SHORT STORIES OF FEAR; A MATTER OF MUD

 

A Short Story

The Americans and British were bent on finding Jim Morrison while the Irish and Japanese, for some reason, longed to add more kisses to the now ball-less Sphinx lingering over the long decayed body of Wilde, who probably watched down over their stupidity, proffered some wicked wit as their rouged up lips found a free side of the concrete to consecrate. Kissing a carcass is much like kissing an ass, you come away from both with a distinct desire to rinse your mouth immediately.

At one point, somewhere amid the ongoing battle of trees reclaiming the conquered landscape, I took a turn into the shadows and a darkness fell as if a cover had been placed over the sun like one drapes a cloth over the cage of a bird mid song and suddenly the silence is stifling. Darkness comes over you in the same way when unannounced. The weight of its dominance takes on a persona as its very essence runs its icy touch along your skin. Under its spell, and there was a spell upon me, I lost sense of direction, trapped strikingly between the desire to run towards life and the horrid reality that I was standing upon so much death. I didn’t believe in ghosts, not because I was sure they didn’t exist, but because I’d never allowed such superstition to cross my path. But there, in that twist of day and night, amid the moss-covered beds of those who’d long since reached out their hands to eternal rest, everything was open to suggestion.
I twisted and turned over directions in my mind, the routes I had taken that brought me there, literally and figuratively. I’d come for the fun, to find the forever flames of the famous, now fruit for roots and worms. I’d come also to escape the daily drab of life; the 9 to 5, rush hours, traffic jams, gossip, crowded metros and shoulder shrugs. I’d come to death to escape life and lost my way beneath its shadows. I’d wanted something different and found something terrifying instead, mortality. Under the silence of the surreal, I heard bones rotting, flesh festering, souls scratching, my heart beating and watch ticking, teasing me with every minute I’d wasted seeking diversions from the right roads, the real roads. The track trembled before me. Tombs lay broken and open, dark holes reaching into darker realms that only Dante had dared to dwell on in life and all that watched me were birds; black birds, sinister sentinels and not a single dove to drown out the darkness.
I felt my skin tighten around tensed muscles, my pulses pounding around veins starved for blood, as if my whole body feared its finality, foresaw what would one day become of it, here in this place of buried beds and eternal sleeps where the angels creep and mourners weep.
Suddenly I heard a child’s voice laughing and turned and ran towards its distant direction, but my feet heeded not my mind and my footing fell upon a broken branch of nature and the break of my ankle echoed through my frustration as I fell while nature itself looked and laughed at length. I fell upon a grave. I fell upon an open grave and lost sight of the cemetery. I lost sight of the trees fighting the concrete columns. I lost sight of the weeping Madonnas. I lost sight of the stone eyes angels and so, as I plunged down, deep down, I closed my eyes and waited to be swallowed by the bowels of the earth.

With a shock, I jumped up, in bed, at home. My bed, my home, not a grave, not the end, not Dante’s inferno. My breath could not find itself in the confusion, still stuck in the dream, that nightmare disguised as dream, down in the layers of hell. Eventually, in a sweat, I made it to the bathroom and turned on the tap to wash my face in cold water and drown myself back into the security of reality. I looked in the mirror; it was still me, still my refection, my face. I looked down to turn off the tap and noticed the dirty water running down the drain. Then I saw my hands; covered in muck, my body; covered in muck, my feet; covered in muck.
What in hell is going on, I asked myself? What was happening, had it all been real, had I actually been to the cemetery somewhere under the cover of night and nonsense? I looked back into the mirror at my reflection and it smiled back at me. My heart stopped. My skin tensed, just like in the dream. My reflection was smiling but I wasn’t.
I wasn’t anymore.

 

All words and photographs by Damien B. Donnelly

GONE, THE GARDEN

 

Gone is the garden, we are paved now

in parts no longer potential to growth,
to goodness. And the crow caws
in the corner, flesh festering into feather.

Gone is the garden, we have paved paths

over all that was precious while thinking
thoughtless, if only we’d thought less
about what we wanted and more
about what was needed. And the crow
cowers in the corner, questioning
what has become of its celebrity.

Gone is the garden and we can never
go back; the lock now lost in lyrics
too light, in the songs surrendered
from all that was soul to just sold out.

Gone is the garden, gone to graze

over another galaxy not yet grown
greedy, we are now alien to all
the earth has asked for, strangers
to the simple sand that sweeps the shore,
and stranger still to the starlight
that shines through its last breath burning.

We are the crows, cawing over concrete,
in corners, claws cracking in our chaos

and confused as to where went the worth.

