THE HAIR ON THE BACK OF HIS NECK

 

You had long black hair, a horse’s mane
that I held as we rocked through early years
and a red furry coat I never stopped to question
while we rode across uncertain terrines that echoed
his silence and her longing to not give up anything again.
Even then, even at play, I knew their mask of a marriage ran
short of imagination. I cut your hair later, amid the tension
but before the divorce, when I would have cut any cord
at the time if it meant getting out, getting away, me
and a red rocking horse with a mutilated mane,
wishing, later, that things we cut could find
a way to grow back,

better.

  

All words and photographs by Damien B. Donnelly

HUMBLE AT THE HEART

 

Humble at the heart of this landscape,
this dreamscape I’m training through,
I’m taken by its blossoming breast;
forests firing like volcanos that have shun their rest,
luscious leaves of lava sweep through cities
for man has no control over the mountain
just as nature has no defence against the molten flame
as fiery as the kimchi I’m trying to comprehend.

This one’s a little more digestible, you tell me
but I know you’re teasing as you toss with your own truth.

Beyond our feasting over meals
bigger than bellies but smaller than budgets,
skyscrapers shoot up over mammoth mountains,
a competition that man has no time to master
while in homes, humble, calmness is harboured
to the shore instead of clutter to sink beneath.

Humble resides in the heart of this Republic
once ravaged, often raped, now a melting pot of mystery;
many foreign feet of soldiers stamping
have dug their shadow into all that still somehow shines.

Museums have wings for Japan and China
and those Mongols who molested these mountains
still standing, still growing, still calling us to come
and climb and see the world from another side.

We come to the call of the mountains,
all sweaty chested and dosed in awe,
my heart is held at this height,
it trembles beneath this fragile flesh
and I hold on tighter to each grip of grandeur
and wonder how long my footprints will be cemented in this soil.

From here, high above the crow’s nest,
where Buddha rests with all that remains,
where fortresses have been forged and since forgotten,
these cities sweep away from who they were
and show themselves as who they are becoming.

We are not who we were
but what we have made
out of what has been,
in dusted days,
done to us. 

  

All words and photographs by Damien B. Donnelly. This week’s theme was South Korea which I travelled through last year when everything was being questioned; my relationship, my former partner’s dysphoria, our own identity, my strength, literally and emotionally, my breath, the first introduction to a panic attack on top of a volcano at 5am while waiting for a sunrise that was not as exceptional as the attack which I thought at the time was a heart attack (yes, I can occasionally be dramatic; you should have seen me in the hospital entrance area when they were trying to tell me it might be very expensive to come in and be treated as a foreigner while I was telling them it might be worse if I died in the middle of their corridor) . All in all, the country, its peace and people and proximity to me at the time, left it a beautiful mark. It was the toughest time and the most precious. Buddhas, blossom, beauty and an understand of breath.

IN MOTHER’S GARDEN

 

