A FISH CAUGHT ON THE CURVE OF THE MOON

 

Love
is a red
Russian rose
on the run,
a bouquet
to brush the blues
from their burdens.

Hope
is his hand
on her head
in the night,
taking flight
as that blue bird darkens.

But
her moon
was in Pisces
and she was said
to be expunged
by her sensitive soul

but
in his hands
he still held her,
his red
Russian rose
and so
he painted a song
to perpetuate her soul.

Her moon
was in Pisces
and his heart
in the bloom of her hand.

All words by Damien B Donnelly. Painting, Le Paysage Bleu, by Marc Chagall

HAPPY HOLIDAYS

 

A Simnel cake (a traditional Easter fruit cake with marzipan inner layer and decoration and a little dash of brandy) made in my kitchen in my grandmother’s memory…

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Wishing you all a Happy Easter, Sunday, Spring day, Sunny day or whatever you like to call it…

 

All cakes made and eaten by me!

GOLDEN HAZE

 
Slow comes the morning,
eyes still dazzled by the delicate stars
now off trailing dust across the universe
as if plotting tracks to tempt us
further than the stubborn stance
of our single spotlights
and I wonder how far you got
as I sit here, in the silence
of this slowly waking morning light
casting shadows on the single form
in this too big room with no door
large enough to climb through.
We considered setting sails
on cotton clouds once, long ago,
in a corner of this concrete jungle,
a single streetlamp casting courage
onto our concerns of cutting free
like a jazz break from the base,
of burning our own trails of glorious starlight
across the deafening daylight.
I am breath that still can bleed now,
here now, far from that corner we once
we painted dreams on, trying to force
the foot to slow the speed of this time burning
while you; already taken to the dust,
now a speckled starlight
cutting your own groove
into an orbit I cannot observe
while tossing remembrances
down from the night sky
that fall and flitter
above the dizzying distraction
of this golden haze of mourning light,
still coming on slow.

   

All words and photographs by Damien B. Donnelly

17th poem for National Poetry Writing Month

THE GREYING MIST OF MEMORY

 

I’d never heard the call of the green
though my eyes caress it
in a certain light
and so many walls I’ve covered
with that same colour
to curate a comfort from the cold.
I’d never heard it, till now,
till the windows stopped
keeping out that chill.
Blue, I never found blue cold,
on the contrary, I see the sky
coming down to caress the seas I’ve crossed
in a coating of calm encouragement,
even in the snow, in the moonlight,
that blue light connecting its contours
like icy jazz notes on a single saxophone
on a smoky soirée, in a time the greying mist
of memory hasn’t quite drained.
Blue never, but white; chills.
I had red walls once and, at the time,
thought them a tribute
to my, as yet unexposed, pride.
I since recall them
as something more melancholy;
a call in themselves,
but in my child’s mind
I was scarlet conquering
on Sunday afternoons
on the inside of the rain
as oldies played across the tv screen
long before I even heard the song
from the singer in blue.
Blue, songs are like…
songs are like souls catching flight,
in my mind they are shadows;
black and white blurs,
but in the air they take flight
like cormorants of colour
over those green lands
my eyes are seeing
with more interest than ever before
as I come to drink again from that case.

 

All words and photographs by Damien B. Donnelly

14th poem for NaPoWriMo

THE BOOK BETWEEN US

 

You handed me the book and left,
off to another room,
another existence beyond my sight,
(even sight of that moment was selective),
you left me with that book in hand,
hand in hand with that room
where black edged over white,
where comfort was clinical and cradled no clarity
(though I wasn’t looking to be cradled),
that low-lying little room
(where tattered ties lingered in loss)
behind the camouflage of a cobbled courtyard
with its constantly burning candle
whose scent I couldn’t make sense of
(funny how some flames don’t even flinch
when faced with the flicker of fragility)
and a cut-out on the wall, in the corner,
for a door that didn’t exist, a cell-like sliver of space,
within all the space at my disposal,
to hold me hostage as I slipped off
and back to a time I hadn’t released
(and I’d let go of so much that was lighter, lesser, lonelier
since having been let go myself at the offset).

I placed the book down
(along with the weight of its words)
on the simple sofa as you returned
(in saturated shades of grey;
minimum resonance that mimicked movement,
sedentary seemed to be your salvation),
a sleek but sedate sofa I had yet to sit on, be sedated in
(those sessions came later; you in your slate covered silence
on the low-lying chair behind and me; in situ,
on that charcoal sofa, lying,
trying to lay truth on all the lies
I’d crossed and tangled and torn,
trying to stretch out of that small room
and fall back to another, once red, back then,
now fading, right now
like the threads of the sofa; tensed tightly
with the mass of moment and memory
I was manoeuvring through alone
as you sank into your silence
thinking you were a pedagogue of pabulum
while I wondered who would save me.).

But that was a question I had yet to ask.

