THE RABBIT AND THE OXYMORON

 

I am still so you can move

You twitch
when you think I’m about to turn

I view you as delight and you define me
as demonic

You glow of late
like the recently planted grass
in the side garden of sunlight that used to only sit
in shade

Coming closer to brave with every beat
you come out faithful to the evening’s song
when shadows are longer and stiller

and skip over blossoming blade

I make lists of where to walk and how to step
later, afterwards

so as not to thread over the freedom
you press upon that patch

of newly grown blades of soft grass.

Blades of soft grass. Movement amid all the stillness.

 

All words and photographs by Damien B. Donnelly

BEFORE THE STILLNESS

 

I sit, in stilled space,
trusting time and these proses
to act as forgivers
to all I cannot forget. I sit here,
in this stilled space,
taking trips that tease time with twists
and turns. I move not
in straight lines but articulate thought
through the acts
these tracks have taken, the un-regrettable
mistakes that brought me here
where I sit, in stillness,
in a space, not always my place,
a space grown damp since first stone
was first set
into place by hands I never knew, hands
ground down now
to nothing more than bone,
just like my bones
that will one day come to know the dampness
of all that has surrendered
its forgiveness to all that was not forgotten,
when the final lines
have been laid and I forgive time itself
for the finality of its stillness.

I sit and come to trust.

  

All words and photographs by Damien B. Donnelly

PERMISSIBLE TO ASK?

 

I take the boat out on the water,
rowing out to come into the stillness
in this place where space is still displaced.
Chez moi, c’est quoi, c’est où ?
Il est permis de demander ?

Merci, I say, still, when I should just
stay still, like this water where I row out,
stretching limb, exhausted, after the search
that brought me back, to pacify.
Pacifier- je peux le toucher, presque…

but these movements, however measured,
deprive peace from pacify, remove the stillness
from all this space I am, still,
struggling to reach. Mais.

Priver, je ne veux pas, non, non plus.
Je ne regarderai pas mon nombril, pas comme avant.

Moi- I shed who I was, am, along with time
but not breath- I lost breath, once- tu te souviens,
tu étais là, non ? Oui ! Tu ne te souviens pas.

Regarde ce bateau-
hope is a delicate placement of desire upon wish,
of wood upon water.

Je suis le bois, ou non ? C’était toi avant,
Mais tu as été viré. Viré. Fired. Sacked. Sack.

Meanings can give way to so many misunderstandings,
like translations- so much gets lost in the turning,
in the movement, going out and coming in,
with each row

further out. On the water.

Sometimes thought is not what is needed but stillness
within a world that cannot stop.
Arrête. Stop

but that word is too final.

 

All words and photographs by Damien B. Donnelly

THE THAW

 

Blue is the breath,
blue is the earth, morning, early,
the sky a clean canvas of white and the earth; blue,

a bed of frozen blues born from dawn’s breath,

a blanket of freshly fallen slow snow,
trembling along the hairs of the land, caught
in the calm before the crunch, before the footprints
mould into mud all that is now a myriad of mystery.

There is beauty in blue,
there can be beauty in being broken,
in time being frozen, in the breath baying.

I twist and tremble between these sheets
still fresh upon these old shadows, still crisp
over this drying skin. I twist and tremble through this season
to be unsure, falling into blue, into time, time is frozen

along with all that is born in this bed,
a blanket of fallen findings; some things
I thought to be more, some things
I hoped to mean less,

like loss; less loss,
less time, less breath, more blue,
the mystery is already moulding into mud.

Blue is the breath and slow,
soft as the early morning snow
so slow, awaiting nothing more than
the affirmation of an approaching melt.

 

All words and photographs by Damien B. Donnelly

 

 

BOOKENDS; YOU MUST FINISH WRITING THE STORY BEFORE YOU CAN PUT A COVER ON THE BOOK

 

So many sunsets.
I kissed you goodbye but forever never followed,
I thought us broken but we were just bookends
looking for a final story to stack between the regard
and the lack of regret.

I kissed you again, later, after leaving, after returning
but before going, again, and the water stopped.

I caught our reflection for a moment, in all that stillness,
in all we had held of each other but then I blinked
or you rippled

and, all at once, we were done.

   

All words and photographs by Damien B Donnelly.

This month is about reflections. I moved to Paris, the first time, when I was 22 and stayed for 2 years and then circled back around to this city of shadow and light again at 40. This year will be the final chapter as I pack up the boxes and consider Ireland as home again after 23 years. Who knows if there will be another story to tell of us one day…

HUMBLE AT THE HEART

 

Humble at the heart of this landscape,
this dreamscape I’m training through,
I’m taken by its blossoming breast;
forests firing like volcanos that have shun their rest,
luscious leaves of lava sweep through cities
for man has no control over the mountain
just as nature has no defence against the molten flame
as fiery as the kimchi I’m trying to comprehend.

This one’s a little more digestible, you tell me
but I know you’re teasing as you toss with your own truth.

Beyond our feasting over meals
bigger than bellies but smaller than budgets,
skyscrapers shoot up over mammoth mountains,
a competition that man has no time to master
while in homes, humble, calmness is harboured
to the shore instead of clutter to sink beneath.

Humble resides in the heart of this Republic
once ravaged, often raped, now a melting pot of mystery;
many foreign feet of soldiers stamping
have dug their shadow into all that still somehow shines.

Museums have wings for Japan and China
and those Mongols who molested these mountains
still standing, still growing, still calling us to come
and climb and see the world from another side.

We come to the call of the mountains,
all sweaty chested and dosed in awe,
my heart is held at this height,
it trembles beneath this fragile flesh
and I hold on tighter to each grip of grandeur
and wonder how long my footprints will be cemented in this soil.

From here, high above the crow’s nest,
where Buddha rests with all that remains,
where fortresses have been forged and since forgotten,
these cities sweep away from who they were
and show themselves as who they are becoming.

We are not who we were
but what we have made
out of what has been,
in dusted days,
done to us. 

  

All words and photographs by Damien B. Donnelly. This week’s theme was South Korea which I travelled through last year when everything was being questioned; my relationship, my former partner’s dysphoria, our own identity, my strength, literally and emotionally, my breath, the first introduction to a panic attack on top of a volcano at 5am while waiting for a sunrise that was not as exceptional as the attack which I thought at the time was a heart attack (yes, I can occasionally be dramatic; you should have seen me in the hospital entrance area when they were trying to tell me it might be very expensive to come in and be treated as a foreigner while I was telling them it might be worse if I died in the middle of their corridor) . All in all, the country, its peace and people and proximity to me at the time, left it a beautiful mark. It was the toughest time and the most precious. Buddhas, blossom, beauty and an understand of breath.