Mother,
the path has been puzzling and there are patterns now,
penetrating patterns once thought impossible, entwined
around veins, like vines that vie for vittles’ on walls
already wavering, on buildings bare as if each brick
banished is a breath broken,
Mother,
I carry more now than before but fragments have flown,
not yet cremated but I’ve scattered ashes over mischievous
maestros who tussled tarnished tunes along my tissue,
who cut cords, crude and often crippling, who leeched
the lyrics from my limbs when I thought a relationship
meant relenting to the rhythm, when I thought love
was a note never ending,
Mother,
we’ve seen how sacrifice can separate mother
from her making, little girl blue you had to give up
and woman who had let me go, the root cut from rose,
adapting far from the garden of creation, but we adapted
to adoption as if it wasn’t an option, as it wasn’t a question,
for there was always a connection,
Mother,
I see you with the bud of your womb now returned to you
as woman, your vines reattaching as nature intended
while I rarely regard the roots of my own becoming,
still too busy looking up and over, looking always
for the next interchange, questioning every other connection
in a garden scattered with those ashes, the bush burning
as the blossom still blooms,
but Mother,
I’m more you than the woman who made me, I am
more product of the carer than sewer of the seed who
so long ago saw the sacrifice in her own soil
and replanted my life in your warm embrace,
Mother,
I’ve seen stars setting fires to skies in other lands
where other oceans wash over other sands, stars
that still fade, though they are far, sands that still sweep
into all-consuming currents while populations ponder
the same problems as stars flicker out and time slips
through our hands,
Mother,
I’ve seen money makers in plastic palaces following
white lines to narcotic nirvanas as if salvation
was snortable, I’ve seen wiser men, on the sojourn, in India,
blind to all light, perhaps shielded from the fight,
holding tight to a smile that has slipped from our grip
with eyes still able to trap the light, with hearts too hungry
for more of more of more, polluting once stubborn seas
as we rape other roads, take other fruit from other gardens,
while blind men begged for nothing and saw more
than I could ever imagine,
Mother,
the days are now shorter and even before night
falls there is less light that falls and people are crying
in the streets, the flowers are folding and retreating into
the dirt as if hell might be better, Mama, people are dying,
dying in discos and in diners and in school halls
where they should be learning to be better, not leaving blood
behind on broken desks and chalkboards with equations
that don’t add up because the book has been swapped
for the bomb,
Mama,
there are horrors happening now, not yearly, but daily,
one chaos no longer fills one book, but one chapter,
followed by another and another with no let up, no
intermission, our gardens becoming desert landscapes
as all that tries to exist is destroyed, as all that was once
deemed right is declared wrong, as all rights are removed
and all races viewed as radicals,
Mother,
they’ve mistaken the mask for the man and they can’t see
though those smiles I’ve staged to still the shadows that line
these lines, these lives played out upon my breaking breast,
pouring like riverbeds raging over banks, over blank pages,
drowning them with tales, twists and turns, loves and losses
that have taken up home below shivering skin,
mostly uninvited, like wild flowers in the garden, like weeds
we mistake to be worthy of their place till the thorns bear
their treachery,
but Mother,
amid the mayhem there are moments magic, there are babies
being heard with first breaths beating, there are skies
singing of the sunrise, there are still sunsets still sweeping
shores where lovers still linger, long after the first kiss,
there are words whispered on winds, glorious hymns
of hope and heroes and there is art, still filling walls
with light and life, there is music and there is, as always,
your smile
Mother,
life is a series of spirals, not just circles, for it elevates
on the turn, not just levitates, for I am back, again,
at the beginning, but frail are the things once thought
familiar in this once foreign land I fled and feared
never to return, in this land where nothing changes
while everything moves and the shadows I once knew
have up and vanished and grass is growing where once
there was concrete and concrete has crushed all
that was once green and grand and 40 is not as adventurous
as 20 but the questions still remain unanswered
so there is no turning back because, as I said,
the vines have entangled themselves around me,
in this garden I’ve grazed in, from a distance, for so long,
pulling across my chest, either aching or yearning,
they are drawing me down, down towards the ground,
down, at last, to regard the roots of where it all began,
so long ago, when I first dared to ask;

Mother,
Will we ever have all the answers?

All words by Damien B Donnelly

Main Photograph of Mum and I in her garden back in 22 July 2002 on her birthday.

ADA2EA65-BC8A-4681-AB0A-D9C9C7DDB242.jpg

And today, 22nd July 2019, still filling our garden with joy…

Happy Birthday Mum, Love Always

BLACK THREADS

 

Worthy.
Are we worthy? Are you?
I am not worthy to receive you.
I am not worthy.

These are not the words
of any wizard, of any wonder,
of any wonderful god.

Wonderful does not whip us with worthless.
Wonderful does not teach worthless words.

Worthy.
I am not worthy…
These are the words of men
dressed in robes; black threads
woven over winged capes (not that dark knight bearing light)
not dressed as plain men,
preachers married to invisible faiths,
not married to people,
not knowing true love
or what remains after its loss.

