TIME ON THE TIDE, PART 2; DRAWN TO THE DEEP

 

In sweeping sprays
the ceaseless sea
is savage to the shore;

bound and breathless,
always and evermore.

Living life on lucent lines
that linger on longing
but are lulled by the lullaby;

that constant cord caressing
the circle ever spinning by.

Ardent amoureux are we all,
ever eager to be eaten
and drawn to devotion,

never quite knowing
if we are the sea;

devouring

or the shore;

devoured by the desires
of our own creation.

 

All words and photographs by Damien B. Donnelly

Audio version available on Soundcloud:

I CAME TO THE CITY, PART 12, APPETITES

 

Down
in the dungeons
of men’s minds, below
the dance halls and the giddy
galleries, deep in a declining darkness
holding no pride over permanence, appetites
edge on apps to ease entrance as dogs eat dogs.
These are no longer the days of Wilde’s wit
and wicked word play, temptations are
no longer teased from tongue
twisters but twisted from
tongues in the darkest
part of the night
where dogs prowl
the popper pool, sniffing
out stimulating stimulants,
playing with prey, praying for applause
to that great god ground down; credit card cuts
of white lines that can’t quite cut through
these savage times. Digging deep
in the dungeon of darker minds,
men make moves too difficult
to swallow. Dogs eat dogs
and I realise I’m more
captive to caviar

than canine.

All words and photographs by Damien B. Donnelly

Audio version available on Soundcloud:

 

 

LONGING; THE TASTE OF THINGS TO COME

 

Tongues taste
our thoughts
when our thighs
twist and tumble,
when we slip
from sensible
to supple, shuffling
off our slips,
when lips lick lines
of longing, disrobing
desire from distraction,
curious to current caress,
covetous carried toward carnal,
slipping onto soft sheets
soon to be sweaty,
soon to be soiled
with that sensual scent,
soon to be hard, harder, hotter
(you had me at hello but you know that now).

Tongues taste
our thoughts
before we’ve even come
to embrace them.

 

All Words and Photographs by Damien B. Donnelly

Audio version available on Soundcloud:

COLOUR ON CURT CORNERS, PART 2, BERRY KISSES

 

Bright red berries
linger on bushes
before sunsets
like lip’s lightness
that lingers after kisses.

Bright red berries
tremble in the afterglow
of careful witness
like mouths that modulate
after tender caress.

Bright red berries
adorn towering twigs
thick and tall
like lips in flavour
of that fine flexed flesh.

Bright red berries
slip with the sun
into sleep serenaded
with the days delights
like lips that seek slumber
to sweep over skin
as the scent of seduction
sinks between sheets.

All words and photograph by Damien B. Donnelly

Audio version available on Soundcloud:

 

 

 

 

 

OUI

Day 11: National Poetry Writing Month #NaPoWriMo

Was it true, was it you,
in the blink of an eye
and the history of a man
out of time, a man not mine?
Was it true, was it you,
who settled sweetly onto sofa,
who slipped swiftly into suggestions
as we washed whispers with wine?
Was it true, was it you,
caressing and undressing the distance
that tickled from your red bricks (red lips)
into the tangles of my sheets fresh?
Was it true, was it you, was it me,
that northern man kissing
and climbing over southern son’s
heart he wore carved upon flesh?

Oui, you say, in my ear, still,
Oui, you said, from my bed

and then we laughed…

and somewhere
in the distance
a train pulled away.

All Words and Photographs by Damien B. Donnelly

KISS HIM

 

‘Kiss me
before the light fades
into the dream of what once was’
she pleads.

Kiss him
and fall,
and then look for him, let her look for him,
falling through the fine hold of false hope
as he moves off
to twist through other sheets.

Kiss him
and he is gone
evaporated in a lips touch
not a minute more than much
and yet she looks for him
she still looks for him
as if his breath were traceable
as if his touch was reachable
as if his promise
was trustable

Kiss him
but once
and watch her fall,
identity,
like the dream of what once was,
lost in a single kiss
drowning in dreams that follow
as he moves on
to other dreams
to shatter
with that same kiss.

‘Kiss me,’ she pleads
as the dream finds light and bleeds
onto the folds
in the empty space
on the bed
beside her.

All Words by Damien B. Donnelly

Audio version available on Soundcloud:

THE BURNING WOOD

 

And so man
within his story,
with all his guts
and gluttoned glory,
failed to reach the heavens  
with his flying ships
and roaring weapons,
looking upwards, 
always upwards, 
never sideways,
never backwards,
never wondering 
how he stood
with his feet
in the burning wood,
on this one time fertile Earth
once filled with hope,
once filled with worth.

