AFTER W.B YEATS

 

5 Poems based on lines from W.B Yeats…

‘And I shall have some peace here, for peace comes dropping slow,’
The Lake Isle of Innisfree
W.B. Yeats

Slow Falling

Snow falls behind the glass, beyond the reflections
this window cannot see. Snow, soft as the soul;
a canvas of white fleeting purity, as pure
as that first kiss; always caught, never captured.

Slow falls the first snow as fine as feathered fragility
like that first time, as tender as it was terrifying;
the feeling of discovery, the fear of being discovered.

Slow comes the season, and we are seasonal,
and we too are seized; were we not yesterday daisies
dancing on hilltops, a spring in our step and blind
to the slope, were we not once sensory below the sun,
bonds burning along bodies bare, but now,
beneath the snow, red reigns regal, enfants eyeing
the skies; hushed and hopeful before the innocence
falls from their belief, falls like this snow, this frozen
miracle already melting hearts we’ve had to hide
from the cold and we can be cold, like the morning’s
first breath beneath the crippling clutch of winter
when his touch is too far to find.

Slow falls the snow beyond the glass, beyond the shattered
reflections of a world of riots and reactions, slow falls
the snow and I think of peace and of people parading
under its hush of hope. Snow falls and I wonder
how it would feel to have a season of slow falling peace?

 

‘I wander by the edge of this desolate lake where wind cries in the sledge,’
Aedh Hears the Cry of the Sedge
W.B. Yeats

Buoyant

Is it here where the tears come to find peace
in this place of serenity?
I lay down this lake of loss,
hope for the soil to soak up the sorrow,
by the side sedge I wedge myself
up from the waste and bury all that turned base
at the bottom of this bed,
no longer sheets of cotton comfort but sludge
soon to be swept under, asunder.

Is it here where reality ripples into reflection,
the sinking illusion of what I thought to be
perfection?
An impression of light and shade, now lighter,
now shadier, now just a remainder
waiting for time to submerge.

I lay down in this lake; a lough of loss,
locked, lost,
waiting for the tide to wash over me,
waiting for the tears to dissolve within me,

waiting for time to refine me,
re-find me as buoyant instead of beaten.

 

‘And when white moths were on the wing, and moth-like stars were flickering out, I dropped the berry in a stream and caught a silver trout.
The Song of Wandering Aengus
W.B. Yeats.
A White Wing Rising

A starlit day, on a distant shore, as if summer had sent it
swarming like a snowflake; silken wings to summon
the sunset, a white moth to raise a sweet soul departing.

And there, as a star was added, the bright moon was kissed
in berry blush as the sun settled beneath the lake
where the lost trout turned through tresses of silver dancing
and he smiled at his love, since lost, now glimmering

in eternity.

 

‘And suddenly I saw the cold and rook-delighting heaven.’
The Cold Heaven
W.B. Yeats

While You were Dreaming

And as you dove through distant dreams
just beside me, you left to my centre,
I woke to the night sky splitting above me,
the stars were burning, bleeding through
the darkness as the heavens opened,
their gates no longer golden as the
rooks took flight, soaring into my fright
here in this cold night as you tossed
through thoughts and I watched mine
beating, beaten with feathers on fire,
the disparate darkness drawing delight
in my downfall, in my blindness, and you
turned in sweeping motions, your back
to me as I should have done, as I could not
and I wondered where you had wandered
as I was culled into consciousness, frozen
by the flames and shivering, were you
moving through memories we made
or making room for more to come
in other beds, in other arms, and then
befell the bodies, bound, in chains locked,
in flames crying, cursing, trying to pull
apart bonds that should have broken,
and you turned again and your arm
came over my chest and the vision
was smashed in contact, reverie
retreating but the burning continued.

 

And a final poem recalling his unrequited love…

Toppling his Tower

What can I lay by the feet of such beauty?
What can I offer my love on this land?
A garden of roses, omitting the thorns
with this golden ring I hold in my hand.

