OUR SHADE IN TIME

 

Look for me
in the layers lost,
in the careful caress
that concerns the contours
of form and finesse. The million
meters mounded into magic, turned
and twisted into tastes now termed timeless,
look for me in the yards that yield towards yellow,
that burn into beauty, like ochre opening, that grow towards
the gleam of green, that flit and flow like a feather in flight, like rays
of the old days that ripple on the water. Look for me by the curt corners
of concrete where complacency converges, look for me where the columns congregate,
creation is not just a concept concerned with procreation
but with the colours and costumes

we claim to parade our personality.

   

All words and photographs by Damien B. Donnelly

This is a Repost

 

THE NEW LOOK

 

I am
that fine line
that divides
what is feminine
from what is
futuristic.
That fine line
that flushes
the fabulous
out the fickle.
The reflection
of what once was
encased
in something else
that might
one day
be called
another new look.

   

All words and photographs by Damien B. Donnelly

This is a Repost

 

IN THE ARCHITECTURALLY FASHIONED MEMORY OF WHAT IS NOW MODERN

 

I am of an age that is ageless, the very essence
that lingers somewhere between shadow and light;
that indescribable grey matter separating all that
aligns itself with black from all that derives its purity
from white. I am the illusive thread tying together
the journey, the twisting and twirling of cloths weaving
together past, present and briefly imagined futures.
I am the force between that barely dreamt dream
of what will be and that longing, lodged in the memory,
that leaves logic out to recall that single magical moment
from that day, long ago lived. That room in the mind
that holds so tightly to that taste once passed over lips,
ripe for the tasting, I am the emphasis of purity
in the remembrance of that very taste. All else,
long since, fallen by the wayside or lost out amid
the uncertainty of what’s remembered and what’s real.
I am the playfulness of the light you see cast bright
on your tall towers with their windows onto the world.
I am the linear contrast of urban lines, rising sharp
and structured amid the chaos. I am the smooth sleekness
untwining myself from a frivolous mess. I am
the seduction salvaged from the superfluous. I am
the impression left on the skin long after I’ve parted,
the mark of what once was, what is and what will be.
I am what makes the melancholy magical, every mood
a melody; the manufacturer of the moments the mind
will muster. I am the lines that will lead you on, latitudes
to rise upon and longitudes to fill your form. I am a city,
seen from above, with straights of sky-scraping streets;
lean lines, lengthy and lasting, marching triumphantly
forward as if to herald one’s rise out of confusing chaos
and stake your claim to stand above, alone, assured
and reassured, calm and confident, always exceptional,
occasionally eccentric, uniquely independent and always
individual. Modern made from a blend of what is
both memory and what has yet to be. I am everything
you put on to be who you are. Yesterday you dreamt
of me, tomorrow you’ll remember me, today, you are me.

  

All words and photographs by Damien B Donnelly.

This is a Repost.

TURBULENT SACRIFICE

 

Mama was an unmarried mother
at the end of the summer of 75
as Joni hissed of the snakes
in the gardens of complacency
where ignorance was still very much alive.

Mama was only a girl in the growing
and possibly no more than just 18
when she bent down and placed
a kiss on my cheek and whispered
goodbye to her own little green.

Mama is someone who I’ve never met
aside from the dream I once had
of her life in a kingdom that ruled
you could not mother a child unless
at first you were a legitimate wife.

Mama was an unmarried girl one winter
in the arms of a man barely stretched
from a boy, her trust in the throws
that left little to believe in and a pain
that pulled on the strings of goodbye.

Mama was once an unmarried mother
and bursting with thoughts her shape
couldn’t hide, but helpless and hopeless
were not part of her form and so she did
what she could when you can’t be the bride.

Mama was a childless woman
when winter that year came cold with its calling,

and the tears started breaking
and the leaves began falling

like the water that had broken,
like the hold that had not held,
like the hope that was drowned,
and the hand that was expelled…

too short, too quick, too hard,
too much to let go for good

and the snakes started hissing on the lawns.

Mamma was the unmarried mother
who gave me the greatest gift
that anyone could, of growing up
knowing that what she had done
was to give me up for a greater good.

     

All words and photographs by Damien B. Donnelly

This is a repost form my Joni Mitchell series.