You sat down that day,
that day of the book and its position between us;
gifted child, grown adult, growing weary
of these wet tales I’d been telling everyone and no one,
for too long, and you; ash dappled with stony surrounds.

I slipped back, as signalled, to the story,
once my story now being shared
and slightly severed from my shadow
(that single story you sensed was sentenced
to an eternity within that red walled room
so far from your white walls
with its crisp corners and black floors
baring only shadows I was supposed to see light in).
But I caught your shiver at the sight upon that sofa,
said book not on the shelf, so out of place
(so out of line with your carefully constructed
compartmentalised components of conditioning),
I saw you fix upon the book
as I whizzed through multiple times,
twisted through the tension
of being someplace else while in situ,
in a taxi with his hand, long ago,
whizzing through new streets
with a trunk of baggage I needed to unload,
in a bathroom crying while he watched
from the cold side of non-concern
(and yet even then I didn’t want to be cradled,
not by a caretaker I couldn’t comprehend
until I did but by then he was already gone),
in bed, within the stillness of those red walls
that comforted and cramped the child
trying to comprehend the form and yet, also,
there I was, on front of your silence, your stare
and sudden your distraction with that book,
now displaced, like we all are
(like I was, or so you might have said had you spoken)
now in situ, on the sofa I had yet to sit on
while I soldiered on alone,
unsure if you were with hearing me,
helping me or hating me
as I turned through my own pages of the jilted journeys,
the mindless miles and the million stars I’d lost hold of
as I reached out for others; bigger, brighter, bolder, better,
then falling, fading, soon to be burnt-out,
felt to be forgotten, but not.

I stopped, in situ, next to the sofa and the book
and noted your distracted attention
to all that was now out of place
(within a space designated
for those lost to their place)
and I wondered if this cell had been built
to sooth the souls who came searching
or to cradle clinically a single stone
who couldn’t spark a brighter colour.

And the patient lost patience with the pretence.

All words by Damien B. Donnelly

Audio version available on Soundcloud

THE WEIGHT UPON THE WAVES

 

And in the tide
tight with time and its turning
they left their posts,
impaled upon the sand,
impressed upon the land.

And there they stood
ten in heart and ten in tide
for time to tend,
impaled upon mind,
impressed upon mankind.

And on they marched
up the land and on from shore
for evermore
impaled upon their wain,
impressed upon the flame.

And out with wave
woe on water and touch from time,
tormented years
impaled upon the crest,
impressed upon the chest.

And on they went
refugees in search of root
swept along the shore
impaled upon with tears,
impressed upon with fears.

And on it goes
those who run and those who can stay
and those who are lost,
impaled upon the wars,
impressed upon the waves.

All words by Damien B. Donnelly

This 2nd photograph is also of St Clair beach, Dunedin, Otago, New Zealand, taken by Nigel and used by Liz for her blog Exploring Colour.

The original link to Liz’s blog post is;

https://exploringcolour.wordpress.com/2019/02/06/drawn-to-the-light/

Liz has also penned a glorious poetic tribute to these long standing piles entitled Survivors and the link is

https://exploringcolour.wordpress.com/2019/02/12/survivors-poem/

Nigel’s Landscape Architecture blog is;

https://growplan.wordpress.com/

THE ANNUAL OFFERING OF ATTENDANCE

We sit in rows, in reverie, with reverence,
neighbour to defender and defiant,
some say the saved above and the rest below,
new coat and scarf on the shoulders of one,
the timings of the turkey and its trimmings
in the head of another, already ticking,
already thinking of some other wonder
needing worship while the choir continue
to carol higher than some notes should be heard,
not all those singing have a sense of themselves,
minds are off on soufflés instead of solos
and outside the bandstand plays an empty tune.
We speak in tongues, thoughts we were taught,
lessons that were learnt; that protection from all anxiety
and yet pills rattle in my pocket, no talk of the patterns
we discovered, no pause to the path we paved
beyond this parish and its prejudices,
its own pockets filled with coins that don’t jingle,
my tongue now tickles other languages,
in other fields I felt I had to find freedom in;
that kingdom, that power and that glory,
my tongue still tackles, in these times, the old ways,
the old words since thought to be too confusing,
service is now simplified to satisfy this new society
of social-media mongers in the spotlight
of the internet and the camera rolls for those
who could no longer find a foothold in their home
and across the empty bandstand a wall recalls
the names of those who fought the fight
one Easter, once remembered, now forgotten,
when we wanted to be a Republic, a Nation,
a Brotherhood, an allegiance and not just a flock
of flag waving celebrities. We sit in rows at the beck
and call of the rising and the falling, being forced
backwards into an innocence we believed
was beyond question when Adam gave Eve
a rib and a virgin gave birth to a baby
they hung on a cross. Some are still nailed
to the truth of the church as much as one man
was nailed to the wood he once carved,
one sacrificed for the sin of us all and the others
sacrificed to be sinners ever after. We sit in rows
where the wafers choke us on the truth
while the bandstand’s tune has been forsaken
and no closeted confession to a priest still closeted
into conformity will ever bring the names of the souls
on the Easter wall back to life on this Christmas Eve.
And the priest leaves us with a joke
and I wonder if he can see the irony behind the idolatry.

