold room,
where someone died once, before I breathed.

Moving out into adjoining kitchen.
Baking time. Breaking time. Music. Movement.
Being allowed to be berserk.

Leave fears to bake in the oven. Maybe burn.

Let the lowering light have the moves.
The dance moves. In this kitchen.
Here, at the end of day.

Another day. And another day. After the input. The output.

The routine. The new routine. For the new normal.

Making moments count.
Because berserk
is only for the moves and not the mentality.

 

 All words and photographs by Damien B. Donnelly

THE NEW NORMAL ROUTINE

 

We painted walls into the paradise we wanted
before I learned colour had its limits. Borders
had been beaten into our canvas long before
I touched the brush with borrowed thoughts.

We painted orange coloured stars and wild hopes
onto concrete walls and I trembled as she told me
the parrots, perfectly positioned in stuffed stillness,
pranced on their perches while I slipped to dream.

We’re taught what is truth, as children, not told
to truly think. He was tipped in black with no name,
a night sky forgotten by the moonlight and we-
impressionists, desireless to be outlined in darkness.

Children not the creators of fact but the little sheep
who come to submit to the not-so-subtle suggestions.

 

All words and photographs by Damien B Donnelly

PAINTING PARADISE WITH SOMEONE ELSE’S COLOURS

 

I had the biggest bedroom as a boy
but curiosity picked the box room
at the lighter end of the short corridor
for my summer’s sojourn.

I was always looking for other walls
that caught the shadows of other lives

being lived-

to touch the thought, at that time,
was tantamount to taking part.

The biggest room was back-side,
the garden view of rising roses
trying to escape the bordered beds
and their own threatening thorns,

but the box-room was front facing
for those teasing summer nights
where people passed and paused
and the paths were so portentous-

diversions to drive daydreams
further than those beds of roses
that never made it any further
than a dull brown glass vase
on the small sitting room table
where we rarely found time

to entertain.

 

 All words and photographs by Damien B Donnelly

 

LIMITATION OF ROSES

I hid
your name
in between a word,
I put this word into a line
crammed with so much content
where you’d disappear behind the syntax
and then, just in case, I tucked this line into a story
that unfolded over time into a tale that would tell of a book
that someone lost on a wrong beach while waiting for the right wave
to take them out to where there was nothing but the depth of that deep blue.
I hid you, in a word, in a line, in a story that told a tale in a book, I then placed you,

the
smallest
part
of
you

into a bigger whole, like I was reconstructing an onion, like I was resealing a Russian doll
inside all her bigger sisters and every now and then I steal moments while they sleep
and sink into a chair, into the book, behind the tale within the story until
I come across the line and reach around and find you there, still,
tucked in tight behind that word where I kept your name.

 

All words and photographs by Damien B. Donnelly

YOU