Last month I added my name to the National Adoption Contact Preference Register in Ireland. Maybe the story still has a tale to be told, time will tell…

Sometimes knowing where you came from gives you an idea of where to go. This coming December, after 23 years living abroad, I will move to Ireland to start a whole new adventure in my home country that now feels like an exciting new land waiting to be discovered. I am looking back, at the moment, but seeing in that vision, only where the future will take me. Thanks to you all for listening on along the way,

Love Dami xx

BALLOON

Balloon,
the balloon,
see the balloon…

see thoughts float
through space,
meander through the mind,
wild thoughts, drifting thoughts,
black thoughts, orange thoughts,
thoughts arriving unannounced,
uninvited, unaware of the current climate,
thoughts that rise like balloons
on silent streets
on sleepy Sundays
in the suburbs
to shock and surprise

(though if no one ever sees it
was it ever really there?)

Thoughts float
through time,
suggestions, signs
from unconscious minds,
disruptive thoughts, distracting thoughts
(I held his hand in a taxi while thinking of another)
Time ticks through thoughts
as we scurry through strange streets
grasping the wrong hands
throughout this diversion,
this constant drawing in of air,
drawing in on inspiration
wherever necessary
wherever noticed

(see the balloon!)

Thoughts float
like balloons,
like bodies,
never knowing
if it’s a considered curve
or just a current we’re caught in

(if it cannot be captured
can it ever be caressed?)

Thoughts float
like balloons
though the air

(oxidising, fuelling, thinking)

Thoughts float
fragile and free

some never to be caught,
some never to be caressed.

Thoughts float
and then fade,

balloons blow
and then burst.

Capture me, it, them, all, everything

before I/we/it all fade

before I/we/it all burst.

Balloon,
the balloon,
see the balloon.

See,
see the being,
see the beginning,
see the beginning of something bright

even on silent streets
in the sleepy suburbs
on Sundays

where simple things can shine…

   

All words and photographs by Damien B Donnelly

This is a repost

 

DAFFODIL DREAMS

 

I climb clouds
between the night’s blanketed sleep,
a billowing blossom of smoke
that never chokes the mountain moon,
where the world is a warm walk
through a blue breeze
and the only plight
is to find your path
within a forest of daffodils
on a prairie of peace.

On a prairie of peace
within a forest of daffodils,
beyond the billowing blossom of smoke
that never chokes the mountain moon,
I climb clouds
as a blue breeze uncloaks
the confusion of consciousness
and the sky glistens
with a golden glimpse of tomorrow
tipped in a topaz tempered truth.

I climb clouds
to sleep in a dream of daffodils.

   

All words and photographs by Damien B. Donnelly

This is a re post of one of my older poems

BOY SO BLUE

 

Sitting in a park in Paris, France as kids climb
trees they’ll soon outgrow and birds busy
their feathers in a dance of freedom we’ll never know.
I fall through your thoughts as someone tickles
strings on cords too distant to be discovered
and wonder where you sat; on the orange carpet
caressed by concerns of a girl growing
through her own song of sorrow? Next to the guy
with the hat and harmony, no doubt, who guards
his guitar from the bright light, in the as yet
starless sky, as if he knows how celebrity
will one day cripple his creativity. A blackbird
bows before me, burrowing his burdens
into the road, looking for crumbs cast off,
for a little refuge, like you did, like we all do,
a little distraction from the circling sun
and shining skins blustering under bland and blander.
Sitting in a park in Paris, France, as if in a trance
from 22 to 42, when I first found favour
with following you; back room, no light, bedsit;
we were masters of the Marais, simple singletons,
senselessly sinking innocence into the marshes,
courting kisses for a single spark and rising
over all those losses we thought at the time
to be utterly insurmountable disasters.
But they were just dances, like these tiny birds
around me now, prances we perform, up and under,
over and through. We are all naked birds flirting
with honesty and invisibility under the sweltering sun,
sometimes remembered, sometimes forgotten
before begun. Sitting in a park in Paris, France,
still trying to understand the message in the melody
underlying and still trying to comprehend
the cords forged in the flesh of the boy so blue.

   

All words and photographs by Damien B. Donnelly

This is a repost from my Joni Mitchell Series