Worthy.
Are we worthy, Are you?
Lord, they are not worthy
to speak for me, not in my name
and not, either, in yours.

Worthy.
Were they not worthy,
those wards your black winged women
washed away in the water?
Where is the worth in the world?
I thought laundries
were meant to clean clothes
not suffocate babies in sewers
beneath the shadows.
Was it worth it?
All that worry washed away with the waste.

Worthy?
Lord, here is my worth.
I place it, next to their judgement,
by your feet
and you can decide what has worth
and whose words are worthless
as I reteach myself the value of that single word
in this complicated world,
as I build my own words to be a witness
to losing the less and seeing the more,
I will be my own critic
keeping the Christian and shaking the ‘anity’
that lingers too close to insanity.

Worthy.
I hear only the devil in my head
whispering of worthless.
Surely the right man should be brighter,
lighter?

Worthy.
Here is my worth…

thread carefully upon it,
not like the prints the pious
already pressed into it
from their proud position
behind the pulpit.

I live in the wild world, not privy to any protection.

Worthy.
Are they worthy to receive me?
I profess this belief, to you.
Alone.

  

All words and photographs by Damien B. Donnelly

26th poem for National Poetry Writing Month

WHO WE ARE

 

I came out;
a silent scream
to summon a voice,

screaming,
a hunger
wanting to be heard.

I came out;
a kept cry, cold to comfort,

aching,
a cry looking for compassion,

I came out
in a time changing,

I came out
from a boy learning,

I came out
to let go of a secret,

I came out
to let the secret let go of me.

We are more than the fears we forgo.

We are more than the tears we trickle through.

It is not over when we tell you what we are

but when we can be seen for who we are.

All words and photographs by Damien B. Donnelly

FOLD

 

And further we fold

deeper into flesh,

finding favour with all

that is now familiar,

with all that has chosen to linger.

 

And further we fold

into commitments

now concerned with connections;

I will fight dragons for you, I said

and you laughed once

but now you listen

for the flapping in the wind

so wonders can be witnessed.

 

And further we fold,

we are onions in opposite,

building up the layers of truth,

of trust and those thrusts

still trembling, we do not peal

but prop potential up

against promise.

 

And further we fold,

finally, into the cocoon

we are the creators of,

your head in the crest

of my comfort, my arm

the holder of your hope.

 

All words and pictures by Damien B. Donnelly

I, YOU, ME

 

I, you, me,

I, you, me,
fear, fight, fade,
I, you, me,
black, white, grey,
I, you, me,
happy to harbour hope,
I, you, me,
happier heaping hurt,
I, you, me,
birth, life, death
I, you, me,
unique below the uniform,
I, you, me,
straight, gay, unboxed,
I, you, me,
happy, hopeful, hurt,
I, you, me,
flesh, bone, break,
I, you, me,
living, longing, leaving,
I, you, me,
crawling, climbing, falling,
I, you, me,
victor, victim, vanquished,
I, you, me,
blaming, burning, bombing,
I, you, me,
nothing lasts forever.

I, you, me, no one lives forever.
I, you, me, I who am nothing,
you who are nothing,
and yet all we see is the Me.

All words and pictures by Damien B. Donnelly

 

OVERTAKING

Today is the 2nd year anniversary of part 2 of my life in Paris. I moved here on July 17th 2015. I first moved here form Dublin when I was 22. At that point I knew as little about anyone in this city or the city itself as I did about myself. Two years later London called and I packed a few bags and moved. When Amsterdam called 6 years after that, the bags had become boxes and the identity of who I was, a little clearer. I’d already learned that you can’t hold on to everything, regardless of how hard you try. And then, almost 10 years later, I returned to the city that first captured my imagination and carved so much of itself into the lines now more visible on my features that I could barely distinguish the lines of the city and the lines of the self. Needless to say,  the bags were bigger this time and I don’t just mean the ones under my eyes. From 22 to a month away from 42, all now visible in the partially filled boxes around my feet. Somewhere within these collections, are hints at who I am on route to becoming, I guess…

