THE CURRENT OF CREAMY COFFEE

 

I sink beneath your skin
like sea
sweeping over sand,
you, a thousand grains
glistening
while I wash over you
in warm waves,
your salty sweat

sweet

below my current.

I slip between your lips
like cream
coming into coffee,
our senses fired
like frothed fluid
as we pound passion
into fragile
flesh

once fresh,
now feverish,
once timid,

now tasted

once begun,
we can never go back

You are now the sea
and I the sand,
upon your back,

I am now the coffee
and you have taken

to the cream.

IN MOTHER’S GARDEN

 

Mother,
the path has been puzzling and there are patterns now,
penetrating patterns once thought impossible, entwined
around veins, like vines that vie for vittles’ on walls
already wavering, on buildings bare as if each brick
banished is a breath broken,
Mother,
I carry more now than before but fragments have flown,
not yet cremated but I’ve scattered ashes over mischievous
maestros who tussled tarnished tunes along my tissue,
who cut cords, crude and often crippling, who leeched
the lyrics from my limbs when I thought a relationship
meant relenting to the rhythm, when I thought love
was a note never ending,
Mother,
we’ve seen how sacrifice can separate mother
from her making, little girl blue you had to give up
and woman who had let me go, the root cut from rose,
adapting far from the garden of creation, but we adapted
to adoption as if it wasn’t an option, as it wasn’t a question,
for there was always a connection,
Mother,
I see you with the bud of your womb now returned to you
as woman, your vines reattaching as nature intended
while I rarely regard the roots of my own becoming,
still too busy looking up and over, looking always
for the next interchange, questioning every other connection
in a garden scattered with those ashes, the bush burning
as the blossom still blooms,
but Mother,
I’m more you than the woman who made me, I am
more product of the carer than sewer of the seed who
so long ago saw the sacrifice in her own soil
and replanted my life in your warm embrace,
Mother,
I’ve seen stars setting fires to skies in other lands
where other oceans wash over other sands, stars
that still fade, though they are far, sands that still sweep
into all-consuming currents while populations ponder
the same problems as stars flicker out and time slips
through our hands,
Mother,
I’ve seen money makers in plastic palaces following
white lines to narcotic nirvanas as if salvation
was snortable, I’ve seen wiser men, on the sojourn, in India,
blind to all light, perhaps shielded from the fight,
holding tight to a smile that has slipped from our grip
with eyes still able to trap the light, with hearts too hungry
for more of more of more, polluting once stubborn seas
as we rape other roads, take other fruit from other gardens,
while blind men begged for nothing and saw more
than I could ever imagine,
Mother,
the days are now shorter and even before night
falls there is less light that falls and people are crying
in the streets, the flowers are folding and retreating into
the dirt as if hell might be better, Mama, people are dying,
dying in discos and in diners and in school halls
where they should be learning to be better, not leaving blood
behind on broken desks and chalkboards with equations
that don’t add up because the book has been swapped
for the bomb,
Mama,
there are horrors happening now, not yearly, but daily,
one chaos no longer fills one book, but one chapter,
followed by another and another with no let up, no
intermission, our gardens becoming desert landscapes
as all that tries to exist is destroyed, as all that was once
deemed right is declared wrong, as all rights are removed
and all races viewed as radicals,
Mother,
they’ve mistaken the mask for the man and they can’t see
though those smiles I’ve staged to still the shadows that line
these lines, these lives played out upon my breaking breast,
pouring like riverbeds raging over banks, over blank pages,
drowning them with tales, twists and turns, loves and losses
that have taken up home below shivering skin,
mostly uninvited, like wild flowers in the garden, like weeds
we mistake to be worthy of their place till the thorns bear
their treachery,
but Mother,
amid the mayhem there are moments magic, there are babies
being heard with first breaths beating, there are skies
singing of the sunrise, there are still sunsets still sweeping
shores where lovers still linger, long after the first kiss,
there are words whispered on winds, glorious hymns
of hope and heroes and there is art, still filling walls
with light and life, there is music and there is, as always,
your smile
Mother,
life is a series of spirals, not just circles, for it elevates
on the turn, not just levitates, for I am back, again,
at the beginning, but frail are the things once thought
familiar in this once foreign land I fled and feared
never to return, in this land where nothing changes
while everything moves and the shadows I once knew
have up and vanished and grass is growing where once
there was concrete and concrete has crushed all
that was once green and grand and 40 is not as adventurous
as 20 but the questions still remain unanswered
so there is no turning back because, as I said,
the vines have entangled themselves around me,
in this garden I’ve grazed in, from a distance, for so long,
pulling across my chest, either aching or yearning,
they are drawing me down, down towards the ground,
down, at last, to regard the roots of where it all began,
so long ago, when I first dared to ask;

Mother,
Will we ever have all the answers?