But a garden of roses, omitting the thorns
is barely enough to garland your grace,
so I’ll pave you a path in the finest fabric,
a velvet so sweet to mirror your face.

So I’ll pave you a path in the finest fabric,
a cloth of brocade to comfort your cares,
a daylight distraction to hold your attention
from rebels and riots that are not our affairs.

A daylight distraction to hold your attention
to paintings and poems that hang by our side
in a tower I’ll build you to keep out the cries
of a world lost to power and drunk on its pride.

In a tower I’ll build you to keep out the cries
and a lark then from the meadow I’ll borrow
so she’ll sing of the stars and the moon that is ours
as we’ll lay in arms and let love sooth the sorrow.

But restless was her soul on the call from outside,
her beauty diminished by the sounds of their cries
and one day he lost her where his paved path divided
and he cut down her roses with tears in his eyes.

I gave her the finest, the fairest and fancy,
I gave her the beating heart of this man,
but she was bound to the call of the lost and the lonely
which now I have become and therein I see her plan.

  

All words and photographs by Damien B Donnelly. Inspired by W.B Yeats 

Today is the 155th anniversary of W.B Yeats. Thanks to Jane Dougherty from Jane Dougherty Writes on WordPress for running A Month with Yeats back in 2016

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SOMETIMES ITS DANGEROUS TO CONSIDER HOW TO BREATHE

 

There are clear patches in the sacred soil
at the far end of the side garden where life
is expected to return. We planted it last week.

There are clear patches in the soft sky
behind clever clouds that carry the condensation
I covet for those bald patches in the tilled soil
where there will be grass. We planted it last week.

There are sometimes clear patches in these caged ribs
that house the lungs that shoot me with shock waves
at irregular intervals when I fall too concerned
with how to breathe. I panicked last week.

Or when I’m too forgetful to distract myself
with painting the panic into poetry at the far end
of the side garden with its selected soil all curious
for the cunning clouds to carry forth its condensation
across that sweet sky. I planned this last week.

There’s a peace when I potter beyond the panic.
I know this. I planted it last week in my head
when I sowed the seeds that will soon be grass.
I planted them both, deep inside.

   

All words and photographs by Damien B Donnelly

TO COME CURIOUS

 

We take slow steps into the sweet water, watch the current
caress the dark rock, the volcanic roar no longer rupturing,
its rage now rocked to slumber by this single shore. I lose
my shirt to time’s tide and this shimmering sand, I lift it up
and feel the weight that washed over it as you turn to face
the vast ocean and wonder what the next wave will bring
upon us. We have crossed currents, trained through towns
and cut across mountains, we have laughed at sadness
and cried over cocktails, we have come so far to wade out
into these waters as locals watch us with questions of how
and why. We have come curious to this country, we creep
along its coast like this tide, rummaging over these rocks,
wondering what happened to the heat it once ran with
when man was more forgiving and the mountain more daunting.
We climb the dormant mount, once maker of molten menace,
to watch the sun swim up from the sea and we count minutes
till the darkness will be disregarded as if time is all that’s needed
to destroy depression, decay, dysphoria. This mountain, once
a monster the sea could not settle and land could not control,
this country, once more than a division of north and south,
of emperors and conquers, Confucians and Catholics, devout
and deserted. We were once more than single souls searching
for the way back. We are tides, coming and going along
these beds we find shelter in, arms wrapped around us
like seaweed we equally fight off and hold down, we are lava,
trailing tunnels through our own thoughts, destroying
what we think to be too much but never quite knowing
how to fill the hollowness that’s left behind. We take steps
down into the open earth, adding sweaters to our short sleeves
and I wonder why it grows colder the closer we get to the core.
Isn’t the inferno on fire anymore? Dante will be disappointed.
We look like ants crawling over cobbled rock as we curve
through these corridors created in centuries now cemented
into time and caress these walls and catch our breath
under cathedral ceilings created by no creature but by nature’s
creation. Deeper and deeper still and the silliness is replaced
by a silence in this place where the waters drip from porous rock
and we look smaller, less special, not so strong in this cave
carved by once molten rock, by lines of luscious lava
that laughed as its lungs opened and its power poured. Later,
back at the beach, the tide again tickles our feet as we stand
upon the rock that once before roared. We are equal parts
creator and equal parts responsible for all that we corrupt.
We have come curious to this country but find ourselves
asking more questions about who we are than of this coast
that will still be counted long after we have been smashed
upon our own current. We take slower steps through
the sweetness and my heart beats louder, longer, lighter.

