Happy 4th of July from The Muse and I…
Month: July 2017
I CAME TO THE CITY, PART 15; TURBULENT SACRIFICE
Mama was an unmarried mother
at the end of the summer of 75
as Joni hissed of the snakes
in the gardens of complacency
where ignorance was still very much alive.
Mama was only a girl in the growing
and possibly no more than just 18
when she bent down and placed
a kiss on my cheek and whispered
goodbye to her own little green.
Mama is someone who I’ve never met
aside from the dream I once had
of her life in a kingdom that ruled
you could not mother a child unless
at first you were a legitimate wife.
Mama was an unmarried girl one winter
in the arms of a man barely stretched
from a boy, her trust in the throws
that left little to believe in and a pain
that pulled on the strings of goodbye.
Mama was once an unmarried mother
and bursting with thoughts her shape
couldn’t hide, but helpless and hopeless
were not part of her form and so she did
what she could when you can’t be the bride.
Mama was a childless woman
when winter that year came cold with its calling,
and the tears started breaking
and the leaves began falling
like the water that had broken,
like the hold that had not held,
like the hope that was drowned,
and the hand that was expelled…
too short, too quick, too hard
too much to let go for good
and the snakes started hissing on the lawns.
Mamma was the unmarried mother
who gave me the greatest gift
that anyone could, of growing up
knowing that what she had done
was to give me up for a greater good.
All words and photographs by Damien B. Donnelly
Audio version available on Soundcloud:
I CAME TO THE CITY, PART 14; TWO ROOMS IN THE LAND OF THE FROGS
In days now distant we were back side, one-up,
apartment dwellers whose viewless windows
enabled us to see more through the darkness
than the light that might have deceived us.
Tambourine Therese tapped her tunes of truths
not yet tasted, sweet tumble leaves freshly fallen
from the trees in the apple orchard with the pink
ladies and golden greens begging to be bitten into,
we were innocence eased into a micro mini
of voluptuous velvet and the brown eyed boy
already broken on blue, we were scavengers
seeking the scent of salvation on the shiny streets,
saving up to buy into beginnings we could cut
cords on, we were lyrics yet to be licked
looking to Mitchell as muse; we were wild
in the old days and covering Carey and cases
of whoever might come calling on the Casio
in our little corner as we careered through
the no longer muddy marshland in search
of suggestions to rise in us seductions, thirsty
for tattoos to plot paths along our pale pinkness
so we could track our trajectory. Gone
from the garden we were growing into city,
held up at first in a hotel, hostages of homelessness
were we sang songs in the ignorance of our sorrow,
sweet birds of youth busy building nests
in the confines of concrete, blind to the battery,
we were born for the bloom but forging
that famed forever on a friendship
that failed us like the lie of a lead balloon.
In days now distanced from all that was once dream,
I have found form as lonely painter on a canvas
of winding words, the connoisseur of cutting cords,
often curt and callous, in the challenge to manage
the malice, trying to be fateful only to the fate
that awaits but caught at times, by cords
that cannot be cut, whose curious concerns
come a calling from cold corners I’d considered
closed. I hear you on the wind sometimes
still tapping those tunes I thought I’d forgotten,
as veins rethread the trajectories already taken
through my skin, no more so pink, no more
so fresh. Fruit fades but we find ourselves
reformed into fractures of what once was,
fragments unfinished, like filigree too fine
to unfold, like a dance as yet undone, a song
we had still to sing in this city I’ve now returned to
while moving on, slipping forward through shadows
now past, still building nests, still seeing better
in the darkness and touched, in that half-light,
by the purity of your sprite, once so fair, one so rare.
We fell so fast to finished and yet, as she sings
of the songs like tattoos, I’m reminded
of that one flight up that can never be diminished.
All words and photo collage by Damien B. Donnelly
Audio version available on Soundcloud:
I CAME TO THE CITY, PART 13; CAPTURE BEAUTY
Beauty is breathtaking
where breath is less
and beauty is all.
Beauty is breathtaking
before it’s been taken from you,
then we are no longer bound to blind
and breath is less and less and less.
We breathe in beauty
in excess
as if it were endless,
as if we were never bound to be less and less and less.
We are chalk
marked for a rainstorm.
We breathe beauty with every breath,
with every kiss caught from lip’s press,
we press beauty into flesh,
flesh fresh on beauty that is fleeting.
Kiss him back,
Kiss her again
before it’s gone.
‘Kiss me,’ she whispers with eyes eager
and he kisses her eyes
and her lips grow eager
to feel the beauty that is breathless,
that draws in each breath, less and less and less.
We are not bound to be endless,
we are chalk
marked for the rain storming in the distance.
And so we press more and more and more
falling into the fragile fold
that holds beauty as it is falling,
for we are falling
into life,
into lust,
into love,
into loss,
into all that will fade
when the rainstorm has fallen,
for we all are fragile.
Capture beauty
before the breath grows less and less and…
All words and mini college by Damien B. Donnelly
All poems/visuals in this series are inspired by the artistry of Joni Mitchell.
Audio version available on Soundcloud: