COLOUR IS WAITING

 

And still we will come to lick the honey
from the purple petal and still we will come
to root out the weeds of worthlessness in gardens
where others eat up all that is beautiful. Time turns
and we, in turn, follow its path, suns set and the moon
shows us its song, hold hands and then release,
hold hope and then move on, we only own the moment.
Mothers may still hand over their hearts to other mothers
waiting to be wanted, fathers may rise to be fearless
or choke on the root of their own fear, those black-cloaked
women pouring water from windows onto withered plants,
who’ve buried their living bodies in a bitterness
for all that life has lynched from them, will continue
to cry as flames flicker out along the Seine,
like their memory, revealing structure still standing
but soul no longer settled. They will still pour
their buckets of tears down the aging walls of a city
that cannot see beyond its past. If we cannot catch colour
then we too will be cremated in the concrete. But black
is only shadow until it finds a reason to ignite in light,
bark is dry but the branch bares blossom. Eat the storms,
Mother said, remember? Boil the beds of bitter blackness
until the dream rips through the rain and translucent
turns them lighter, brighter. And still we will come
to that lake where language lingers, still we will sink
beneath its depths to slip ourselves from the reflections
we have once worn and now outgrown. Still we will sink
kisses onto our starved lips and still come back for more
after love catches hold of kisses cradled on other lips.
Catch the colour, catch the kisses, catch the life
racing by in taxis, on trains with crimson carriages
connecting moments waiting to be made magical.
The starry night can be a bright light waiting for us
to paint it. Behold how much there is to love, to let go of,
to learn from. Let us be the design and not just the destruction.
Eat the storms, she said, taste the refreshment in the bright
blue rain. Colour is waiting just beyond the clouds.

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All words and photographs by Damien B. Donnelly

30th and final poem for National Poetry Writing Month 2019

AT THE SETTING OF THE YELLOW LIGHT

 

I held your hand
in a taxi, once,
while thinking of another
as you whispered into my ear,
a sound I no longer remember,
a scent now a breath away from touchable.

I cannot hold everything anymore,
not everything nor everyone.

I recall the yellow light
yearning to hold its own innocence
stretching through the window
burning hands still holding onto a truth
that had turned away from white,
I remember the highway
that hurried us out of the city
as I wondered if I’d packed enough hope
for us both.

But I cannot hold everything, anymore,
no more. The elastic cannot be recalled,
the weight was too wearisome
for just one heart.
I hope now to hold clarity, to hold happy,
happy to be free. Happy me,
now lighter, brighter

reaching out for that plant pot
with its purple petal planted, long ago,
in a garden I am returning to.

A garden where I will sit
and watch the dance of the dandelions
till the yellow sun has descended,
where I will empty all the jam jars
of their collected lies
and draw the sound of the moon, at last.

   

All words and photography by Damien B. Donnelly

Penultimate poem for National Poetry Writing Month

GRAINS OF SAND BENEATH CERULEAN SKIES

 

Faith
is fragile,
courage
is not always conclusive
until called,
we do not command the waves
nor comprehend the clouds.
I tell you this sand
will be swept into the sea by night fall,
this baying breath of cyan
neath the stretch of those cerulean skies.
This smooth, salt-licked land
was forged from fire
before you were born,
when vultures had feathers
instead of hands and knives,
when volcanos were all there was to fear.
Faith is fragile,
we cannot see what once was
or what will come to be.
We are not the fire nor the future,
we lie somewhere
below the caelum
searching for a shred of security
on a spot of shore
before the tides return
and we, in turn,
become a grain of sand
that some being will one day look upon
and try to see what is no longer there.
It is ours to be the basalt
or to be
something
better.

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All words and photographs (taken on Jeju Island, South Korea) by Damien B. Donnelly

27th Poem for National Poetry Writing Month

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OCHRE DANCING

 

Porcelain
plant pot
plots
the delicious decay
of decadence
once eyed as ochre
dancing
next to dandelions
in the dawn’s dew.
Pretty
painted picture
of plants
in a porcelain pot
plays with the presence
of past
and present
under the preservation
of pressed paint.
Gold garnered
by the grace
of the sun,
amber’s earthiness
on route
to autumn’s rust,
careful creation
caught
on canvas,
a fragile folly
frozen
before
the fall.

   

Words and oil painting by Damien B, Donnelly

23rd poem for National Poetry Writing Month

BLACK IS ONLY SHADOW

 

Winter has grey wings,
feathers of sodden soot
that come from concrete clouds
too dense to discern any light beyond.
Winter spawns grey wings
but spring is an architect of possibility
by a canal of colour that sweeps in
after the fright of the frost
and baths us in a blithe breath
that blows across a chest once in chains.

Round the red bricked bridge we ride,
each pedal pushing past the storms
that rained rivers through our winters.
Follow the river, she sings,
seasons are short but the earth is a sphere
turning towards the light,
dark doors open often into hopeful,
the river recalls its route
regardless of the water,
blue can be a bright beacon to bathe in,
black is only shadow
before it finds a reason to ignite in light,
bark is dry but the branch bares blossom.