   

All words and drawings my Damien B Donnelly

This is a repost (from my Joni Mitchell series) for a week of considering creation 

THE GARDEN OF THE MOON

 

There is a shadow,
like a dream too delirious to light with language,
whispering more of what swam away
than what smears this still water
I trudge through below a bitter moon
that has made his garden in this breast of man.

 

All words and photographs by Damien B Donnelly

This is a repost for a week of moon and stars

HOW MANY LETTERS DOES IT TAKE TO SPELL OUT ENOUGH?

 

And as they bit into the apple
they lost their right to the garden.

Hands are tipped now with guns,
now, instead of gold, instead
of gloves. Rage is the new ricochet
where once it was rock and roll;
bullets are the new Beatles.

Facebook has alerts, now, to say
you’re alive, now, after, after the breath
is stopped, after the blood is splattered.
It used to connect, now it just confirms.

Listen closely, for the loud sparks
are coming closer, closing in, sparks
like forest fires or that ripening fruit;
rage and temptation, heat and hunger.

We are the breath or the blood. We cannot
be both. Though we cannot exist without the other.

Leaders are born liars now, learning
earlier, leaning into lecherous, rights
are now redundant as the right rears
its rage over the left, ridiculous
are the rabble rousers, raising nothing
but their own cocks in their own hands,
tweeting about their own thickness.
Twitter was once 140, now it’s 280.
How much more space
do they need to spread their shit?

On Jeju, by a volcano, now sleeping,
now silent, some asked us, before
I lost breath and we lost the identity
of our Us, if barriers could be broken,
if divisions could be undone and I looked
back to the green covered mountain
and wondered how long it would take
before it became a monster once more?

Only then, only when the earth decides
to flatten all that we have taken,
only then, will the barriers be broken.

And as they bit into the apple they lost
their right to be governors of the garden.

 

All words and photographs by Damien B Donnelly

Photograph taken on Jeju Island, at sunset, South Korea, July 2018. Before.

THE BEAUTY AND THE BEAST

  

We were meant to be nothing more
than the compliment to you,
calm and considerate
not the conqueror;
covetous and carnal.

We were meant to be nothing more
than the guardian of you;
grateful and gracious
not just gluttony
grounded in greed.

We were meant to be nothing more
than the homemaker in you;
humble and harmonious,
not all harmful,
hungry and hoggish.

We were meant to see the beauty
and not become the beast.

   

All words and photographs by Damien B. Donnelly

This is a repost

IN MOTHER’S GARDEN

 

Mother,
the path has been puzzling and there are patterns now,
penetrating patterns once thought impossible, entwined
around veins, like vines that vie for vittles’ on walls
already wavering, on buildings bare as if each brick
banished is a breath broken,
Mother,
I carry more now than before but fragments have flown,
not yet cremated but I’ve scattered ashes over mischievous
maestros who tussled tarnished tunes along my tissue,
who cut cords, crude and often crippling, who leeched
the lyrics from my limbs when I thought a relationship
meant relenting to the rhythm, when I thought love
was a note never ending,
Mother,
we’ve seen how sacrifice can separate mother
from her making, little girl blue you had to give up
and woman who had let me go, the root cut from rose,
adapting far from the garden of creation, but we adapted
to adoption as if it wasn’t an option, as it wasn’t a question,
for there was always a connection,
Mother,
I see you with the bud of your womb now returned to you
as woman, your vines reattaching as nature intended
while I rarely regard the roots of my own becoming,
still too busy looking up and over, looking always
for the next interchange, questioning every other connection
in a garden scattered with those ashes, the bush burning
as the blossom still blooms,
but Mother,
I’m more you than the woman who made me, I am
more product of the carer than sewer of the seed who
so long ago saw the sacrifice in her own soil
and replanted my life in your warm embrace,
Mother,
I’ve seen stars setting fires to skies in other lands
where other oceans wash over other sands, stars
that still fade, though they are far, sands that still sweep
into all-consuming currents while populations ponder
the same problems as stars flicker out and time slips
through our hands,
Mother,
I’ve seen money makers in plastic palaces following
white lines to narcotic nirvanas as if salvation
was snortable, I’ve seen wiser men, on the sojourn, in India,
blind to all light, perhaps shielded from the fight,
holding tight to a smile that has slipped from our grip
with eyes still able to trap the light, with hearts too hungry
for more of more of more, polluting once stubborn seas
as we rape other roads, take other fruit from other gardens,
while blind men begged for nothing and saw more
than I could ever imagine,
Mother,
the days are now shorter and even before night
falls there is less light that falls and people are crying
in the streets, the flowers are folding and retreating into
the dirt as if hell might be better, Mama, people are dying,
dying in discos and in diners and in school halls
where they should be learning to be better, not leaving blood
behind on broken desks and chalkboards with equations
that don’t add up because the book has been swapped
for the bomb,
Mama,
there are horrors happening now, not yearly, but daily,
one chaos no longer fills one book, but one chapter,
followed by another and another with no let up, no
intermission, our gardens becoming desert landscapes
as all that tries to exist is destroyed, as all that was once
deemed right is declared wrong, as all rights are removed
and all races viewed as radicals,
Mother,
they’ve mistaken the mask for the man and they can’t see
though those smiles I’ve staged to still the shadows that line
these lines, these lives played out upon my breaking breast,
pouring like riverbeds raging over banks, over blank pages,
drowning them with tales, twists and turns, loves and losses
that have taken up home below shivering skin,
mostly uninvited, like wild flowers in the garden, like weeds
we mistake to be worthy of their place till the thorns bear
their treachery,
but Mother,
amid the mayhem there are moments magic, there are babies
being heard with first breaths beating, there are skies
singing of the sunrise, there are still sunsets still sweeping
shores where lovers still linger, long after the first kiss,
there are words whispered on winds, glorious hymns
of hope and heroes and there is art, still filling walls
with light and life, there is music and there is, as always,
your smile
Mother,
life is a series of spirals, not just circles, for it elevates
on the turn, not just levitates, for I am back, again,
at the beginning, but frail are the things once thought
familiar in this once foreign land I fled and feared
never to return, in this land where nothing changes
while everything moves and the shadows I once knew
have up and vanished and grass is growing where once
there was concrete and concrete has crushed all
that was once green and grand and 40 is not as adventurous
as 20 but the questions still remain unanswered
so there is no turning back because, as I said,
the vines have entangled themselves around me,
in this garden I’ve grazed in, from a distance, for so long,
pulling across my chest, either aching or yearning,
they are drawing me down, down towards the ground,
down, at last, to regard the roots of where it all began,
so long ago, when I first dared to ask;