And the gods
laughed on high
from their positions
around the sky,
from their comets
in the clouds
encircling a world
now laid in shrouds 
and its curious little creatures 
with hungry hands
and augmented features,  
clambering and clawing
over cadavers, though always falling,
trying to catch a glimpse 
of what was lying
in wait on front of them
but missing the destruction
they were leaving
in their disruption.

All words and photographs by Damien B. Donnelly

Photograph taken from a moving car somewhere near Balmoral, Scotland

AN UNOBTAINABLE NEED, A SHORT STORY

 

He stands in the shadows, staring out the window of his one bedroom suburban house onto the street outside. The late afternoon sunlight skirts the jaded red carpet as if looking for a way out. An old typewriter gathers dust on a desk next to stacks of unwanted, and seemingly unworthy, manuscripts. A breeze blows through an open window, filling the room with a sense of unease. The laughter of children playing outside occasionally drifts in and out, breaking the eerie silence. His gaze is upon these children and lately, his thoughts have been incapable of leaving them.

A bachelor all his life has meant no chance to have children and with his 86th year approaching, the possibilities seem to have fallen away like the blonde hairs that once covered his balding head. Although his chance has long since faded, his wish for children is something that will continue to haunt him for as long as he hears the laughter.
As his life draws to its climax, his spirit itches to move on from this existence and yet his fragile body continues to breath and he remains staring out a window, nurturing distant dreams that are now as futile as the pages on his desk. Manuscripts that he had hoped would fill the void in his life and yet all he could bring himself to write about was that very void. A void that nobody wanted to read about. He is now become a prisoner trapped inside his own body; a body that has changed while his feelings have not. He doesn’t remember growing old and yet his frame has welcomed it. No longer standing with the poise of a young man, his back now slouches forward, his pace has slowed and all movement has become an effort. There is little on his body that is familiar to him any more.
The mundane pattern of daily life tries to convince him that he is settled. He settles daily into his cream cardigan, his brown slippers settle unto his feet from morning until night. His pleasures are all but dead, except for his smoking, though even that brings a chesty cough. Alone in his house, he is noticed by no one because life has passed him by. His aching body no longer fits into the momentum of modern living. He takes one final glance out the window before climbing the stairs with legs no longer capable of climbing. On a single bed, he rests until dinner. The children continue to play outside on the street.

He tries to go for a walk everyday, but who can go far with legs that want to rest. Resisting the temptation not to, he forces his legs to take him past his neighbours who watch over their children with the usual parental intensity. He watches them run when their little ones fall over and hold them tightly as if to smoother their tears. The moment shared by parent and child is filled with so much love that their bond is almost visible, as beauty is to fragility, as love is to loss, while alone he simply clutches a cigarette. They barely notice him anymore. He is the old man who lives in the old house with the old curtains and the musty smell. He wanders on, past the school playground where again children laugh and play and, watching from behind the wire fence, he feels isolated. He lowers his hearing aid. With no sound, the visions are less painful, but for all too short a time. When the scene needs no sound to hammer home the truth, he moves along, continuously smoking and pent up with jealousy.
He passes the graveyard where voices jeer him from deep inside his own head.
“It will be the end with you, my friend. Your grave shall be bare but for you. No one will continue your name and none shall follow yours on the tombstone. When you go, your name will be no more; for you are the last.”
This is the place that hurts the most. This is the place where green eyes drown in bitter tears. He has been here many times lately, dressed in his black suit, bidding a final farewell to others like himself. But there were always children huddled together on these occasions. They may have been adults, but they had always been children to their parents, in the same way that a single lonely old man can only be a single lonely old man. When the inner voices mourn too loudly, he moves on, using each headstone as a morbid crutch. The hardest truth to accept is that which lies directly in front of you. Waiting.

Epilogue

It has been one week since his 86th birthday. A single card rests on the mantle piece; a sympathetic token from the local Meals on Wheels. There is not a sound in the house, all is quiet. No one looks out from the shadows, no one is haunted by the sounds from the children outside. Junk mail collects in the letterbox. The last of the evening sunlight just hovers in the hallway, creating ethereal shadows in the musty air on the stairway. Upstairs, on a single bed, there is a single body surrounded in silence. In his room, there is not even the sound of breathing. His body is lifeless. His name will continue no more.
All Words and photographs by Damien B. Donnelly

Photograph taken in the gardens of the Musee Rodin, Paris, France

AGEING FRUIT IN THE HOT SUN

 

And so my first try at online Magnetic Poetry, at first glance I thought “Well, this is fun,” but I was wrong. A challenge of limitations.

 

 

Beat and blow
and bare away,

let not blood rip beauty black

We watch,
we want,

“I want hot peaches, honey,” you said

“No music for me,

no sun”

 

All Words by Damien B. Donnelly, limitations by Magnetic Poetry.