All words and photographs by Damien B. Donnelly

IN THE PLACE OF THE FORMER PRINCE

I flew back to a day
no longer this day,
returning to the rubble
I had run from
to catch the last slab
being laid upon my childhood
buried under a concrete garden,
not even a root to latch on to.

I saw the permanence
of the pavement
pour over the past
no longer possible
from the next-door vantage point,
access no longer available
to my own old room
with its red walls and worries
for the former local
now unfamiliar foreigner
with footing bound
to a fondness to regress
but reality is no longer
the daydream we used to skip through
under the glorious sunlight
of the innocence
that blinded our youth.

Dreams are sometimes
rotten weeds to return to
after the dawn breaks
through the haze that once held hope,
our once great grounding
is not always as we left it.
We cannot fit into the clothes we once wore
nor the skin we since shed.

I saw my childhood today,
buried beneath the cold concrete;
the final closure on the kingdom
I thought I was the prince of.

All words and photographs by Damien B. Donnelly

A WHISPER IN THE FADING LIGHT

 

I heard them marching through the streets of Madrid, at midnight, under the first floor moonlight as you sang me songs strung from their souls, men marching a million miles away, a million years away from the momentary memory we were making, your fingers stroking the strings I’d pulled too tight on the guitar now clutched to your chest like I had been, or you on mine (I recall only feeling with fleeting time, not the practicalities of posture or position).

I heard them marching upon the melody you were making, like the music we had just made that would never be bright enough to linger on into lyrics, but you brought them from your history into my home beneath a still shouldering moonlight straddled on the first floor; a shining witness to the totality of our all and nothing, to how much closer we were getting and how much more like strangers we had become.

I took your cigarettes to my lips and watched the smoke burn to a whisper in the fading light of our afterglow and wondered how your words (more meaty than meaningful after midnight) could stick so to the softening skin, like my sweat and your scent, afterwards, after we’d come and before you’d left me humming a song from streets I’d never known but could taste on the tip of my tongue like something familiar, once favoured, long since forgotten.

Might marches upon steaming streets,
melodies make moments beneath the moon,
memory is often all we can hope for.

I WISH…

Our lives were lived in London then,

2 boys at play on shades

and stages,

in 4 bedrooms

that couldn’t bind us

forever.

In arms we sobbed

from 1 of our 2

3 seater sofas

in our 4 bedroomed house,

watching dreams disappearing

beneath the ashes of the Apple.

Eden had ended for the West.

No one knew who they were anymore,

the afternoon dawned into darkness,

arrogance had eaten the eagle’s feathers

and I only saw shadows in reflections

of myself in mirrors

that couldn’t capture the truth

of who I was or who

the 2 of us had become.

There was confusion, everywhere,

on all sides of the world, on all

the streets in shock, the television

a mirror to the madness

we couldn’t move from.

We were voyeurs to the violence

and already traumatized

by the thoughts of revenge

as Bush read books in the back row

of a preschool of potential

pacifiers or partisans.

And now, today…

We’d stood once, together,

years earlier, before the 2 sofas

and the 4 bedrooms

and the discontentment

and then this word called terror,

2 boys in awe

on the top of the world

with Broadway just a bellow below,

not realizing that life was but to Rent,

that No Day But Today meant this day,

not some day, somewhere.

It was now, here.

Jonathan never got to see his story,

hear his one song, his glory,

rising like Mimi from death.

A musical is but a muse on life,

plots are not planned in the spotlight.

A house is not always a home.

Towers cannot always support

the grayness that chokes between

dream and destiny.

We all have our stories,

our songs and our sorrows.

Love is love is love.

Love is…

I dream I see the planes

fly over and not into,

I dream…

we are there in London, still laughing,

still in the bedroom, still loving,

still on that rooftop, still standing

and all is still possible.

I dream

the towers in every territory

are rising from the ashes.

But we are no longer 2 boys

playing home in 4 bedrooms

in SE26, on September 11, 2001.

We have stopped counting

what we’ve lost, we have run out

of numbers and can never

go back to before.

But still,

I wish…

All words by Damien B. Donnelly

We saw the musical Rent on Broadway, New York, at the Nederlander Theatre on June 24th 1999, Jonathan Larson, its writer and composer, died the morning his show opened for off-broadway previews. He received a posthumous Pulitzer prize for Drama and Tony awards for best musical, best book of a musical and best score. It is still running in cities all over the world today. We stood on top of the World Trade Center on the 23rd of June, at 2.20 in the afternoon. But we can never go back.