Mother,
Will we ever have all the answers?

All words by Damien B Donnelly

Main Photograph of Mum and I in her garden back in 22 July 2002 on her birthday.

ADA2EA65-BC8A-4681-AB0A-D9C9C7DDB242.jpg

And today, 22nd July 2019, still filling our garden with joy…

Happy Birthday Mum, Love Always

BLACK IS ONLY SHADOW

 

Winter has grey wings,
feathers of sodden soot
that come from concrete clouds
too dense to discern any light beyond.
Winter spawns grey wings
but spring is an architect of possibility
by a canal of colour that sweeps in
after the fright of the frost
and baths us in a blithe breath
that blows across a chest once in chains.

Round the red bricked bridge we ride,
each pedal pushing past the storms
that rained rivers through our winters.
Follow the river, she sings,
seasons are short but the earth is a sphere
turning towards the light,
dark doors open often into hopeful,
the river recalls its route
regardless of the water,
blue can be a bright beacon to bathe in,
black is only shadow
before it finds a reason to ignite in light,
bark is dry but the branch bares blossom.

We can be the water or the bridge,
the natural path or the paved plot,
the route is bright beyond the chains,
the greyest night is but a sleep behind
the colours waiting beyond the bend.

    

All words and water colours by Damien B. Donnelly

22nd poem for National Poetry Writing Month

FALLEN FROM FABLE, day 13 of A Month with Yeats

 

It’s day 13 of Jane Dougherty’s A Month with Yeats and today’s inspiring quote is from ‘The Hosting of the Sidhe’ by W.B. Yeats: ‘Away, come away: empty your heart of its mortal dream.

My poem today is called: FALLEN FROM FABLE

 

When this mortal coil uncurls

is it a fall into a feathered freedom

we fly, away from the cry and the critic

of this shell of an earth, this hell

on earth, do we really need to reiterate

the ferocious fable of that inferno below?

It’s here, burning through the seeds

we failed to sew and we are both

the basis of its bloodbath and

the ashes of its aftermath.

 

All words and photographs by Damien B. Donnelly

Jane’s blog is: https://janedougherty.wordpress.com/2017/11/13/a-month-with-yeats-day-thirteen/

BEING BETTER 

 

Beat down, beat deep

below the root, there is work

to be done, there is dirt

to be drawn from this soil,

this stench, this space made

for more than just a trench.

Beat down, beat deep

under skin grown pale,

grown greedy under ale,

there is movement still

to be made, meaning to be

molded from all this matter

lately grown lazy, grown fatter.

There is more to be made

of the soil, of this soul

than simply burying

bodies within it.

 

All words and photographs by Damien B. Donnelly