All words by Damien B Donnelly

Main Photograph of Mum and I in her garden back in 22 July 2002 on her birthday.

ADA2EA65-BC8A-4681-AB0A-D9C9C7DDB242.jpg

And today, 22nd July 2019, still filling our garden with joy…

Happy Birthday Mum, Love Always

HEAVY DUTY

 

Heavy. Duty.
Responsibility is weighty.
Weighs on the burdens,
on the burdens that mount.
How the distance mounts over
the months. The years. The tears.
The fears. The identities.
The identities we partake in,
we personas we put on,
we pretend to, we play with,
the personalities
we scrub away to start again.
Once again. Heavy. Duty.
The responsibility of owning
the ownership,
of always ending up
on our own. Heavy.
Shedding parts of ourselves
like snake skin, too thin to shake.
Thin are layers we’re left with,
the leachers leach their lot
and leave us with little.
Little are the layers now.
Lighter. But Heavy.
The Duty.
Responsibility is heavy
in the hands of just one.
In hearts not always held.

 

All words and photographs by Damien B. Donnelly

From an earlier series of poems entitled Between the Bone and the Broken

THE MOON, 3 POEMS

 

1

The Depth under the Moon

Moonlight
melts
languidly
on liquid lakes

like suds on dishes
like snow on windows

like thicker skin over age-old scars.

Moonlight
floats
momentarily
on rippling reflections

like the tingle after kisses
like the scent after sex

like the pain after parting.

Moonlight
flirts on the water

to divine
whether the depth

is worth the dive.

2

The Garden of the Moon

There is a shadow,
like a dream too delirious
to light with language,
whispering more of what swam away
than smears this still water
I trudge through
below a bitter moon
that’s made his garden
in this breast of man.

3

Being Bold

Beauty is raw
beneath this blood red sky
where we lie delirious,
licking at lazy, drunken ships
trudging through bitter beds,
frantic to find our way to smoother seas.
‘Man is but a whisper,’ the Shadows
sing to the Sun but I
want to milk the storm
before my summer sinks
beneath the shade.
The moon cannot be the only light
to cast its reflection upon these waters.
Surely we too can be as bright
as the night.

Beauty is raw
but bold can be breath-taking.

 

All poems by Damien B Donnelly

Painting entitled Clair de Lune, Pornic by Alexei Bogoliubov,  photographed at La Lune Exhibition, Grand Palais, Paris, 2019

 

All poems are older poems I am re posting.

ONE SMALL STEP, A SHORT STORY

 