  

All words and photographs of Jeju Island in South Korea by Damien B Donnelly

This is a repost of a week considering Creation and our position within it.

PURPLE CLOUDS

 

In that garden
of the many meadows of my mind

plants grow down
from purple clouds

carved of cotton catchable candy

and seek substance
from the surface
and not the ceiling.

In that garden
of the many meadows of my mind

fences are painted
with faces familiar

and mouths to catch kisses if you’re quick enough

and embraces
sprout like brush
to cradle comfort.

In that garden
of the many meadows of my mind

music spreads like ivy
a chorus to cut the chaos

and a crescendo of colour like a flower unfolding.

   

All words and photographs by Damien B. Donnelly

This is a repost for a week at looking at clouds

THE OTHER SIDE

 

What is life but a book to read from both sides,
from either end, from all there is to see here
below the constant clouds of consideration,
from far on high where the clouds are carpet
and the stars as close to perfection as we can get,
for midway through this meander of noise
and nonsense, of love and what is left in its place
when it has parted, I am no closer to the correct
question as I am to the unachievable answer.

What is love but a sunlight seen out of season,
a breath to better us when there is no air,
a rainstorm when all we can see is desert dust
sweeping over the highway where our hope
is headed while are we are bound, barely,
to faithful, to fearless, to ferocious, as we falter,
fail and fall and rise again, better for the bruises,
ready for the next round, prepared to bleed out
our lives along this road we are rocking. And still…

I can drink another case of you,
and you, and you, and you, and you…

What is life? What is love?
What is the point in asking?

We are here… happy, hurt, healing.

We have cut through the clouds
and reached the other side…

What more is there to fear?

 

 

All words and photographs by Damien B Donnelly

From my Joni Mitchell inspired series of poems from a few years back.

DAFFODIL DREAMS

 

I climb clouds
between the night’s blanketed sleep,
a billowing blossom of smoke
that never chokes the mountain moon,
where the world is a warm walk
through a blue breeze
and the only plight
is to find your path
within a forest of daffodils
on a prairie of peace.

On a prairie of peace
within a forest of daffodils,
beyond the billowing blossom of smoke
that never chokes the mountain moon,
I climb clouds
as a blue breeze uncloaks
the confusion of consciousness
and the sky glistens
with a golden glimpse of tomorrow
tipped in a topaz tempered truth.

I climb clouds
to sleep in a dream of daffodils.

   

All words and photographs by Damien B. Donnelly

This is a re post of one of my older poems

I AM…

 

Beau, tu sais?
Tu es beau,
c’est vrai.
Non, I say,
ca, c’est pas vrai.
Moi, je sais
d’autre chose,
mais beau?
Non, I say,
je ne suis pas beau.

Fragility I know,
mon ami s’appelle
fragilité,
pour lui
je porte a smile,
comme de vêtements,
like a shield,
mon sourire
est beau,
ca, tu peut dire,
ca, tu peut écrire,
but I am not my smile,
I am the boy behind
and sometimes it hurts,
tu sais? Ca fait mal.

Mais merci, comme même,
c’est beau ce que tu m’a dit,
ce que quelqu’un m’a dit,
c’est beau, mais non,
c’est pas moi; I am…
je suis autre chose.