We can be the water or the bridge,
the natural path or the paved plot,
the route is bright beyond the chains,
the greyest night is but a sleep behind
the colours waiting beyond the bend.

    

All words and water colours by Damien B. Donnelly

22nd poem for National Poetry Writing Month

CATCH THE COLOUR

 

Sun sets and then rises and in between
we kiss, catch the kisses that come
upon the current, catch the kiss,
the continent is not always ours
to conquer. Tides come and tides
retreat, touch is temporary, flesh
is polished pink below the sensuous sky
but falls from fold like sands in the
glass that hoards the hours, like clouds
that can never be caged. Sun sets
and we blaze our orange blossoms
into passing nights, the night’s gale
calls of connections in the passing,
passion is precious until it too passes.
Sun rises and then falls, catch light;
catch the fire before it drowns
on the water, catch the colours to paint
the coming of the grey, to keep afloat
until the next kiss. Catch colour,
catch kisses before the sun sets,
let worry waste upon the wave,
tomorrow’s light will be blue enough.

    

All words and photographs by Damien B. Donnelly

20th poem for National Poetry Writing Month

GOLDEN HAZE

 
Slow comes the morning,
eyes still dazzled by the delicate stars
now off trailing dust across the universe
as if plotting tracks to tempt us
further than the stubborn stance
of our single spotlights
and I wonder how far you got
as I sit here, in the silence
of this slowly waking morning light
casting shadows on the single form
in this too big room with no door
large enough to climb through.
We considered setting sails
on cotton clouds once, long ago,
in a corner of this concrete jungle,
a single streetlamp casting courage
onto our concerns of cutting free
like a jazz break from the base,
of burning our own trails of glorious starlight
across the deafening daylight.
I am breath that still can bleed now,
here now, far from that corner we once
we painted dreams on, trying to force
the foot to slow the speed of this time burning
while you; already taken to the dust,
now a speckled starlight
cutting your own groove
into an orbit I cannot observe
while tossing remembrances
down from the night sky
that fall and flitter
above the dizzying distraction
of this golden haze of mourning light,
still coming on slow.

   

All words and photographs by Damien B. Donnelly

17th poem for National Poetry Writing Month

THE BLUE PILL

 

Digital download,
activate avatar;
humanoid performance,
interface,
access joy,
bytes to brain,
stream a cloud cover
to convey intelligent thought
and combat subconscious combustion.

Access matrix;

choose the blue pill
and clear the cache.

All movement falls to manual override,
factory settings restored to screen,
reflected appearance is perfected

but the motherboard sparks unseen
and the password is forgotten.

Control has been passed on.

Avatar is now the host
of the show.

Not everything in the matrix
can be saved
because it’s been loved.

   

All words and photographs by Damien B. Donnelly

16th poem for NaPoWriMo

THE GREYING MIST OF MEMORY

 

I’d never heard the call of the green
though my eyes caress it
in a certain light
and so many walls I’ve covered
with that same colour
to curate a comfort from the cold.
I’d never heard it, till now,
till the windows stopped
keeping out that chill.
Blue, I never found blue cold,
on the contrary, I see the sky
coming down to caress the seas I’ve crossed
in a coating of calm encouragement,
even in the snow, in the moonlight,
that blue light connecting its contours
like icy jazz notes on a single saxophone
on a smoky soirée, in a time the greying mist
of memory hasn’t quite drained.
Blue never, but white; chills.
I had red walls once and, at the time,
thought them a tribute
to my, as yet unexposed, pride.
I since recall them
as something more melancholy;
a call in themselves,
but in my child’s mind
I was scarlet conquering
on Sunday afternoons
on the inside of the rain
as oldies played across the tv screen
long before I even heard the song
from the singer in blue.
Blue, songs are like…
songs are like souls catching flight,
in my mind they are shadows;
black and white blurs,
but in the air they take flight
like cormorants of colour
over those green lands
my eyes are seeing
with more interest than ever before
as I come to drink again from that case.

 

All words and photographs by Damien B. Donnelly

14th poem for NaPoWriMo

TATTERED BROWN TROUSERS

 

Father ate all the flowers
in the back garden
because he couldn’t swallow
the promise of happiness
that bloomed within the home
he couldn’t find his root within.
Father left all the flowers
in the front garden,
too proud for others to see
him pulling from the soil
everything he needed help with
but had never been taught the words.
Father liked to laugh, first,
when others lost,
so no one could hear his own loss
tearing at him, like weeds twisting
behind the restraints he wore
like his inside out jumpers
and tattered brown trousers
he thought no one could see through.
Father ate all the flowers
in the shadows
of the back garden
and choked on a laugh
that no one understood.

All words and photographs by Damien B. Donnelly

13th poem for National Poetry Writing Month