I woke up to the sound of the bus bell, ringing out at the end of our block, signalling the first stop for the beach. Kids shrieked with laughter as they played catch in a neighbour’s yard and I heard Ma mumbling to herself as she twisted the knob back and forth on the new washing machine back before it finally chugged into gear like the Saturn V Rocket roaring from Cape Kennedy. In the room next door, Jinni was tapping her tiny plastic horses’ hooves on the window ledge and humming Let the Sunshine In for the millionth time while downstairs, on the back porch, Pop switched off the voice of Nixon on the wireless and replaced him with Davis’ Porgy and Bess on the gramophone. The Dickermans’ had a portable turntable for years now while we still had to make do with grampa’s old gramophone even though we’d more money than anyone on the beach side of Branford hills.
Jackson, Haines and Todd Tierney turned up as Ma cleared away my breakfast tray and the gang were allowed stay all afternoon. Jackson, the only out-of-stater in our little group, had just come back from camp with a newly built Estes Big Bertha model rocket, standing almost 2 feet high. It was big, black, bold and my, oh my, was it certainly yare. I watched from the bedroom window as they set it up in the yard and followed the trail of white smoke as it soared into the air before the red parachute burst out and returned her to the ground. Ayah, I thought, Bertha was wicked enough but, for me, the shiny white Trident model with its sleek line and red stripe was much more akin to Armstrong’s awesome Apollo.
Ma kept the smiles on our faces with afternoon snacks; a long grinder packed with cold meat, lettuce and tomato, her best-in-the-town cherry lemonade and double helpings of apple pie. Pop turned on the Linkletter show and cracked up the volume for the neighbours to hear and Haines ogled at Jinni through the window as she cartwheeled around the yard as if she was deliberately orbiting his imagination. We wrapped the rest of the afternoon up in Monopoly. Tierney, the old nutmegger, cheated twice, Jackson spent almost the entire time in jail, just like his own grampa, and yet, somehow, I still lost even though I’d managed to trade Short Line railroad with gumball-brained Tierney early on and had been the lucky son-of-a-gun to call shotgun on Illinois Avenue before anyone else, and usually only jail is more popular than this place, usually!
The boys set off home after they’d brought me down to the parlour in time for the news so we could check in with our three bravest countrymen. Turned out that our Space heroes were no more talkative on a rocket than they’d been on land. They’d spent their second day in space cooking, sweeping, making coffee and forecasting the weather. Cronkite told us that no news was good news but Jeez, give us a little something, I thought. This was Buck Rogers and Flash Gordon, for real. I’d been dreaming about this moment from lift-off to set-down and no sweeping brush or coffee maker had got in the way of the weightlessness of my body floating through space. The final news report was some story about someone who said sorry to someone else who had once said something about spaceflight not being possible even though someone else had said it would be and now that someone was embarrassed because someone else was actually right and three humans were now in space. Phew!
Pops returned me to bed at 9pm that evening with a tummy fit to burst from Nelly’s creamy clam chowder, whose smell couldn’t even be matched by the blueberry cobbler she’d made us for dessert. Once Mum had helped me with the final duties of the night; toilets and teeth, I took my torch and elbow-crawled my way under the blankets, dragging Pops childhood copy of Amazing Adventures with me. In Pop’s day, when Buck Rogers was called Anthony for a reason I never understood, the coolest toy was Rogers’ Rocket Police Patrol Ship, which he now had locked behind a glass case in this study which smelt constantly of spicy flowers, the lasting residue of his Connecticut shade cigars. I wasn’t often allowed play with the ship, unless a doctor’s visit had left me too unsettled, but I always pictured it in my head when I went swashbuckling with Buck and his galpal Wilma Deering. Rogers had miraculously awoken after a sleep of over 400 years and within days was battling the Han race with rocket pistols and jumping belts. Suddenly it was turning out that science, space and super heroes were more real today than yesterday. A man was now on his way to the moon and there sure was nothing more wicked than that. You know, plenty of people who couldn’t imagine it yesterday now believed in it today. Who knows what else could happen with a little time and imagination, perhaps a crippled boy of today could rise up, all by himself, tomorrow and take one small step.

All words by Damien B Donnelly

Photographs taken at La Lune exhibition, Grand Palais Paris, 2019

This is a reblog of an earlier post.

ANSWERS IN THE WATER

 

There is a part of me still there

with you

below the bridge
by the river
smiling

as the water rushed past us
and time flowed through us.

There is a part of me there still

in you

below the water
by the bridge
drowning

as time washed over us
and the river trickled onwards.

There is a part of you still here

in me

standing still on the bridge
and moving, like the water
through time

while the river never considered us.

There is part of you

in me, still

no matter what bridge I stand on,
no matter what waters I drown in,
no matter the time I am lost in.

There is a part of you,
there is a part of me

still

watching me from the waters I gaze into
to find reflections of where we lost our course.

All words and photographs by Damien B. Donnelly

Reposting this older poem from a few years back.

CONNECTIONS

Water
Silent
Stillness
Reflection. Connection
Make the connection
Elements
Water Earth Air
I can be fire
The fire

I walk on water
I dream I walk on water
I see stillness
I dream I walk on the stillness of the water
I hear the silence
I am the silence dreaming of the stillness that walks on the water
I am the reflection
I am the silent reflection of the dream that once walked on the stillness of the water.

 

All words and photographs by Damien B Donnelly

This is a old post, reposted.

COULD NOT HAVE BEEN MORE, I CAME TO THE CITY

 

We held hands over hearts
housed in other folds, ink
had tipped another name
into your flesh as we fell
into holds, harbouring no more
than musing moments, the south
going north for something different,
something foreign, someone fresh,
perhaps that was all we ever were;

a diversion from all that was defined,
from all that was assured. I was never
going to be anything more than something
to adorn an ordinary day in a city far away,
I would never be ink penned in permanent,
signed in the shade of your skin where
sorrow had somehow settled into shadow,
we were too thin to be anything more
than temporary, a painting the artist
considered too crude to be continued,
too confrontational to be anything more
than crass. We were hearts folded
into the hands of other houses, however
hopeless, however harmless, however much
we kissed and cavorted, teased and
twisted, we were branches bound
to other roots, ties are eternal to the trunk;
foolish is the fragile foliage that always falls.