 

Translation:

Beautiful, you know?
You are beautiful,
it’s true.
No, I say,
that, it’s not true.
Me, I know
something else,
but beautiful?
No, I say,
I am not beautiful.

Fragility I know,
my friend’s name is
fragility,
for him
I wear a smile,
like clothes,
like a shield,
my smile
is beautiful,
that, I can say,
that, I can write,
but I am not my smile,
I am the boy behind
and sometimes it hurts,
you know? It hurts.

Thank you, anyway,
It’s beautiful what you tell me,
that someone tells me,
it’s beautiful, but no,
it’s not me; I am…
I am something else.

 

All words and self portrait by Damien B. Donnelly

This is a repost of an older poem.

AT THE SETTING OF THE YELLOW LIGHT

 

I held your hand
in a taxi, once,
while thinking of another
as you whispered into my ear,
a sound I no longer remember,
a scent now a breath away from touchable.

I cannot hold everything anymore,
not everything nor everyone.

I recall the yellow light
yearning to hold its own innocence
stretching through the window
burning hands still holding onto a truth
that had turned away from white,
I remember the highway
that hurried us out of the city
as I wondered if I’d packed enough hope
for us both.

But I cannot hold everything, anymore,
no more. The elastic cannot be recalled,
the weight was too wearisome
for just one heart.
I hope now to hold clarity, to hold happy,
happy to be free. Happy me,
now lighter, brighter

reaching out for that plant pot
with its purple petal planted, long ago,
in a garden I am returning to.

A garden where I will sit
and watch the dance of the dandelions
till the yellow sun has descended,
where I will empty all the jam jars
of their collected lies
and draw the sound of the moon, at last.

   

All words and photography by Damien B. Donnelly

Penultimate poem for National Poetry Writing Month

MEDITATION UNDER THE YELLOW SUN

 

I wanted to draw
the sound of the moon
on a sun-drenched beach
stripped down to white sand,
white wave, white skin
starved for affection.
I wanted to draw
the silent sound of that moon
as the chaos of the current
crashed down on the crowds
clawing at each other
for a moment
below the spot of sunlight
that burnt them quicker
than they could contemplate
a commitment to content
while I sketched
the white light circling the night,
even in daylight,
even in the terror and the fright
that twist through the lyrics
these lives lived on the edge
of the sinking shore
will forever be linked to.
I wanted to put onto paper
that palpable possibility
of holding stillness while all else moved,
of leaning into the moonlight melody
while the daylight drowned out thought,
of holding silence in a song
while the sand surrendered
to the will of the shore.

I wanted to draw
the sound of the moon…

that sensation of being surrounded
in a single sway of stillness,
a solo seduction of strings
pulling me towards the white light
at the centre of the night’s clarity
as the yellow sun strips the sea
from the sand.

All words and photographs by Damien B. Donnelly

3rd poem for National Poetry Writing Month 2019

BORDERS AND BOUNDARIES, NO.30, NAPOWRIMO

 

We are born

through barriers that break,

water carriers through canals 

into comfort and concerns 

were borders are built

to nurture nature

while we are compartmentalised,

still, more silent, less severe;

fortunate, less so, white, less so,

gay, straight, one gender, 

less gender, clever, less so, 

a part of peace 

or placed into parts 

where peace falls apart.

We cross borders 

not all, not everyone, 

not the fortunate, not those

who can do so comfortably 

but the others, the less so,

running from rage, rape, ruin, less,

running to refuge, reprieve, relief, more. 

We build barriers to keep us safe,

to keep the flowers in focus

and not the fragility 

beneath their bloom.

We build barriers, bigger, higher,

sharper, not to shelter but to shield 

all we don’t understand, all we fear

until we are left inside with fear itself.

We are born

through broken barriers 

but fall too quickly to forgetful.

All words and drawings by Damien B. Donnelly