 

Overtaking

Back to the boxes; finding things forgotten
in seams not yet sealed and finding no room
for other things since stuck with too much tape
that I cannot take any longer in this movement
along another midway, a mild change of track
through to midlife, making home at another station
amid the mayhem of the moment, making room
to make more moments that will momentarily
fill more boxes when another move meanders
my way. We are made of movements from major
to minor and back again; I am right, he has left,
she is nowhere and everywhere and not everyone
understands, they’ve turned back, I’ve carried on,
I can hold happy alongside these boxes; bruised
and battered but far from broken, I can hold it all,
I will hold all that has been left. Back to the boxes;
to the treasures I’ve taken to be true and the truths
that have lead me to the lies I’ve cast to the curbs
I have crawled over and then crossed off. I cannot
carefully wrap each and every delightfully deceptive
distraction that comes a calling, whether correctly
considered or coldly comfortless, I too was created
be cared for, I too need room to be made for me
without the waste of words, do I not deserve a space
to call my space within all space, within all this
fleeting space we are speeding through?

My next bed will spring from my liking as I plaster
my own skin with my own desires. I desire to be
distracted by dreams not too distant. I will not
be packed in a box like these belongings;
longing to be lifted to the light. I am too fond
of freedom to wait for life to find me. I am moving,
with boxes on my back and cartons crammed
into the cracks of my consciousness. I will not wait
for life to come to me; this is me, see me, overtaking it.

All words and pictures by Damien B. Donnelly

Audio version available on Soundcloud:

 

THE RISE AND FALL OF FORM

Day 23 National Poetry Writing Month #NaPoWriMo

Decades by four
and one year more
have tempered time
to twisting root
beneath this ever
changing shore.

Lands by four
and to one returned
as curious caught
upon my boot
my bags now tipped
with lessons learned.

Summer fires
have blazed this land
flames that fired
forbidden fruit
that etched their mark
upon this sand.

Kisses that sank
beneath the grains
while others I thought
to be absolute
now wait for time
to shift their stains.

The sun has often
turned to storm
hearts were hot
then tears dilute
as I break and fall
and rise through form.

All Words and Photographs by Damien B. Donnelly

From Myth to Man on Valentines

Reworking an old piece for Saint Valentine…

 

When I was a boy I dreamt of you daily, when I was 20 I thought I knew you,
as I fall into 40 I fear we’ve never met, but I’ve loved you, you know,
since childhood, since I saw what it meant to hold someone’s hand
and since I came to understand what that touch could bring.
I’ve spoken to you, daily, not sure if you ever heard,
but I’ve told you, over and over, all the plans 
I’ve made for us in my head, all alone,
sometimes I spoke to you silently
as I lay in the wrong arms,
in the wrong bed, fallen
on the wrong path.
I have married you,
again and again, in fairy tales
and formal attire, in far off castles
and sun kissed shores. I’ve made love to you,
moved in with you, moved the world for you and yet,
although we’ve never met, you’ve changed a lot over time,
with each day, along each year, through the ages that I’ve dreamt you in.
You are no more the God I once dreamt you to be with chiseled jaw and perfect pose.
No, you are now to me, at last, more man than myth; more meaningful than mystical, more substance than surface. I too am now man, having grown older and wiser and learned to distinguish
all that is necessary from all that is just noise. When I was but a boy I dreamt of you daily,
one bounteous bodily being of beauty, but now, all is different, I have seen the world
beyond dreams, and have felt all that life pulsing through my waking hands.
I have seen how dreams can deceive you, how gods can grieve you,
and so now, with eyes open, I see part of you in many
and none of you in some and I’ve accepted
that I’ll never find all of you in one.

 

Words and Photographs by Damien B. Donnelly