Time turns tides, suns set,
touch is only temporary,
a kiss can be enough to curse.

I hear you, in the wind, at times, messages
that come calling from places I cannot picture,
from sheets I have never set my skin to,
from sweltering stones I will never step upon,
whispers of what once was, a wish
for something that was momentary
to have meant something more monumental.
But not every harbour hides hope, not every
hope is enough to hold a heart. We were
brushes, tipped with colours that weren’t
compatible, merely complimentary enough
to court a spark in a corner where comfort
felt a little less cold for a while. You called me
beautiful, at midnight, on a Monday
and I called you mine neath the gaze of your eyes
and we laughed our way through all that was truth
and all that lingered on the other side of our lies.

 

All words and photographs by Damien B . Donnelly

From a poetry series inspired by the albums of Joni Mitchell.

TAXI DRIVER, I CAME TO THE CITY

 

A constant darkness,
the future unfolds like the road;
route unknown, the past ever present
but kissed goodbye;

my lips still taste of yesterday,
my hips the heat of your caress
that has since slipped from these sheets.

I was always bound to restless,
to rest less and less, I am creature creative;
a constant recreation concerned more with shadow than light,
more with what I don’t yet know
than where I have already ready been.

I am taxi traveller,
I will take you with me, naked
under the sweating sun, tender under starlight
but you are only fair;
you are the hitchhiker along my highway,
a distraction on route to destination.

We are not destiny,
no two are designed alike,
every soul a single sojourn.

I am city when you are desert,
I am sand when you are stone,
I will have dried up before you learn to open up.

I will meet you under moonlight,
by the gaslight already flickering
in the morning light, only the stars will see us
burning bright, for we are stars; rising in the darkness,
this constant darkness,

I will drink you and then discard you
when the dawn calls me back to destination
before you break me, I will set off before you slow me,
before you show me who you want me to be.

I am everything and nothing in your eyes, all lies,
we are only reflections, projections of hope and hurt,

I cannot be all you want
when we don’t really know who we are.

We are starlight, like I said, already burning out
before begun, drawn to distraction
and drawing on our own dust.

But I am constant, now, to the calling,
am free to flight and fall,

I will love you
Forever and yet leave you
before you’ve even considered it
a compliment to concern yourself with who I am
because all we have learned
is to look for ourselves in each other.

And yet I am other. Another.
No other, bound to no body and everybody,
at home in hotels that hold me for hire,
every stop another station in the formation,
every sheet another burn as we twist and turn
and then, in twisting, we turn,

we are roads constantly crossing,
trying to get to the other side
to see if the darkness is lighter, brighter,

but this darkness, this constant darkness
is not a dark abyss, this constant darkness
can only be conquered at the check-out.

A constant darkness,

we are all travellers on a road,
making moments, making magic, making mistakes
believing the future is forever,
but I am not concerned or consoled by forever,

I am here now, running reckless
along these roads, seeking sustenance, seeking solace,
and occasionally a comfort from the cold that comes a calling,
(I will give you what I have willing if you promise
not to take it unevenly) seeking satisfaction
in things temporary, leaving a part of me
in everything I touch,

hoping it’s enough,
hoping you will remember
the scent of my skin though we were too thin
to be true, too fragile to be anything more
than a fickle tickle,

trying to understand the sweet sorrow,
the ebb and flow, the hope and the hurt.

Goodbye can be a greeting as warm as hello.
Good boy, I am trying to be a good boy
burning through this constant darkness
and smiling as I soar and sizzle.

A constant darkness
so we can gaze at the stars in their glory.

 

All words and pictures by Damien B. Donnelly

Based on a poetry series inspired by the albums of Joni Mitchell

BERRY KISSES, COLOUR ON CURT CORNERS

 
Bright red berries
linger on bushes
before sunsets
like lip’s lightness
that lingers after kisses.

Bright red berries
tremble in the afterglow
of careful witness
like mouths that modulate
after tender caress.

Bright red berries
adorn towering twigs
thick and tall
like lips in favour
of that fine flexed flesh.

Bright red berries
slip with the sun
into sleep serenaded
with the day’s delights
like lips that seek slumber
to sweep over skin
as the scent of seduction
sinks between sheets.

All words and photographs by Damien B. Donnelly